In Your Long Shadow

by Lillian King

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1.
Dragging dirt into the house, I thought I had figured this out. Stretching skin out on my face. Is this aging? Is this grace? And I feel like a kid again, counting God’s gifts on my hands. I feel like a kid again. Every day is in God’s plan. And who in an instant are you? And who in an instant are you? And where can I stand outside of His plan? Where can I stand outside of His plan?
2.
Shadow 02:54
In your long shadow, I know how to start the day. By heading to the lake. And in the fog too, I move to set the table. My feet are in the river. She’s closing a window. I feel hot from the sun under my sweater. I will see you in everything forever. In your long shadow, I know how to start the day. By heading to the lake. I know.
3.
Echo 02:29 video
Echo Echo Let it go. Let it go. I hear the voice in the back of my mind It is hard to ignore this time. My hands are tied. My hands are tied. Echo Echo The dog is barking The waves break our path I relax I relax
4.
Tiber Creek 05:13
Why, why, wide awake in the morning Ten miles out of town You do things just to move me I do things just to make you proud And all night the wind is howling And I think it’s something else So will you check outside the house Have a look around I saw the river growing Taking back all it used to have What is marble? What is green grass? When Tiber Creek crawls from the past And all night I rip the house apart And I hear another heart It beats in my skin It’s where I begin Why, why, wide awake in the morning Ten miles out of town Finally my feet are working Suddenly I hit the ground All night
5.
Nothing 04:33
I am not one to complain but this is what I’m always saying I can’t catch a break. Could you come and let me in, I’m outside your apartment The sun is finally setting. When the dusk gets settled down I just want to figure out How do you sit so still? You know, if you would I will. Just when I was about to start, that's when the house got dark. I’m not wildin out I’ve never been so calmed down Would you come round? And I am not one to complain but oh just for old times sake What do you think happens in the evening? When nobody's leaving? And I'm not going to repeat it but I swear it wasn't what you thought I just forgot. Ten feet underwater, but I think it's getting lighter Waves are crashing far away There is nothing left to say.
6.
I'll no longer hide it Yes you move me to tears, over and over Every time I get it settled, you excite it Every time I get my face dry, you sing It's not meant to be a strife It's not meant to be a struggle uphill It's not meant to be a strife It's not meant to be a struggle uphill Now I know, so now I'll no longer fight it Come on in little floating head at the door Who are you? Who are you? Who has come to fill this room? Well come on, welcome in It’s not meant to be a strife. It’s not meant to be a struggle uphill. I'll no longer hide it Yes, the way you say it stirs me to the core Every time, no matter what No matter who I think you are Every time I hear you say "Undo" I do And the tears fall And the universe is shown But who are you, voice in headphones?
7.
Context 03:50
You don’t need the context, it doesn’t add much. You don't need to call her, she’ll get in touch. I watch from the other room. I don’t know what I would do if I were you. But if it were me I’d be on the first bus out of this city. Forty days later, the desert had its work cut The second that you got home the dirt cleared right off I watch from the other room. I don't know what I would do if I were you But if it were me, I would take some inventory. Let it sit, to be discovered There's waiting, and there's being stubborn Time is everlasting ever wasted on this Wanting to be there is already an action Walking up the driveway is an act of passion I tried telling you. I know what I would do if I were you. If it were me, I'd be on the first bus out of this city
8.
God Knows 04:01
Oh, God knows. God is just another friend. When can I see him again? Oh, you’re waiting at the door. You know what I will do. But that’s still enough for you. Oh, I am waiting too. Patient to my bones. Patient in our home. The air! Oh it means so much to me. Coming from the East, wrestling the leaves. Gone! For just a couple hours. I’ll be back in the evening. When the needing hits the fan. Oh, God knows. There's nothing quite like wanting exactly what you have.
9.
Underwater 02:39
How did I get so far underwater Oh I’m a goner I watched that ship go down and I went down with it. I watched it quit, and I also quit. But now I realize that I can live forever and I bet that's your nightmare. But now that I realize that I can live forever I think I can do better. How did I get so far underwater? Oh well, doesn't matter. I watched that shit go down and I left town. Been floating here for a while now. How did I get so far underwater?
10.
Context II 05:29
Two hours outside but still the problem survives. Bending towards the city, I sail on the ice And you don’t need the context You don't need the context What's gonna happen is going to happen next. There's no power struggle I'm just working tomorrow It is nighttime finally I have given all I can I am standing beside you Because that's where I stand. There’s no question but I know the answer again. Thursday morning, the wind sinks in my skin And you don't need the context You don't need the context What's gonna happen is gonna happen next.

