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In this Issue

Table of Contents

  1. My Chapter Upon Lines: Motion, Deviation, and Lineation in Eighteenth-Century British Aesthetics
  2. Scott R. MacKenzie
  3. pp. 1-26
  4. DOI: https://doi.org/10.13110/criticism.61.1.0001
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  1. Mood, Provisionality, and Planetarity in Mary Wollstonecraft's A Short Residence in Sweden, Norway, and Denmark
  2. Enit Karafili Steiner
  3. pp. 27-50
  4. DOI: https://doi.org/10.13110/criticism.61.1.0027
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  1. The Ecological Alternative: Edward Abbey, The New Left, and Environmental Authenticity
  2. Alexander Menrisky
  3. pp. 51-71
  4. DOI: https://doi.org/10.13110/criticism.61.1.0051
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  1. Modernism as Gesture: The Experience of Music, Samuel Beckett, and Performed Bewilderment
  2. Ronald Schleifer
  3. pp. 73-96
  4. DOI: https://doi.org/10.13110/criticism.61.1.0073
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  1. Lyric Noise: Lisa Robertson, Claudia Rankine, and the Phatic Subject of Poetry in the Mass Public Sphere
  2. Andrew Gorin
  3. pp. 97-131
  4. DOI: https://doi.org/10.13110/criticism.61.1.0097
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  1. The Other Terror: Remembering the Paris Commune
  2. Elizabeth Duquette
  3. pp. 133-135
  4. DOI: https://doi.org/10.13110/criticism.61.1.0133
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  1. Headhunting the Tastemakers
  2. Matt Seybold
  3. pp. 137-141
  4. DOI: https://doi.org/10.13110/criticism.61.1.0137
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  1. The Problem of Bodily Autonomy in the Cinematic Arts
  2. Eliza Steinbock
  3. pp. 143-146
  4. DOI: https://doi.org/10.13110/criticism.61.1.0143
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