Oxtail Recordings Sydney, Australia
Ambient noise and broken songs.
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Promises
by Floating Points, Pharoah Sanders & The London Symphony Orchestra
supported by 30 fans who also own “Evergreen”
Even at 80 years old, Pharoah Sanders played his tenor sax with the conviction of a gospel preacher. Every second of this album is arrestingly beautiful. As far as I'm concerned, this is essential listening for anyone who considers themselves a fan of music.
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Soft Confidence
by Deep Learning
supported by 23 fans who also own “Evergreen”
Honestly this is why I consider ambient/experimental music an example of modern art.
go to albumsupported by 19 fans who also own “Evergreen”
“Do you still dream in water?” she asks. He nods—“only when it rains inside.” Their words drift, slow like signal loss,, soft clicks between heartbeats. A drone hums overhead, its shadow stroking their faces. “Are we free now?” she whispers. He laughs, small, broken. “We’re just less afraid.” They share one headphone, listening to the city’s pulse— loops of breath, echoes of what could’ve been “Hold me,” she says. “I am,” he answers, “in the static.”
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New Hymn To Freedom
by Szun Waves
Portico Quartet’s Jack Wyllie, Triosk’s Laurence Pike, and synth composer Luke Abbott make a record that highlights their individual and collaborative strengths.
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American Rituals
by Cheri Knight
Many different threads in American music converge simultaneously in the work of Cheri Knight.
go to albumThe latest album from the jazz trio features cosmic, electronic-infused tracks.
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Music for Tomato Plants
by Loris S. Sarid
supported by 18 fans who also own “Evergreen”
To welcome the rays of light and let them guide you to growth.
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