krool1969

To be fair I turned this movie off almost at once. If you want to make a film about women's rights to be legally equal to men, and you title your film after a political movement to show breasts are not offensive, sexual or shameful you don't blur out the women's breasts. By doing so you are sending the exact opposite message. By blurring out the breasts this film is saying that they should stay covered because it might offend someone.

This film is a waste of time and money. It works in direct opposition to women's rights.

If you want to make a film like this you must have the courage to actually free the nipple. Otherwise, don't bother.

It is the ultimate "opposites attract" love story. Arthur Martin is a perfectly ordinary (15207 other men in France share his name) shy, conservative late-middle aged single man working for the Government. He was raised by boring scientist technophiles who have consistently invested in great ideas that all turn out to be flops.

Baya Benmahmoud is a one of a kind (She is the only person in France named Baya Benmahmoud) young, beautiful, intelligent but scattered brained super-liberal activist raised by her hippy mother and illegal immigrant Algerian father. Her mission in life is to sleep with conservative "fascists" in order to turn them to the proper liberal ideal.

Baya finds Artur and launches her "make love not war" mission. She follows her proved method turning his world up-side-down. But this time, perhaps Baya has finally met her match. Everything changes for Baya when Arthur performs a kindness for her father that turns Baya's world up-side-down.

"If you can't trust the ducks, that is a bad sign."