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Credits | |
56 titles |
Films in Production (1 title) | Budget | Status |
---|---|---|
Post-Prod
|
Past Film & Video (51 titles) | Budget | Opening Weekend | Gross (US & Canada) | Gross (Worldwide) |
---|---|---|---|---|
$1MM
|
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$2MM
|
||||
$300K
|
||||
$125K
|
||||
AIX All Star Band: Goldberg Variations Acoustica (2010)
(Video) - Stereographer Stereographer See fewer |
$150K
|
|||
$105MM
|
$36MM
|
$95MM
|
$270MM
|
|
$25MM
|
$5.1MM
|
$13MM
|
$16MM
|
|
$14MM
|
||||
From Dusk Till Dawn 3: The Hangman's Daughter (1999)
(Video) - Optical Effects (BiPack Inc.) Optical Effects (BiPack Inc.) See fewer |
$5MM
|
$10K
|
||
From Dusk Till Dawn 2: Texas Blood Money (1999)
(Video) - Optical Effects (BiPack Inc.) Optical Effects (BiPack Inc.) See fewer |
$5MM
|
$6K
|
||
Conspiracy Theory (1997)
Visual Effects (color imaging supervisor: Warner Digital) (uncredited) Visual Effects (color imaging supervisor: Warner Digital) (uncredited) See fewer |
$75MM
|
$19MM
|
$76MM
|
$137MM
|
$90MM
|
$21MM
|
$101MM
|
$171MM
|
|
Vegas Vacation (1997)
Color Imaging Supervisor (Warner Digital) (uncredited) Color Imaging Supervisor (Warner Digital) (uncredited) See fewer |
$25MM
|
$13MM
|
$36MM
|
$36MM
|
Mars Attacks! (1996)
Color Imaging Supervisor (Warner Digital Studios) Color Imaging Supervisor (Warner Digital Studios) See fewer |
$70MM
|
$9.4MM
|
$38MM
|
$101MM
|
Ayn Rand: A Sense of Life (1996)
Titles & Opticals (Title House) Titles & Opticals (Title House) See fewer |
$1MM
|
$26K
|
$205K
|
$205K
|
The Sunchaser (1996)
Optical Effects Supervision (Title House Inc.) Optical Effects Supervision (Title House Inc.) See fewer |
$14K
|
$22K
|
$22K
|
|
The Arrival (1996)
Optical Effects Supervision (Title House Inc.) Optical Effects Supervision (Title House Inc.) See fewer |
$25MM
|
$4.8MM
|
$14MM
|
$14MM
|
A Kid in King Arthur's Court (1995)
Optical Supervisor (Title House) Optical Supervisor (Title House) See fewer |
$15MM
|
$4.3MM
|
$13MM
|
$13MM
|
Leapin' Leprechauns! (1995)
Special Optical Effects Supervisor & Rotoscope Animation (Title House Inc.) Special Optical Effects Supervisor & Rotoscope Animation (Title House Inc.) See fewer |
||||
The Prophecy (1995)
Optical Composites (enemy ghost sequence, Todd Masters Company) (as David Gregory), Titles And Opticals (Title House) Optical Composites (enemy ghost sequence, Todd Masters Company) (as David Gregory), Titles And Opticals (Title House) See fewer |
$8MM
|
$7.5MM
|
$16MM
|
$16MM
|
Dead on Sight (1994)
Special Optical Effects Design And Supervision Special Optical Effects Design And Supervision See fewer |
||||
$4MM
|
||||
Quest of the Delta Knights (1993)
(Video) - Visual Effects Design & Supervision Visual Effects Design & Supervision See fewer |
