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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6EFC91 it is the complementary color #91036E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6EFC91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6EFC91 shade: #73FC8C, #84FF9F, #95FFB2, #A6FFC5 and #B7FFD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6EFC91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6EFC91 shade: #6EFC91, #5DEA7E, #4CD86B, #3BC658 and #2AB445

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6EFC91 shade: #6EFC91, #71FC6E, #97FC6E, #BDFC6E and #E4FC6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6EFC91 shade: #6EFC91, #6EFCB7, #6EFCDD, #6EF4FC and #6ECDFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6EFC91 shade matches the following richer shades: #6EFC91

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6EFC91 shade: #6EFC91, #7AF097, #85E49D, #91D8A3 and #9DCCA9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6EFC91 shade: #98FC6E, #72FC6E, #6EFC8F, #6EFCB5 and #6EFCDA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6EFC91 shade: #1DFA53, #45FB72, #6EFC91, #96FCAF and #BEFDCE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6EFC91 shade: #6EFC91, #6EBEFC and #FC6E85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6EFC91 shade: #6EFC91, #8F6EFC and #FC8F6E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6EFC91 shade: #6EFC91, #6EBEFC, #FC6EDA and #FCAB6E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6EFC91 shade: #6EFC91, #6E93FC, #FC6EDA and #FCD66E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 42 / 1

HEX #6EFC91

RGB 110 252 145

HSL 134.79, 0.96%, 0.71%

LAB 89.38, -60.68, 39.88

 

Complementary color

CMYK 0 / 98 / 24 / 43

HEX #91036E

RGB 145 3 110

HSL 314.79, 0.96%, 0.29%

LAB 32.28, 59.2, -20.91

 

CMYK 54 / 0 / 44 / 1

HEX #73FC8C

RGB 115 252 140

HSL 130.95, 0.96%, 0.72%

LAB 89.47, -60.3, 42.45

 

CMYK 48 / 0 / 38 / 0

HEX #84FF9F

RGB 132 255 159

HSL 133.17, 1%, 0.76%

LAB 91.2, -54.36, 35.5

 

CMYK 42 / 0 / 30 / 0

HEX #95FFB2

RGB 149 255 178

HSL 136.42, 1%, 0.79%

LAB 92.19, -46.68, 27.43

 

CMYK 35 / 0 / 23 / 0

HEX #A6FFC5

RGB 166 255 197

HSL 140.9, 1%, 0.83%

LAB 93.3, -38.52, 19.42

 

CMYK 28 / 0 / 15 / 0

HEX #B7FFD8

RGB 183 255 216

HSL 147.5, 1%, 0.86%

LAB 94.54, -29.99, 11.56

 

CMYK 56 / 0 / 42 / 1

HEX #6EFC91

RGB 110 252 145

HSL 134.79, 0.96%, 0.71%

LAB 89.38, -60.68, 39.88

 

CMYK 60 / 0 / 46 / 8

HEX #5DEA7E

RGB 93 234 126

HSL 134.04, 0.77%, 0.64%

LAB 83.27, -60.52, 41.24

 

CMYK 65 / 0 / 50 / 15

HEX #4CD86B

RGB 76 216 107

HSL 133.29, 0.64%, 0.57%

LAB 77.11, -60.17, 42.64

 

CMYK 70 / 0 / 56 / 22

HEX #3BC658

RGB 59 198 88

HSL 132.52, 0.55%, 0.5%

LAB 70.89, -59.54, 44.06

 

CMYK 77 / 0 / 62 / 29

HEX #2AB445

RGB 42 180 69

HSL 131.74, 0.62%, 0.44%

LAB 64.62, -58.5, 45.45

 

CMYK 56 / 0 / 42 / 1

HEX #6EFC91

RGB 110 252 145

HSL 134.79, 0.96%, 0.71%

LAB 89.38, -60.68, 39.88

 

