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In this sequel, once again dancing on the streets of Baltimore is contrasted with classical dancing. Andie (Briana Evigan) lives with her aunt, but that arrangement is jeopardized by her commitment to The 410, a notorious street dance troupe that posts videos of their public exploits.

Andie's situation settles when she is accepted into the Maryland School of the Arts. There she meets Chase Collins (Robert Hoffman), who convinces her to start her own street crew.

Personally, I preferred the dancing in the first film, but I did enjoy seeing the Jabbawockeez. Some of the style edges in krumping, which I do not prefer, but it is only a small portion of the dance sequences.

Watch for Cassie Ventura, who plays the part of Sophie.

Adrian (Mario Lopez) is an attorney who is passed over at work. He decides to train for a local firefighter job, where his brother works. Adrian is the oldest recruit, but he sticks with it, despite the fact that another recruit, Charlie (Charlie Besso), considers him a distraction. When it turns out Charlie is the son of Sarah (Ali Cobrin), a woman he finds interesting, things get even more complicated.

What drives this story is the energy of Lopez and Cobrin. Both are quite likable. But the romance is only one part. Adrian's re-evaluation of his life is central to the narrative. And the relationship between the two men is also a major story arc.

Though the film is considered a drama, there is a pervasive sense of humor. And it has its share of heartwarming moments.

This unassuming film was co-written, directed, and starred in by Ray Romano. He plays Leo Russo, the central character-an Italian American whose life is centered on the traditions of his culture and his patriarchal family. He works for his father in the family business. He takes a lot of guff from all his relatives. And it is difficult to tell if he is happy.

The bright spot in his life is his son, Matthew (Jacob Ward) who they call "Sticks". Though he has always had difficulty interfacing with society, lately he has blossomed via his interest in playing basketball. And Leo has enjoyed this reprieve from the dysfunction in their lives.

When Leo and his wife Angela (Laurie Metcalf) learn that Matthew might earn a sports scholarship to a college, it changes their possible life trajectories. And then they learn Matthew has kept a secret from them.

The cast is excellent. Watch especially for Jennifer Esposito, who plays a widow and avoids cliché with her finely-tuned performance. Also, Sadie Stanley is a joy to watch as a young woman who defies conventions.

This very human film invites the viewer into Leo's life. It tells a story about the compromises we make, including those we make with ourselves, and the small moments of grace.