||||
$7MM
|
$4MM
|
$13MM
|
$13MM
|
|
Warlock: The Armageddon (1993)
Optical Supervisor, Main Title Sequence (Title House Inc.) Optical Supervisor, Main Title Sequence (Title House Inc.) See fewer |
$3MM
|
$1.7MM
|
$3.9MM
|
$3.9MM
|
Hellraiser III: Hell on Earth (1992)
Optical Supervisor (Title House) (uncredited) Optical Supervisor (Title House) (uncredited) See fewer |
$5MM
|
$3.2MM
|
$13MM
|
$13MM
|
$3MM
|
$120K
|
$1.8MM
|
$1.8MM
|
|
Reservoir Dogs (1992)
Optical Supervisor (Title House Inc.) (uncredited) Optical Supervisor (Title House Inc.) (uncredited) See fewer |
$1.2MM
|
$148K
|
$2.8MM
|
$2.9MM
|
Johnny Stecchino (1991)
US Version (end credits optical montage) (uncredited) US Version (end credits optical montage) (uncredited) See fewer |
$16K
|
$626K
|
$626K
|
|
$4MM
|
||||
California Casanova (1991)
Special Thanks, Optical Effects And Titles (uncredited) Special Thanks, Optical Effects And Titles (uncredited) See fewer |
$350K
|
|||
Showdown in Little Tokyo (1991)
Photographic Effects Supervisor (Title House Inc.) (uncredited) Photographic Effects Supervisor (Title House Inc.) (uncredited) See fewer |
$8MM
|
$455K
|
$2.3MM
|
$2.3MM
|
$1MM
|
||||
The Spirit of '76 (1990)
Optical Compositing (Title House, Inc.) Optical Compositing (Title House, Inc.) See fewer |
$10K
|
$52K
|
$52K
|
|
Circuitry Man (1990)
Special Optical Effects Supervisor Special Optical Effects Supervisor See fewer |
$5K
|
|||
$5MM
|
$822K
|
$1.9MM
|
$1.9MM
|
|
Night Shadow (1989)
Photographic Effects Supervisor (Title House Inc.) Photographic Effects Supervisor (Title House Inc.) See fewer |
||||
Moonstruck (1987)
Optical Composite Photography (Robert Abel & Associates) (uncredited) Optical Composite Photography (Robert Abel & Associates) (uncredited) See fewer |
$15MM
|
$128K
|
$81MM
|
$81MM
|
$11MM
|
||||
Star Trek: The Motion Picture (1979)
Special Optical Effects Lineup & Plotting (Pacific Title) (uncredited) Special Optical Effects Lineup & Plotting (Pacific Title) (uncredited) See fewer |
$35MM
|
$12MM
|
$83MM
|
$83MM
|
Star Wars: Episode IV - A New Hope (1977)
Optical Effects Lineup & Plotting (Ray Mercer & Co.) (uncredited) Optical Effects Lineup & Plotting (Ray Mercer & Co.) (uncredited) See fewer |
$11MM
|
$1.6MM
|
$461MM
|
$775MM
|
Past Television (3 titles) | Episodes |
---|---|
Brave New World (1998)
(TV Movie) - Optical Effects (BiPack Inc.) Optical Effects (BiPack Inc.) See fewer |
|
House of Frankenstein (1997)
(TV Mini-series) - Optical Effects (BiPack Inc.) (2 episodes, 1997) Optical Effects (BiPack Inc.) (2 episodes, 1997) See fewer
Episode #1.2 (Nov
3,
1997)
Season 1,
Episode 2
-
Optical Effects (BiPack Inc.)
Optical Effects (BiPack Inc.)
See fewer
Episode #1.1 (Nov
2,
1997)
Season 1,
Episode 1
-
Optical Effects (BiPack Inc.)
Optical Effects (BiPack Inc.)
