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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B60D6 it is the complementary color #849F29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B60D6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B60D6 shade: #8060D1, #9172E4, #A284F7, #B396FF and #C4A8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B60D6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B60D6 shade: #7B60D6, #6A4EC3, #593CB0, #482A9D and #37188A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B60D6 shade: #7B60D6, #9B60D6, #BB60D6, #D660D1 and #D660B2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B60D6 shade: #7B60D6 and #6060D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B60D6 shade matches the following richer shades: #7B60D6, #7350E6 and #6A40F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B60D6 shade: #7B60D6, #8470C6, #8D81B6, #9591A5 and #9EA195

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B60D6 shade: #6086D6, #6066D6, #7A60D6, #9960D6 and #B860D6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B60D6 shade: #4D2EB5, #6040CD, #7B60D6, #9681DE and #B2A2E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B60D6 shade: #7B60D6, #D660A5 and #76D660

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B60D6 shade: #7B60D6, #D67A60 and #60D67A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B60D6 shade: #7B60D6, #D660A5, #BCD660 and #60D691

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B60D6 shade: #7B60D6, #D66082, #BCD660 and #60D6B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 55 / 0 / 16

HEX #7B60D6

RGB 123 96 214

HSL 253.73, 0.59%, 0.61%

LAB 48.8, 38.85, -57.27

 

Complementary color

CMYK 17 / 0 / 74 / 38

HEX #849F29

RGB 132 159 41

HSL 73.73, 0.59%, 0.39%

LAB 61.53, -25.75, 54.78

 

CMYK 39 / 54 / 0 / 18

HEX #8060D1

RGB 128 96 209

HSL 256.99, 0.55%, 0.6%

LAB 48.96, 38.63, -54.15

 

CMYK 36 / 50 / 0 / 11

HEX #9172E4

RGB 145 114 228

HSL 256.32, 0.68%, 0.67%

LAB 55.74, 37.51, -53.95

 

CMYK 34 / 47 / 0 / 3

HEX #A284F7

RGB 162 132 247

HSL 255.65, 0.88%, 0.74%

LAB 62.42, 36.48, -53.77

 

CMYK 30 / 41 / 0 / 0

HEX #B396FF

RGB 179 150 255

HSL 256.57, 1%, 0.79%

LAB 68.47, 32.81, -48.48

 

CMYK 23 / 34 / 0 / 0

HEX #C4A8FF

RGB 196 168 255

HSL 259.31, 1%, 0.83%

LAB 74.16, 27.55, -39.46

 

CMYK 43 / 55 / 0 / 16

HEX #7B60D6

RGB 123 96 214

HSL 253.73, 0.59%, 0.61%

LAB 48.8, 38.85, -57.27

 

CMYK 46 / 60 / 0 / 24

HEX #6A4EC3

RGB 106 78 195

HSL 254.36, 0.49%, 0.54%

LAB 41.93, 40.18, -57.51

 

CMYK 49 / 66 / 0 / 31

HEX #593CB0

RGB 89 60 176

HSL 255, 0.49%, 0.46%

LAB 34.98, 41.58, -57.68

 

CMYK 54 / 73 / 0 / 38

HEX #482A9D

RGB 72 42 157

HSL 255.65, 0.58%, 0.39%

LAB 28.03, 42.96, -57.68

 

CMYK 60 / 83 / 0 / 46

HEX #37188A

RGB 55 24 138

HSL 256.32, 0.7%, 0.32%

LAB 21.21, 43.98, -57.23

 

CMYK 43 / 55 / 0 / 16

HEX #7B60D6

RGB 123 96 214

HSL 253.73, 0.59%, 0.61%

LAB 48.8, 38.85, -57.27

 

CMYK 28 / 55 / 0 / 16

HEX #9B60D6

RGB 155 96 214

HSL 270, 0.59%, 0.61%

LAB 52.05, 46.5, -51.88

 

CMYK 13 / 55 / 0 / 16

HEX #BB60D6

RGB 187 96 214

HSL 286.27, 0.59%, 0.61%

LAB 55.87, 54.67, -45.57

 

CMYK 0 / 55 / 2 / 16

HEX #D660D1

RGB 214 96 209

HSL 302.54, 0.59%, 0.61%

LAB 59.22, 60.87, -37.23

 

CMYK 0 / 55 / 17 / 16

HEX #D660B2

RGB 214 96 178

HSL 318.31, 0.59%, 0.61%

LAB 57.92, 55.92, -21.54

 

CMYK 43 / 55 / 0 / 16

HEX #7B60D6

RGB 123 96 214

HSL 253.73, 0.59%, 0.61%

LAB 48.8, 38.85, -57.27

 

CMYK 55 / 55 / 0 / 16

HEX #6060D6

RGB 96 96 214

HSL 240, 0.59%, 0.61%

LAB 46.59, 33.18, -60.95

 

CMYK 43 / 55 / 0 / 16

HEX #7B60D6

RGB 123 96 214

HSL 253.73, 0.59%, 0.61%

LAB 48.8, 38.85, -57.27

 

CMYK 50 / 65 / 0 / 10

HEX #7350E6

RGB 115 80 230

HSL 254, 0.75%, 0.61%

LAB 45.76, 50.77, -71.31

 

CMYK 57 / 74 / 0 / 4

HEX #6A40F6

RGB 106 64 246

HSL 253.85, 0.91%, 0.61%

LAB 43.34, 62.06, -84.33

 

CMYK 43 / 55 / 0 / 16

HEX #7B60D6

RGB 123 96 214

HSL 253.73, 0.59%, 0.61%

LAB 48.8, 38.85, -57.27

 

