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zelena33's profile image

zelena33

Joined Oct 2012
Welcome to the new profile
Our updates are still in development. While the previous version of the profile is no longer accessible, we're actively working on improvements, and some of the missing features will be returning soon! Stay tuned for their return. In the meantime, the Ratings Analysis is still available on our iOS and Android apps, found on the profile page. To view your Rating Distribution(s) by Year and Genre, please refer to our new Help guide.

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Lists11

  • Toshiko Kobayashi and Hideko Takamine in Carmen Comes Home (1951)
    Japanese cinema in glorious color ~1951-1969 (but mostly 1955-1960)
    • 106 titles
    • Public
    • Modified Jan 26, 2025
  • Bae Doona, Aki Maeda, Yû Kashii, and Shiori Sekine in Linda Linda Linda (2005)
    Japanorama
    • 96 titles
    • Public
    • Modified Sep 06, 2022
  • Moon So-ri and Sul Kyung-gu in Oasis (2002)
    Korearama
    • 85 titles
    • Public
    • Modified Dec 08, 2019
  • The Act of Killing (2012)
    Films T.S. Has Not Seen
    • 47 titles
    • Public
    • Modified Nov 06, 2019
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Reviews8

zelena33's rating
Gin Ke Dus

Gin Ke Dus

7.2
1
  • Feb 16, 2025
  • Poor directing of a weak script

    This trite and formulaic low-budget student film doesn't have a single element of interest to hold onto. The cinematography is so flat and amateurish that it looks like a local TV soap opera - makes it impossible to suspend disbelief. Absolutely abysmal student acting paired with a clumsy and unbelievably overstretched script make this impossible to finish. A lot of stereotypical and derivative horror-trope directing moves really start to grate after a while, especially because when trying so hard to look Hollywood, it just really doesn't come across authentic to the context it comes from at all.
    Furiosa: A Mad Max Saga

    Furiosa: A Mad Max Saga

    7.5
    1
  • May 26, 2024
  • Insulting to the moral intelligence of the audience

    Seoul Vibe

    Seoul Vibe

    5.5
    1
  • Sep 12, 2022
  • Bad vibes

    It's a crime, the way that CERTAIN US-BASED STREAMING PLATFORMS are all rushing to buy their way into Korean and Japanese markets by just green-lighting every lousy script in the local language they can get their hands on, and then producing what is basically just American television in Korean (also, Japanese). It's a crime because they are buying out the great creative powerhouse of our generation and gentrifying it -- within ten years they are going to destroy the local creative industry and replace it with Disneyland. It's like the Mission District and Williamsburg all over again. Netflix is basically the stinking sulfuric acid that dissolves culture.

    This lousy turd of a Netflix production in no way resembles the flavor and genius of Korean cinema and tv drama that we know and love. Okay, we got that out of the way. But while we're at it ,it also doesn't resemble 1988 in any way shape or form - not America in 1988 never mind Seoul in 1988. I didn't bother to look at the credits, but it's 100% certain that this thing was made by first-generation Korean Americans from LA who weren't even born in 1988. So there is no nostalgia to like about it. Beyond that, it just feels surreal, how lazy you have to be to not even research the period right. In the 90s, people were making 70s period pieces that could pass... maybe it has to do with the collapse of culture from the internet, but it's just weird how far this is from portraying the "vibe" of a generation ago. Nothing like Korean cinema, nothing like 1988.
    See all reviews

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