about

Lillian King’s debut album In Your Long Shadow is out October 24th. It is about letting the wind in, Lake Michigan in the winter, and the silence of a long summer evening. And really it’s about the grief of losing her dad, Neil King Jr.

When her dad died in September 2024, grief permeated every facet of Lillian’s life. The loss is felt in everything, but especially when doing the things her dad loved the most –– the simple everyday good things that make life worth living: cooking, walking the longer way to work, swimming in cold water. In the throes of grief it feels impossible to find anything that doesn’t just make you sadder, but when Lillian did find those things, she grabbed onto them. Soon it was clear that the best coping mechanisms weren't gin and tonics, but talking to her mom and sister as much as possible, and producing an album.

The album arrangement came together in a couple of weeks as Lillian brought bandmates and friends Robert Salazar and Nick DePrey new and old songs to build on. Robert played the drums, while Nick played keys (with a smattering of bass and guitar). The process was collaborative and intimate, and only got better when Jack Henry (producer of albums by Friko and Free Range) joined to record and mix it.

Some of the songs on this album are years old, including “Underwater”, which Lillian wrote one late night in Montreal a decade ago. However, most came together in the months approaching recording.“Dragging Dirt” was written just a week before getting into the studio. Despite the bummer material, the recording process was spontaneous and light hearted. The song “Echo” came together unexpectedly during a break between songs.

In the midst of recording In Your Long Shadow, Lillian had concerns about making a “grief album.” Her sister Frances, as usual, had the right advice: “Every album from now on is going to be a grief album.” In Your Long Shadow is about loss as much as it is about living with it. Take it outside on a walk.


From Spencer Krug, founder of Pronounced Kroog:

I first met Lillian in June of 2024, when she joined me on tour to open for a short run of solo shows. We became fast friends, and my appreciation for her songs grew as I listened to her perform them each night with nothing but an acoustic guitar and her singular voice. By the end of the tour, I told Lillian if she ever made a full-length album, Pronounced Kroog would be interested in putting out. A year later, here we are.

To date, Pronounced Kroog has only released projects revolving around my own music. I created the label simply to get my own work into the world, with no intention of signing outside artists. It wasn’t an idea I took seriously before hearing Lillian’s music. Now, Pronounced Kroog is proud to announce the release of “In Your Long Shadow,” to play a part in its delivery to the ears of all those who don’t yet know they’re fans, and to have Lillian King be the first-ever non-Krug project on the label.

I have warned Lillian that we are not a big label, but assured her that we’ll do the best we can. For some generous reason, she’s good with that.

credits

released October 24, 2025

Lillian King – acoustic guitar, vocals
Nick DePrey – keys, electric guitar, bass
Robert Salazar – drums
Ted Collins – upright bass on“Tiber Creek”
Bailey Minzenberger – bass on “Underwater” and “Context II”

All songs by Lillian King, except “Voice in Headphones” by Phil Elverum
Recorded and mixed by Jack Henry at Fox Hall in Chicago
Produced by Lillian King and Jack Henry
Mastered by Harris Newman at Greymarket Mastering

Cover painting by Lydia Farro
Illustrations and layout by Kirsten Southwell

Copyright Control: Pronounced Kroog

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Pronounced Kroog British Columbia

My name is Spencer Krug. I am central to a handful of projects (Wolf Parade, Sunset Rubdown, Moonface, Swan Lake), and have been on a number of labels (Sub Pop, Jagjaguwar, Paper Bag, Royal Mountain, Global Symphonic, Absolutely Kosher.) Pronounced Kroog is the self-made label on which I now release music under my own name, works from past projects, and more. ... more

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