This is pretty good. But I find some of your colors and shading to be somewhat "plastic" and unnatural.

Working with a smaller palette and hue-shifting might help.

Your forms and shapes are great by the way.

The specific client did not care about using limited pallete, that is why I used brightness and lightness commands for shading. This is why you see unlimited colors.

In other works where the pallete was limited, such us The Lionheart of Liuzhou pieces, you will find not more than 60 colors.

I love roof texture, and the scale of this piece is impressive, but the wall texture is feel didn't right and flat, and I just count the colour and the result is 1200++

Impressive.