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about
LE123
Maria is an Australian drummer and composer based in Naarm/Melbourne. Her solo percussion performances draw on ideas from the Kulintang music of the Philippines and contemporary electronic production to weave hypnotic webs from layers of unmetered pulse that slowly undergo subtle textural transformations. In collaborative contexts ranging from free improvisation, jazz and contemporary composition to experimental pop, Maria contributes an acute sense of touch, placement and timbre, unashamed virtuosity and a powerful rhythmic drive.
She has performed and collaborated with some of Australia’s most renowned artists, including The Australian Art Orchestra, Anthony Pateras, Jim Denley, Amos Roach, Lucas Abela, Krakatau, Andrea Keller, Dave Brown, Jenny Barnes, Carolyn Connors, Scott Tinkler, James Rushford, Ernie Althoff, Stephanie Lake, Robin Fox, Tenzin Choegyal, and The Splinter Orchestra. Maria’s debut EP ‘Mondo Flockard’ was released in 2016 through Perth label Tonelist, and was listed on Avant Music News under Best Albums of the Year. In 2017, she composed and performed a percussion and electronics score for Ben Christensen’s 1922 film ‘Haxan’ at Dark Mofo festival in Hobart, Tasmania. Performing on solo drums, Maria has opened for Claire Rousay, MY DISCO, Clever Austin (Hiatus Kaiyote), Chris Corsano (Bjork, Thurston Moore, Evan Parker), Oren Ambarchi, and Alex Zhang Hungtai (Dirty Beaches). Her solo LP ‘Opening’ was released through Nice Music in January 2019. Maria was a recipient of the Art Music Fund in 2020 and released her second album ‘For Leolanda’ via Room40 in 2022.
Artist notes:
When beginning this piece, I wanted to create something percussively driven whilst being drone-based and meditative. The piece underwent many transformations to become what it is now. One percussive idea sparked a melodic idea, which then sparked another percussive idea, and so on. It made me think of how things are always in a state of constant flux and suspension, though they may appear stagnant. I am often drawn to music that has this feeling about it.
The piece naturally split into three sections: a long drone, building to a frenetic percussive climax, a gentle improvisation between the toms and the snare drum, and a slow, relaxed groove supporting a verbed-out sparse melody.
Mostly, my intention behind this piece was to explore what I love about music that leans towards minimalism; restraint, texture, hypnotic rhythm, and beauty. Whether or not I achieved that is, for me, beside the point, as what emerged during the process became something that I feel represents my musical voice well.
We have constant distractions and limited attention spans with new technologies designed to send our brains into overload by feeding us vast amounts of information in short bursts. Extended deep listening gives us a chance to escape that and reminds us to be receptive to sounds happening around us.
Composed by Maria Moles
Maria Moles: Drum kit, percussion, synthesizer
Tim Harvey: bass
Drum kit recorded by Tim Harvey
Mixed by Maria Moles
supported by 82 fans who also own “A spark, a reminder”
This is my absolute favorite album of all time, words can not even begin to describe how much I love it. It nails the concept of dementia as an album perfectly 100/10. I don't know if I could find anything better than this. rod
supported by 69 fans who also own “A spark, a reminder”
It's Thanksgiving
I've been asked to make
Mashed Potatoes.
I think I’ll honor my Ukranian ancestry by doing them deconstructed Perogie style … there will be dill. Which some will not like … which then makes me think I could put the dill on the side, but then
maybe
I just shouldn’t concern myself with what to do to make
The ‘dish’ acceptable to everyone; and rather, just make the ‘dish’ the expression of me
that it’s suppose to be. magoski
supported by 69 fans who also own “A spark, a reminder”
Even at 80 years old, Pharoah Sanders played his tenor sax with the conviction of a gospel preacher. Every second of this album is arrestingly beautiful. As far as I'm concerned, this is essential listening for anyone who considers themselves a fan of music. 3sidesinasquare
Portland beat maker Paul Dickow does right by dub techno under his Strategy moniker, bridging immersive listening with immediate impact. Bandcamp New & Notable Feb 1, 2023
Megafaun drummer galvanizes his percussive curiosities into dazzling vistas sporting everything from metallophones to chamber orchestras. Bandcamp New & Notable Nov 2, 2025
Percussionist Michael Anklin meets modular synth wizard Kilchhofer for this fascinating record of atmospheric electroacoustic interplay. Bandcamp New & Notable Mar 5, 2019