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She'll Change
02:41
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Crooked Tree
03:52
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Castilleja
03:16
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The River Knows
03:33
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Over The Line
03:01
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Nashville Mess Around
02:32
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Goodbye Girl
03:21
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Grass Valley
03:50
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Molly Tuttle Nashville, Tennessee
Molly Tuttle has charted a course between honoring bluegrass & stretching its boundaries. One of the most decorated female guitarists alive, she was the first woman to win the International Bluegrass Music Award’s Guitar Player of the Year, at 24, and won again the following year; she has also won Americana Music Association’s Instrumentalist of the Year award and multiple GRAMMY awards. ... more
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supported by 139 fans who also own “Crooked Tree”
When (in 2040 maybe) an indie rom-com set in 2024 uses this song for the moment when two rugged protagonists come back together in an uneasy but comfortable third act reunion, we will all nod our heads and say "Yes. This is what it was to be alive in 2024--we were so beautiful and so rugged and we loved this song."
go to albumsupported by 136 fans who also own “Crooked Tree”
I was put off by the bigger arrangments, and I still have mixed feelings about the INCREDIBLE songwriting and lyrics of "What We Had" drowning in strings... but there's no denying their craft. These two are masterful, and if you already love them, you'll find new favs on this one.... they continue to prove that "old-time" songwriting can be applied to modern problems/issues just as beautifully and poignantly.
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Weathervanes
by Jason Isbell and the 400 Unit
supported by 136 fans who also own “Crooked Tree”
Truly a record that makes you feel warm and fuzzy inside
go to albumThe indie rock and pop singer returns for her third EP which incorporates levity and darker themes.
go to albumThe lead singer of punk band Camp Cope ventures into romantic synth-pop territory, tempering slick arrangements with bare sentiment.
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The St Buryan Sessions
by Sarah McQuaid
Recorded live at St Buryan Church, the latest from Sarah McQuaid is a showcase for the simple power of voice & guitar.
go to albumsupported by 133 fans who also own “Crooked Tree”
there's few albums that have such a great, charming and cool vibe, so dark and muffled whilst sounding so bright. it's oscillating between orchestral-like pieces and bedroom pop, and it just works. this is going in the reference music playlist
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