In this Issue
SEL focuses on four centuries of British literature in rotating, quarterly issues: English Renaissance, Tudor and Stuart Drama, Restoration and Eighteenth Century, and Nineteenth Century. The editors select learned, readable papers that contribute significantly to the understanding of British literature from 1500 to 1900. SEL is well known for the commissioned omnibus reviews of recent studies in the fields, included in each issue. In a single volume, readers might find an argument for attributing a previously unknown work to Shakespeare, a study of the connections between class and genre in the Restoration Theater, an interdisciplinary exploration of the art of the miniature and Fielding's novels, a theoretical exposition of the "material sublime" in Romantic poetry written by women, or an innovative queer reading of a much-discussed ninteenth-century verse novel. We invite innovative work of the highest caliber from literary scholars internationally at any stage of their careers, and we especially welcome submissions from historically excluded perspectives.