CMYK 55 / 0 / 56 / 1

HEX #71FC6E

RGB 113 252 110

HSL 118.73, 0.96%, 0.71%

LAB 89.04, -64.72, 55.86

 

CMYK 40 / 0 / 56 / 1

HEX #97FC6E

RGB 151 252 110

HSL 102.68, 0.96%, 0.71%

LAB 90.47, -54.26, 57.89

 

CMYK 25 / 0 / 56 / 1

HEX #BDFC6E

RGB 189 252 110

HSL 86.62, 0.96%, 0.71%

LAB 92.38, -41.58, 60.59

 

CMYK 10 / 0 / 56 / 1

HEX #E4FC6E

RGB 228 252 110

HSL 70.14, 0.96%, 0.71%

LAB 94.84, -27.05, 64.04

 

CMYK 56 / 0 / 42 / 1

HEX #6EFC91

RGB 110 252 145

HSL 134.79, 0.96%, 0.71%

LAB 89.38, -60.68, 39.88

 

CMYK 56 / 0 / 27 / 1

HEX #6EFCB7

RGB 110 252 183

HSL 150.85, 0.96%, 0.71%

LAB 90.02, -53.94, 21.69

 

CMYK 56 / 0 / 12 / 1

HEX #6EFCDD

RGB 110 252 221

HSL 166.9, 0.96%, 0.71%

LAB 90.85, -45.7, 3.28

 

CMYK 56 / 3 / 0 / 1

HEX #6EF4FC

RGB 110 244 252

HSL 183.38, 0.96%, 0.71%

LAB 89.41, -34.33, -14.97

 

CMYK 56 / 19 / 0 / 1

HEX #6ECDFC

RGB 110 205 252

HSL 199.86, 0.96%, 0.71%

LAB 78.47, -15.09, -31.6

 

CMYK 56 / 0 / 42 / 1

HEX #6EFC91

RGB 110 252 145

HSL 134.79, 0.96%, 0.71%

LAB 89.38, -60.68, 39.88

 

CMYK 56 / 0 / 42 / 1

HEX #6EFC91

RGB 110 252 145

HSL 134.79, 0.96%, 0.71%

LAB 89.38, -60.68, 39.88

 

CMYK 49 / 0 / 37 / 6

HEX #7AF097

RGB 122 240 151

HSL 134.75, 0.8%, 0.71%

LAB 86.35, -52.13, 33.02

 

CMYK 42 / 0 / 31 / 11

HEX #85E49D

RGB 133 228 157

HSL 135.16, 0.64%, 0.71%

LAB 83.39, -43.1, 26.07

 

CMYK 33 / 0 / 25 / 15

HEX #91D8A3

RGB 145 216 163

HSL 135.21, 0.48%, 0.71%

LAB 80.61, -33.07, 19.22

 

CMYK 23 / 0 / 17 / 20

HEX #9DCCA9

RGB 157 204 169

HSL 135.32, 0.32%, 0.71%

LAB 78, -22.37, 12.48

 

CMYK 40 / 0 / 56 / 1

HEX #98FC6E

RGB 152 252 110

HSL 102.25, 0.96%, 0.71%

LAB 90.52, -53.95, 57.95

 

CMYK 55 / 0 / 56 / 1

HEX #72FC6E

RGB 114 252 110

HSL 118.31, 0.96%, 0.71%

LAB 89.08, -64.48, 55.9

 

CMYK 56 / 0 / 43 / 1

HEX #6EFC8F

RGB 110 252 143

HSL 133.94, 0.96%, 0.71%

LAB 89.36, -60.99, 40.82

 

CMYK 56 / 0 / 28 / 1

HEX #6EFCB5

RGB 110 252 181

HSL 150, 0.96%, 0.71%

LAB 89.99, -54.34, 22.66

 

CMYK 56 / 0 / 13 / 1

HEX #6EFCDA

RGB 110 252 218

HSL 165.63, 0.96%, 0.71%

LAB 90.78, -46.4, 4.73

 

