Bertrand Redon
I had been a Chucho Valdes fan in recent times. This album is smoother and more easy going than other Chucho Valdez albums i listened to. It's the sound of two masters of rythm and moods having fun together. Great contrasts, vivid imagery through the winds, simplicity and virtuosity at the same time. It inspires me to think of the great classical music heritage in La Havane which was (is?) a place for operas and orchestral music. .
Favorite track: Claudia.
In 1962, two of the most influential and talented instrumentalists that Cuba ever produced were brought together. Saxophonist/clarinetist Paquito D’Rivera was invited to hear pianist Chucho Valdés at a local club in his Marianao neighborhood of South Havana. The two soon became a musical partnership that helped shape jazz in Cuba. Their paths would separate in 1980 when D’Rivera left Cuba.
Sixty years after their initial meeting, the pair has finally reunited to create a monumental new recording. Their I Missed You Too! marks D’Rivera and Valdés’s first recording since they were both members of Cuba’s most influential jazz/fusion ensemble, Irakere.
Both D’Rivera and Valdés are sons of accomplished musicians. They grew up enmeshed in the musical culture and as child prodigies. When they met, their rapport was immediate. Their background in conservatory and popular music scenes allowed them and their music to go far afield, from jazz and son to classical and mambo.
Their first musical explorations would be as members of the Orquesta Cubana de Música Moderna, an eclectic and experimental large ensemble used for stage and screen. Soon thereafter, they formed Quinteto de la Orquesta Cubana, a small group that focused on jazz with Afro-Cuban rhythmic influence. Their longest collaboration was with jazz fusion group Irakere, which began its syncopated journey in 1973.
D'Rivera left Irakere and Cuba in 1980. He eventually settled in New York City where he continued his ascendance in the jazz world, where he remains one of the top woodwind players across any idiom. Valdés remained in Cuba and was the leader of Irakere until 2005. Since then, the pianist has continued as an ensemble leader and solo performer throughout the world.
The past few years have found the old friends reunited for a handful of performances. It was only natural that they take the reunion to the next step and record an album. To do so, the pair recruited the best musicians specializing in the blending of jazz and Afro-Cuban music in their Reunion Sextet. The Sextet features trumpeter/valve trombonist Diego Urcola, drummer Dafnis Prieto, bassist José A. Gola, and percussionist Roberto Junior Vizcaino.
The Cuban legends and their stalwart collaborators met in early January 2022 at Frost School of Music Recording Studio in Miami, Florida to capture the grand event. The program they recorded included originals by both leaders along with pieces by composers of two far flung generations and Latin styles, Hilario Durán and Carlos Gardel.
The recording begins with Valdés’s “Mambo Influenciado;” the electrifying piece features lightning quick passages for D’Rivera’s fleet alto along with brilliant solos from Valdés and Urcola. The pianist’s “Mozart a la Cubana” highlights the leaders’ comfort in blending jazz and blues forms with classical music elements, most notably Wolfgang Amadeus Mozart’s “Eine Kleine Nachtmusik.” D’Rivera’s “I Missed You Too!” swings subtly with the composer’s clarinet and Urcola’s trombone acting as perfect foils. Valdés sets up a bright montuno on Hilario Duran’s tribute to D’Rivera, “Pac-Man,” which builds into a percussive showstopper.
Valdés’s haunting piano leads into his piece “Claudia,” a hypnotic ballad that features D’Rivera’s tremendous clarinet playing. Written by Valdés and D’Rivera, “El Majá de Vento” establishes a hard driving groove immediately and doesn’t let up as the horn players take turns over the churning rhythms established by Prieto, Gola, and Vizcaino. The recording concludes with Argentine composer Carlos Gardel’s lilting tango, “El Día Que Me Quieras,” performed here in a moving duet between Valdés and D’Rivera.
It is truly a wonderful thing to have two giants of Cuban music reunite. Chucho Valdés and Paquito D’Rivera make up for lost time with their Reunion Sextet on the wonderful and diverse I Missed You Too!.
credits
released July 22, 2022
Chucho Valdés - piano
Paquito D'Rivera - alto saxophone & clarinet
Diego Urcola - trumpet & valve trombone
Dafnis Prieto - drums
José A. Gola - double & electric bass
Roberto Junior Vizcaino - percussion
supported by 18 fans who also own “I Missed You Too!”
I'm usually super-skeptical of jazz 'tribute' albums, but this is one of the rare great ones, such a joyous, exciting, inventive hour! Bebop tunes can often seem sort of like throwaways, and just a formality before the solos, but the arrangements here show just how amazing Powell's tunes are in themselves, as well as how good his solos were - the soli on Celia is just incredibly cool. Giles
supported by 18 fans who also own “I Missed You Too!”
Unlike any other. Its feel is both reflective and down to earth, and the compositions are easily differentiated despite their relative shortness. Not only a pleasure to listen to, this album is rhythmically complex, but not in a maddening, hard to process way. Also, very clever album title. ianjworsomething
supported by 16 fans who also own “I Missed You Too!”
As the name suggest, this plays like the soundtrack to an epic film. Gentle but grandiose, with skittish drums that keep things moving. Weirdly for a sax-led band, the strings are very much in the forefront here. Tom Colquhoun
With excited horns and a rollicking 7-string guitar, it's no wonder this record was nominated for the Best Latin Jazz Album Grammy. Bandcamp New & Notable Dec 14, 2017
An intricate tapestry of downtempo jazz rhythms that brilliantly capitalize on textural frission and impressionistic splendor. Bandcamp New & Notable Oct 16, 2025
supported by 16 fans who also own “I Missed You Too!”
Chief Adjuah is certainly one of the great trumpet players and musicians of our time. And keen to experiment - Miles would have been delighted. In November 2024, I heard him and his very young, very talented musicians give a fantastic concert at the Zentralwäscherei Zurich. Rudi