In this interview, Fraser discusses creating the film's "urban-noir" color palette; the advantages of shooting with LED walls; his use of exaggeratedly tuned Series 2 Arri Alpha anamorphic lenses; and acting as a "puppeteer" of multiple ...See moreIn this interview, Fraser discusses creating the film's "urban-noir" color palette; the advantages of shooting with LED walls; his use of exaggeratedly tuned Series 2 Arri Alpha anamorphic lenses; and acting as a "puppeteer" of multiple camera units around the world.
See less