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ROSA BONIIEUR. 239
Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
Additionally, when viewing full transcripts, extracted text may not be in the same order as the original document.
-Afta— At The Southern End Of The Rue D'...
Throughout all her varied studies , Raymond Bonheur was his daughter's constant and only teacher . M . Leon Coignet , to whoni
she had been presented , and of whom she has been said , erroneously , to have been a pupil , took great interest in her progress , and warmly
encouraged her to persevere in her efforts ; but she never took a lesson of . any other teacher than her father and Nature .
Raymond Bonheur , with his family , now occupied a small sixth story apartment , in the Rue Rumfort . His two sons , Auguste and
Isidore , had also devoted themselves to the artist career—the first as a painter , the second as a sculptor—under his paternal auspices ;
and the whole family , warmly attached to each other , and merry and hopeful in spite of their poverty , labored diligently together
in the same little studio . From daylight till dusk Rosa was always at her easel , singing like a linnet , the busiest' and merriest
of them . all . In the evening , the frugal dinner despatched , and the lamp lightedshe would spend several hours in drawing
illustra-, tions for books , and animals for prints and . for albums , or in moulding little groups of oxen , sheep , & c , for the figure-dealers ,
thus earning an additional contribution to the family purse . Rosa delighted in birds , of which she had many in the studio ;
but it grieved her to see them confined . To her great joy , one of her brothers contrived a net which he fastened to the outer side of
the -window , so that they could be safely let out of their cages . She had also a beautiful sheep , with long * silky wool , the most docile
and intelligent of quadrupeds , which she kept on the leads outside the windows of their apartment ; the leads aforesaid forming a
terrace , and being converted by her into a garden , gay with _honejrsucklescobeas , convolvulus , nasturtiums , and sweet peas . As the
, sheep could not well descend six flights of stairs , yet needed occasional exercise and change of diet , Isidore used to place it gravely
on his shoulders , and carry it down to a neighbouring croft , where it browsed on the fresh grass to its heart ' s content ; after which he
would again take it on , his shoulders , and carry it back to its aerial residence . Thus carefully tended , the animal passed two years
contentedly on the terrace , affording ' to Rosa and her brothers an admirable modelalways ready , and always instructive .
, . It was in the Fine Arts Exhibition of 1841 that Rosa Bonheur made her first _aj ) pearance before the critical Areopagus of Paris ,
attracting the favorable notice both of connoisseurs and public , by two charming little groups of a goat , sheep , and rabbits . The
following year she exhibited three paintings , viz . : — " Animals in a Pasture' * "A Cow Lying * in a Meadow , " and " A Horse for Sale , "
, which attracted still more notice , the first of these being specially remarkable for its exquisite rendering of the atmospheric effects of
evening * , and its blending of poetic sentiment with bold fidelity to fact . From this period she appeared in all the Paris Exhibitions , and
in many of those of the principal provincial towns ; her reputation
rising every year , and several bronze and silver medals being
Rosa Boniieur. 239
ROSA BONIIEUR . 239
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Citation
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English Woman’s Journal (1858-1864), June 1, 1858, page 239, in the Nineteenth-Century Serials Edition (2008; 2018) ncse.ac.uk/periodicals/ewj/issues/ewj_01061858/page/23/
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