CMYK 88 / 0 / 67 / 2

HEX #1DFA53

RGB 29 250 83

HSL 134.66, 0.96%, 0.55%

LAB 86.63, -79.76, 63.95

 

CMYK 73 / 0 / 55 / 2

HEX #45FB72

RGB 69 251 114

HSL 134.84, 0.96%, 0.63%

LAB 87.72, -72.39, 52.23

 

CMYK 56 / 0 / 42 / 1

HEX #6EFC91

RGB 110 252 145

HSL 134.79, 0.96%, 0.71%

LAB 89.38, -60.68, 39.88

 

CMYK 40 / 0 / 31 / 1

HEX #96FCAF

RGB 150 252 175

HSL 134.71, 0.94%, 0.79%

LAB 91.32, -45.63, 27.78

 

CMYK 25 / 0 / 19 / 1

HEX #BEFDCE

RGB 190 253 206

HSL 135.24, 0.94%, 0.87%

LAB 94.16, -28.75, 16.21

 

CMYK 56 / 0 / 42 / 1

HEX #6EFC91

RGB 110 252 145

HSL 134.79, 0.96%, 0.71%

LAB 89.38, -60.68, 39.88

 

CMYK 56 / 25 / 0 / 1

HEX #6EBEFC

RGB 110 190 252

HSL 206.2, 0.96%, 0.71%

LAB 74.3, -7.13, -38.05

 

CMYK 0 / 56 / 47 / 1

HEX #FC6E85

RGB 252 110 133

HSL 350.28, 0.96%, 0.71%

LAB 64.6, 56.11, 14.83

 

CMYK 56 / 0 / 42 / 1

HEX #6EFC91

RGB 110 252 145

HSL 134.79, 0.96%, 0.71%

LAB 89.38, -60.68, 39.88

 

CMYK 43 / 56 / 0 / 1

HEX #8F6EFC

RGB 143 110 252

HSL 253.94, 0.96%, 0.71%

LAB 56.11, 45.77, -66.73

 

CMYK 0 / 43 / 56 / 1

HEX #FC8F6E

RGB 252 143 110

HSL 13.94, 0.96%, 0.71%

LAB 70.5, 38.13, 35.5

 

CMYK 56 / 0 / 42 / 1

HEX #6EFC91

RGB 110 252 145

HSL 134.79, 0.96%, 0.71%

LAB 89.38, -60.68, 39.88

 

CMYK 56 / 25 / 0 / 1

HEX #6EBEFC

RGB 110 190 252

HSL 206.2, 0.96%, 0.71%

LAB 74.3, -7.13, -38.05

 

CMYK 0 / 56 / 13 / 1

HEX #FC6EDA

RGB 252 110 218

HSL 314.37, 0.96%, 0.71%

LAB 67.21, 66.35, -29.46

 

CMYK 0 / 32 / 56 / 1

HEX #FCAB6E

RGB 252 171 110

HSL 25.77, 0.96%, 0.71%

LAB 76.65, 23.59, 43.18

 

CMYK 56 / 0 / 42 / 1

HEX #6EFC91

RGB 110 252 145

HSL 134.79, 0.96%, 0.71%

LAB 89.38, -60.68, 39.88

 

CMYK 56 / 42 / 0 / 1

HEX #6E93FC

RGB 110 147 252

HSL 224.37, 0.96%, 0.71%

LAB 62.69, 17.28, -56.32

 

CMYK 0 / 56 / 13 / 1

HEX #FC6EDA

RGB 252 110 218

HSL 314.37, 0.96%, 0.71%

LAB 67.21, 66.35, -29.46

 

CMYK 0 / 15 / 56 / 1

HEX #FCD66E

RGB 252 214 110

HSL 43.94, 0.96%, 0.71%

LAB 86.95, 1.23, 55.51

 

Description

Color code: HEX #6EFC91 | qconv.com Color code: HEX #6EFC91 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 252 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 252 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 42 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 42% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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