See fewer
|
2
|
Full Eclipse (1993)
(TV Movie) - Optical Supervisor (Title House Inc.) Optical Supervisor (Title House Inc.) See fewer |
Self (1 title) |
---|
Hollywood Treasure (2011)
(TV Series) - Self - Effects Supervisor (1 episode, 2011) Self - Effects Supervisor (1 episode, 2011) See fewer
Endoskeletons in the Closet (Jun
2011)
Season 1,
Episode 14
-
Self - Effects Supervisor
Self - Effects Supervisor
See fewer
|
Commercials (1 title) | Role / Position | Company / Director |
---|---|---|
Pioneer 3D Televisions (2010)
*
|
Director of Stereoscopic-3D Photography
|
Bookmark Bookmark / Tom Shoji Company, Japan
|
Internet (1 title) | Role / Position | Company / Director |
---|---|---|
Los Angeles Fashion Week 2012: Alexis Monsantos Spring/Summer 2013 Collection
*
|
Stereoscopic-3D Cinematographer
|
Al Caudullo Productions
|
Film (36 titles) | Role / Position | Company / Director |
---|---|---|
Absolutely Modern (2013)
*
|
Cinematographer
|
Hard Drive Pictures
|
Continuity (2012)
*
|
Cinematographer for 3D Sequences
|
Really Homemade Pictures
|
Legend of the Seagullmen - 3D (2011 - short subject)
*
|
2nd Unit Director and Co-Stereographer
|
Dream Factory Studios
|
Running with the Bulls (2008 - documentary)
*
|
Director of Photography & Operator, HD Stereoscopic-3D
|
San Fermin Films Ltd, UK & Spain
|
Highlander: Endgame (2000)
*
|
Optical Effects Supervision
|
BiPack Inc. for Dimemsion Films
|
Cherry Falls (2000)
*
|
Optical Effects Supervision
|
BiPack Inc. for Rogue Pictures
|
From Dusk Till Dawn 2: Texas Blood Money (1999)
*
|
Optical Effects Supervision
|
BiPack Inc. for Dimension Films
|
From Dusk Till Dawn 3: The Hangman's Daughter (1999)
*
|
Optical Effects Supervision
|
BiPack Inc. for Dimension Films
|
Conspiracy Theory (1997)
*
|
Visual Effects, Color Imaging Supervisor
|
Warner Digital Studios for Warner Bros. Pictures
|
Contact (1997)
*
|
Visual Effects, Color Imaging Supervisor
|
Warner Digital Studios via Sony Imageworks for Warner Bros. Pictures
|
Vegas Vacation (1997)
*
|
Visual Effects, Color Imaging Supervisor
|
Warner Digital Studios for Warner Bros. Pictures
|
Mars Attacks! (1996)
*
|
Visual Effects, Color Imaging Supervisor
|
Warner Digital Studios for Warner Bros. Pictures
|
The Sunchaser (1996)
*
|
Optical Effects Supervision
|
Title House Inc. for Regency Entertainment & Warner Bros Pictures
|
The Arrival (1996)
*
|
Optical Effects Supervision
|
Title House Inc. for Live Entertainment
|
The Prophecy (1995)
*
|
Visual Effects, Optical Composite Photography for Enemy Ghost Sequence -- plus Main Title Sequence & Additional Opticals
|
Title House Inc for Todd Masters Co., Neo Motion Pictures & Dimension Films
|
A Kid in King Arthur's Court (1995)
*
|
Optical Effects Supervision
|
Title House Inc. for Tapestry Films
|
Leapin' Leprechauns! (1995)
*
|
Special Optical Effects Design-Supervision and Rotoscope Animation
|
Title House Inc. for Full Moon Entertainment
|
Dead on Sight (1994)
*
|
Special Optical Effects Design & Supervision
|
Title House Inc. for Messina-Captor Films & MCEG Sterling
|
Necronomicon: Book of Dead (1993)
*
|
Optical Effects Supervision and Compositing
|
Title House Inc. for Davis-Films
|
Quest of the Delta Knights (1993)
*
|
Visual Effects Design-Direction, Rotoscope Animation & Optical Supervision
