Nail design For you | Vale. First time facing our limads. okey? Ok here in the roster if we notice ok? There are some drawings and indications. First drawing, first indication. Tell you my client position eh have to be with the hand eh side. Is that okay? With the finger on the side. Vale. If you notice, I want you to notice one thing. It's the free edge of the table here and my free edge of the desk, see? It's further away. I mean, I'm getting closer. From the free edge of hers than mine. Is that clear? So what should I ask my client? Bring him closer to me. She can't be that laid back because otherwise I'm with my chest leaning on the table. So I need us to be more focused, okay? So the girl eh well get her ass up here. Tummy more here at the edge of the table, okay? So we've placed it there. That is very important. If we don't end up eh surrenders throughout the day. Is that okay? Tummy with a tummy at the table. Bien. Now we don't come here. First option. It tells me that from here to. I hope it doesn't happen to me in this area. That the position of my finger needs to be like this. And that from here to here is my limado. My first one. Is that okay? Then I take my lime and with my client's finger. Like this. And holding my thumb here. Why notice the difference. If I do it like this, if I do it like that. Is that okay? Slime like this and I don't have a finger it feels like it's ripping me off. Say it's an inconvenience, OK? So we're damaging the matrix. I put my little hand here, my little finger. I'm going to enlarge it a little bit more, let's see, okay, it looks a little better. Vale. I put my finger here. And the lime here. I just want it to look straight in the video. Is that okay? And so we would. It doesn't look good. A ver. Let's see, there. Vale. Just a little bit here baby girl. Because if it doesn't look like it's crooked and I don't want to. Okay, I'll get like this. okey? And then the lime doesn't have to be lying down, twisted, or nothing. Yes, it's completely straight. Your thumb here and it has to move. Is that okay? He has to move all the way straight. Straight up here. I go up, get down. I go up, get down. I go up, get down. okey? Not getting in here. Eat well, indicate the drawing. Out of here. Here, I'd limit the extension. But from here, here, I don't give it. This is not the time, this is not the time to give. Now he tells me the next step, it's the other way, then, my index finger is this, and my lime is this. Here here OK ? Straight straight straight straight no support there. It's like it's like this side of here don't touch. Happens a little bit in the air. Do you see it? I don't know if I put it aside it would be a little not touching there. Don't get to touch there. From here to here. As the drawing suggests. okey? Like this. Like this like this like this But without touching there. We already have these two ways of slimming, okay? The first two steps. Now she tells me to set it straight. Is that okay? As the next drawing says. From the front. So, I have to hold it like this. And my lime on this occasion tells you two ways. Or more arched for an oval or straighter shape. So, I'm like that. Not like this, not like this, if not. Straight as hell. Look at how I'm holding my fingers. If I held off from here, look at the dance he has his plaque. Then no. Recto, recto, recto, recto, completamente. If it was oval, then we'd be making a more semicircular limeade. Ok, we have it up to here, of course. We keep going. Next one, okay? This is the next one. Up front the same way. Now he tells me, I can come by. But here's more. And here less. In my eh my lime from here would be more eh as it is said you eat more this piece, it's not a straight line, I'm not limiting with this piece, I'm liming with this one. Do you agree? With the most crooked part. Why? Because by doing this, okay? If I do like this, he'll skip it. Is that okay? I mean this side of here ain't in touch if it was the square I'd be in touch. And he tells me to put more pressure here and to put less pressure here. If I do it straight it's like I lift the lime so it passes by. But if I do it with the curved part, it's already going through itself. Is that okay? Because he doesn't have this angle here. So, I subject and put the support here. Of subject and pam. Recto. Recto. More pressure here, less here. Do you guys feel me? Recta. I am coming here now. Likewise. Like this like this like this More pressure here and there, much less. Is that okay? At first we're in a little orthopedics, if I say. Much like when you learn to dance, because you're very robotic, but then you're already letting go. Ok, next. We got this one tell me frontal again. Front signifies the position of the finger. And he tells me that from here, here I have to look for the central axis. So, I'll take it and start like this. Is that okay? First lap. And I'm accompanying my limado. Giro. Hanging out with my limado. Exactly the same on the other side. Giro. Hanging out with my limado. You can do in position or you can do in this position I'm taking it slow so you can see me move, OK? If it was faster OK? We would be like this. Is that okay? Or if you're more comfortable, do it that way, but we force the person, OK? To our client in question. Very common mistake here, that eats you in the corners. Is that okay? I mean when we're sanding you put more pressure on here because you kill it here first and then you straighten up. You push the corner and then you stand straight. And when you've eaten around the corners. So make sure my support is fair. I mean, put the same pressure. Here, that in the end, not here. So, do you know what's going on? May your hand as it gets tired, rest here first, that is, rest here first and then there. So it's where you rock where you erode first. It's