CMYK 33 / 43 / 0 / 22

HEX #8470C6

RGB 132 112 198

HSL 253.95, 0.43%, 0.61%

LAB 52.48, 27.33, -42.23

 

CMYK 23 / 29 / 0 / 29

HEX #8D81B6

RGB 141 129 182

HSL 253.58, 0.27%, 0.61%

LAB 56.82, 15.92, -26.23

 

CMYK 10 / 12 / 0 / 35

HEX #9591A5

RGB 149 145 165

HSL 252, 0.1%, 0.61%

LAB 61.1, 5.5, -9.98

 

CMYK 2 / 0 / 7 / 37

HEX #9EA195

RGB 158 161 149

HSL 75, 0.06%, 0.61%

LAB 65.69, -3.31, 5.87

 

CMYK 55 / 37 / 0 / 16

HEX #6086D6

RGB 96 134 214

HSL 220.68, 0.59%, 0.61%

LAB 56.48, 10.02, -45.14

 

CMYK 55 / 52 / 0 / 16

HEX #6066D6

RGB 96 102 214

HSL 236.95, 0.59%, 0.61%

LAB 48.06, 29.52, -58.57

 

CMYK 43 / 55 / 0 / 16

HEX #7A60D6

RGB 122 96 214

HSL 253.22, 0.59%, 0.61%

LAB 48.71, 38.63, -57.43

 

CMYK 29 / 55 / 0 / 16

HEX #9960D6

RGB 153 96 214

HSL 268.98, 0.59%, 0.61%

LAB 51.83, 46, -52.25

 

CMYK 14 / 55 / 0 / 16

HEX #B860D6

RGB 184 96 214

HSL 284.75, 0.59%, 0.61%

LAB 55.49, 53.9, -46.2

 

CMYK 57 / 75 / 0 / 29

HEX #4D2EB5

RGB 77 46 181

HSL 253.78, 0.59%, 0.45%

LAB 31.5, 48.68, -66.39

 

CMYK 53 / 69 / 0 / 20

HEX #6040CD

RGB 96 64 205

HSL 253.62, 0.59%, 0.53%

LAB 38.83, 49.06, -68.39

 

CMYK 43 / 55 / 0 / 16

HEX #7B60D6

RGB 123 96 214

HSL 253.73, 0.59%, 0.61%

LAB 48.8, 38.85, -57.27

 

CMYK 32 / 42 / 0 / 13

HEX #9681DE

RGB 150 129 222

HSL 253.55, 0.58%, 0.69%

LAB 59.4, 28.6, -44.76

 

CMYK 23 / 30 / 0 / 9

HEX #B2A2E7

RGB 178 162 231

HSL 253.91, 0.59%, 0.77%

LAB 70.23, 20.05, -32.64

 

CMYK 43 / 55 / 0 / 16

HEX #7B60D6

RGB 123 96 214

HSL 253.73, 0.59%, 0.61%

LAB 48.8, 38.85, -57.27

 

CMYK 0 / 55 / 23 / 16

HEX #D660A5

RGB 214 96 165

HSL 324.92, 0.59%, 0.61%

LAB 57.44, 54.05, -14.75

 

CMYK 45 / 0 / 55 / 16

HEX #76D660

RGB 118 214 96

HSL 108.81, 0.59%, 0.61%

LAB 77.75, -50.46, 48.94

 

CMYK 43 / 55 / 0 / 16

HEX #7B60D6

RGB 123 96 214

HSL 253.73, 0.59%, 0.61%

LAB 48.8, 38.85, -57.27

 

CMYK 0 / 43 / 55 / 16

HEX #D67A60

RGB 214 122 96

HSL 13.22, 0.59%, 0.61%

LAB 60.83, 33.25, 29.79

 

CMYK 55 / 0 / 43 / 16

HEX #60D67A

RGB 96 214 122

HSL 133.22, 0.59%, 0.61%

LAB 77.27, -52.82, 35.57

 

CMYK 43 / 55 / 0 / 16

HEX #7B60D6

RGB 123 96 214

HSL 253.73, 0.59%, 0.61%

LAB 48.8, 38.85, -57.27

 

CMYK 0 / 55 / 23 / 16

HEX #D660A5

RGB 214 96 165

HSL 324.92, 0.59%, 0.61%

LAB 57.44, 54.05, -14.75

 

CMYK 12 / 0 / 55 / 16

HEX #BCD660

RGB 188 214 96

HSL 73.22, 0.59%, 0.61%

LAB 81.64, -25.75, 54.45

 

CMYK 55 / 0 / 32 / 16

HEX #60D691

RGB 96 214 145

HSL 144.92, 0.59%, 0.61%

LAB 77.65, -48.8, 24.26

 

CMYK 43 / 55 / 0 / 16

HEX #7B60D6

RGB 123 96 214

HSL 253.73, 0.59%, 0.61%

LAB 48.8, 38.85, -57.27

 

CMYK 0 / 55 / 39 / 16

HEX #D66082

RGB 214 96 130

HSL 342.71, 0.59%, 0.61%

LAB 56.36, 49.68, 4.1

 

CMYK 12 / 0 / 55 / 16

HEX #BCD660

RGB 188 214 96

HSL 73.22, 0.59%, 0.61%

LAB 81.64, -25.75, 54.45

 

CMYK 55 / 0 / 16 / 16

HEX #60D6B4

RGB 96 214 180

HSL 162.71, 0.59%, 0.61%

LAB 78.39, -41.41, 6.79

 

Description

Color code: HEX #7B60D6 | qconv.com Color code: HEX #7B60D6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 96 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 96 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 55 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 55% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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