|
Ramsway Ltd. & Metro Pictures
|
Warlock: The Armageddon (1993)
*
|
Optical Effects Supervision - Main Title Sequence
|
Title House Inc. for Tapestry Films & Trimark Pictures
|
Weekend at Bernie's II (1993)
*
|
Optical Effects Supervision
|
Title House Inc. for Victor Drai Productions
|
Reservoir Dogs (1992)
*
|
Optical Effects Supervision
|
Title House Inc. for Dog Eat Dog Prodfuctions & Live Entertainment
|
Poison Ivy (1992)
*
|
Optical Effects Supervision
|
Title House Inc. for MG Entertainment & New Line Cinema
|
Shatterbrain a/k/a The Resurrected (1991)
*
|
Optical Effects Supervision
|
Title House Inc. for Borde/Raich Productions
|
Johnny Stecchino (1991)
*
|
US version: End Credits Optical Montage
|
Title House Inc. for New Line Cinema
|
Showdown in Little Tokyo (1991)
*
|
Special Photographic Effects Supervision
|
Title House Inc. for Little Tokyo Productions & Warner Bros Pictures
|
Genuine Risk (1990)
*
|
Optical Effects Supervision
|
Title House Inc. for IRS Media
|
Pale Blood (1990)
*
|
Optical Effects Design & Supervision
|
Title House Inc. for Noble Entertainment
|
The Spirit of '76 (1990)
*
|
Optical Compositing
|
Title House Inc.
|
Communion (1989)
*
|
Special Photographic Effects Supervision
|
Title House Inc. for Pheasantry Films
|
Night Shadow (1989)
*
|
Special Photographic Effects Supervision & Rotoscope Animation
|
Title House Inc. for Cohlan-Temple Productions
|
Moonstruck (1987)
*
|
Visual Effects, Optical Composite Photography of Moon Opticals
|
Robert Abel & Associates for M-G-M
|
Hangar 18 (1980)
*
|
Special Optical Effects Design & Supervision
|
Pacific Title & Art Studio for Sunn Classic Pictures
|
Star Trek: The Motion Picture (1979)
*
|
Special Optical Effects Lineup & Plotting
|
Pacific Title & Art Studio for Paramount Pictures
|
Star Wars (1977)
*
|
Special Optical Effects Lineup & Plotting
|
Ray Mercer & Co. for the original Industrial Light & Magic (Van Nuys) & LucasFilm Ltd.
|
Television (5 titles) | Role / Position | Company / Director |
---|---|---|
Hollywood Treasure: Endoskeletons in the Closet (2011)
*
|
Himself - Effects Supervisor
|
Gurney Productions / SyFy
|
Fit Bits: World's Hottest Trainers - 3D (2010 - pilot)
*
|
2nd-Unit Director and Director of Stereoscopic-3D Photography
|
Travel TV Productions, LLC
|
Brave New World (1998)
*
|
Optical Effects Supervision
|
BiPack Inc. for USA Networks Studios
|
House of Frankenstein (1997)
*
|
Optical Effects Supervision
|
BiPack Inc. for Universal Television
|
Full Eclipse (1993)
*
|
Optical Effects Supervision
|
Title House Inc. for Tapestry Films
|
Video (7 titles) | Role / Position | Company / Director |
---|---|---|
Rita Coolidge: Play Something Sweet - 3D (2012)
*
|
Supervising Stereographer
|
AIX Records
|
Mark Chesnutt: Your Room - 3D (2012)
*
|
Supervising Stereographer
|
AIX Records
|
James Walker and Free Flight: Threads - 3D (2012)
*
|
Supervising Stereographer
|
AIX Records
|
Bryan Pezzone: Piano Pieces - 3D (2012)
*
|
Supervising Stereographer
|
AIX Records
|
Mozart: The Old City String Quartet - 3D (2012)
*
|
Supervising Stereographer
|
AIX Records
|
AIX Records 3D Music Album (2011)
*
|
Supervising Stereographer
|
AIX Records
|
AIX All Star Band: Goldberg Variations Acoustica (2010)
*
|
Supervising Stereographer
|
AIX Records
|