clear, ladies. So, no. Like this. I know doing the right thing makes you like mmm less comfortable, logically. So of course, your brain tends to be comfortable first. And the priority is mmm without getting hurt, huh? You don't have to be doing the pine bridge to be doing nails. But in the right way. So, this is how we look for the center, that's how we search for the center the other way. This is how we look for the center or this and we look for the downtown. Of course you can do it like this, like this, like that. Perfecto. We already understood this one. Both of them, basically. Side eh left and right side. Now it comes here, which is one of the most problematic parts. Now I have to not mark with the singing but rather lie down and do the cuticle area. Zone from here. The whole cuticle area. What can I help myself. Con lima. I can help myself with strawberries. But to imagine that we don't have the girls who don't have hips. That is, you have to put everyone's situation. The girls who don't have a dress because they don't have another one left. Doing it all by hand. So here we go, here we go. Let's get started. Nothing like that. If not, like this. Not completely straight either. It's a minimum. Is that okay? We do all the contouring, we do all the contour, when I get here I'm already very uncomfortable. My hand position is so awkward. Can't go on here. And I'm turning it around, held over here and over. Hold on over here this way. Understood? That's doing all this contour. Okay. I once did all that contour. I am going to check this out. Is that okay? This is what I want to score. Nails are going to mark and stay like this. is it okay? Like a hexagon. So what am I doing now? Going to mark the apex. Marking the apex is from the cuticle zone. So far because I break my nail in three, one, two. Okay? One, two and three. I'm gonna hit the apex and now I'm gonna do a forty-five elevation. I mean my nail. Oops, I'm sorry. My lime ain't lying down. My lime is elevated. I mean it's higher than here. What about here. And I'm going to mark my cuticle peak up at forty-five. Okay? I mean, this area here is higher than the cuticle area, right? So my lime is on the go ok Accompany that mountain, then I have to go doing this, OK? Without getting to devastate with my lime that apice height. If you support straight that height that you have left building, you are eroding it with lime. No, you're respecting her. Respect respect respect Very common mistake and how you can help yourself. If you mark it with a pencil. And when you're like that you lay down too much, you realize you erase it. If you do all the contour, you get here, OK? You get here. And don't delete it, it's just that you're fine. It's just that you're still slimming at forty-five. Did you understand what I say? Is that okay? I once made the apex zone. I mean, I already did my contour. I've made my apex zone, from here to here in forty five. Now I'm coming and out of here. Here. Vale? Straight line. That I can do it well, okay? Or so if you prefer, however comfortable it is. Do you see that I've gone beyond the pencil in my sketchbook? No. Even this one is helping me, the brand is helping me not to happen to me. So what I'm doing is keeping this. do you guys feel me? I'm marking from the apex zone to the end, so that the nail comes out completely straight. Straight, completely apex to free edge. So I can do it like this. Or so. And look, your client next to if this really has the height it touches and is staying straight all the way. If not, it's time to correct. Because the visibility we have around here, helps us more than all the time up front. Is that okay? Once I have this, I also frame it like this. Previously, Really? What were we doing, that had already marked it before. But if I want to rectify something we see, it would also be time. So over here over there straight line. Okay. One time. Got that whole hexagon done. One two three four five. It's time to smoothen up. Well then. Is that okay? Suavizo. I mean, already. I remove those corners I created that I marked. Yo aposta. Is that okay? As it's like a sculptor who then uh sweetens. The marks. Understood? Then later is like more subtle. You mark more without pushing more in one place than another. Ok then we place our client, not sure if it's going to show. In the video nice shorty A ver. I want to support my client's elbow, see? I don't know if it shows in the video. My clients elbow. It's leaning and I, in the front, to get to see the curvature. For you to see it in the video. I'm going to put the girl down. Is that okay? The compi is helping me here. Vale. I need to visualize and see my client slimming like this. The whole curve is exactly the same. If I do lemonade like this, I give it, I give it. And then I get up, maybe uh have put more strength in one place than another and it's late. My turn again stop add etc etc etc. So if you support your customers elbow on the table. You fold her wrist and you got her up there. Let's see if you can see it, little ones. We got him. Let's see, very good. Ven. Let's see, **** How can we make it for the girls to see. De. No, sí. Is that okay? A ver, peque. It would, ah, turn around. There. It will be elbow support. Do we see it? Let's get the elbow together. I don't know if it shows. It's because the phone is rotating. Okay, whatever. This is how it looks. Codo. We fold then we be slimming. Like this. At the height of our view. Understood. Vale. Then put it down again. And now it would only be to finish softening the base. What the whole nail is. Do you agree? So, and the mini stripes that stay around. Then we passed the base and it would be polished. Bueno, pulida. Smooth, polished, no, shiny. okey? Get it, babes? Sí. Okay.
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