olivierhaemhouts

This movie deserves higher acclaim. I can understand why the director dubs it her masterpiece. The imagery is simply beautiful. The colour and the lighting of the sub-tropical Japanese island is captured perfectly. It makes you want to travel there. The rhythm and the tempo of the movie is slow, which make you wander in the wonderful landscape even longer. This is a poem on pellicule. Of course this is not a blockbuster, it is a totally different ball game, not even in the same ball park. It is like comparing techno music to Beethoven. Both have their charms and peers. Thematically, it is pretty far away from the high technological Japan, although there is a passage in Tokio. The sea and the landscape are definitely protagonists as well. As are the hundred years old trees. It is kind of a spiritual experience this movie. For me it was too short, I wished it lasted longer than two hours. You can rewatch the movie in smaller pieces and reflect them. It talks about all the Freudian core concepts: Eros and Thanatos. Life, death, sex and love, youth and old age, they are intertwined in this movie. It makes it a very visceral though subtle experience. It's soaked in the blue colours of the sky and sea, and the gold of the sun and skin colours. The music is very soulful as well, the chants, the prayers make it a very spiritual experience. Very cathartic film, warm, deep, poetic about letting go and awakening love. I am very curious to see this Japan and its incredible nature, this eastern beauty. It's balm for the soul.