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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A0CD8C it is the complementary color #5F3273. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A0CD8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A0CD8C shade: #A5CD87, #B6DF9A, #C7F1AD, #D8FFC0 and #E9FFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A0CD8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A0CD8C shade: #A0CD8C, #8FBB79, #7EA966, #6D9753 and #5C8540

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A0CD8C shade: #A1CD8D, #B2CD8D, #C3CD8D, #CDC58D and #CDB48D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A0CD8C shade: #A1CD8D, #8FCD8D, #8DCD9C, #8DCDAD and #8DCDBE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A0CD8C shade matches the following richer shades: #A1CD8D, #9CDA80, #97E773 and #91F465

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A0CD8C shade: #A1CD8D, #A6C09A, #ABB2A7, #B0A5B5 and #B598C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A0CD8C shade: #C3CD8D, #B2CD8D, #A1CD8D, #90CD8D and #8DCD9B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A0CD8C shade: #71B454, #89C070, #A1CD8D, #B8D9AA and #D0E6C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A0CD8C shade: #A0CD8C, #8DCDC5 and #CD8DBB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A0CD8C shade: #A0CD8C, #8DA1CD and #CD8DA1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A0CD8C shade: #A0CD8C, #8DCDC5, #B98DCD and #CD8D95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A0CD8C shade: #A0CD8C, #8DC1CD, #B98DCD and #CD998D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 32 / 20

HEX #A0CD8C

RGB 160 205 140

HSL 101.54, 0.39%, 0.68%

LAB 77.89, -26.73, 27.7

 

Complementary color

CMYK 17 / 57 / 0 / 55

HEX #5F3273

RGB 95 50 115

HSL 281.54, 0.39%, 0.32%

LAB 29.29, 32.29, -29.39

 

CMYK 20 / 0 / 34 / 20

HEX #A5CD87

RGB 165 205 135

HSL 94.29, 0.41%, 0.67%

LAB 78.12, -25.68, 30.65

 

CMYK 18 / 0 / 31 / 13

HEX #B6DF9A

RGB 182 223 154

HSL 95.65, 0.52%, 0.74%

LAB 84.51, -25.58, 29.56

 

CMYK 17 / 0 / 28 / 5

HEX #C7F1AD

RGB 199 241 173

HSL 97.06, 0.71%, 0.81%

LAB 90.81, -25.48, 28.52

 

CMYK 15 / 0 / 25 / 0

HEX #D8FFC0

RGB 216 255 192

HSL 97.14, 1%, 0.88%

LAB 95.97, -23.48, 26.08

 

CMYK 9 / 0 / 17 / 0

HEX #E9FFD3

RGB 233 255 211

HSL 90, 1%, 0.91%

LAB 97.45, -14.72, 18.65

 

CMYK 22 / 0 / 32 / 20

HEX #A0CD8C

RGB 160 205 140

HSL 101.54, 0.39%, 0.68%

LAB 77.89, -26.73, 27.7

 

CMYK 24 / 0 / 35 / 27

HEX #8FBB79

RGB 143 187 121

HSL 100, 0.33%, 0.6%

LAB 71.39, -26.88, 28.82

 

CMYK 25 / 0 / 40 / 34

HEX #7EA966

RGB 126 169 102

HSL 98.51, 0.28%, 0.53%

LAB 64.78, -27.02, 30

 

CMYK 28 / 0 / 45 / 41

HEX #6D9753

RGB 109 151 83

HSL 97.06, 0.29%, 0.46%

LAB 58.05, -27.14, 31.23

 

CMYK 31 / 0 / 52 / 48

HEX #5C8540

RGB 92 133 64

HSL 95.65, 0.35%, 0.39%

LAB 51.18, -27.22, 32.49

 

CMYK 21 / 0 / 31 / 20

HEX #A1CD8D

RGB 161 205 141

HSL 101.25, 0.39%, 0.68%

LAB 77.97, -26.22, 27.29

 

CMYK 13 / 0 / 31 / 20

HEX #B2CD8D

RGB 178 205 141

HSL 85.31, 0.39%, 0.68%

LAB 79.07, -20.09, 28.96

 

CMYK 5 / 0 / 31 / 20

HEX #C3CD8D

RGB 195 205 141

HSL 69.38, 0.39%, 0.68%

LAB 80.29, -13.71, 30.79

 

CMYK 0 / 4 / 31 / 20

HEX #CDC58D

RGB 205 197 141

HSL 52.5, 0.39%, 0.68%

LAB 78.95, -5.75, 29.15

 

CMYK 0 / 12 / 31 / 20

HEX #CDB48D

RGB 205 180 141

HSL 36.56, 0.39%, 0.68%

LAB 74.54, 3.19, 23.22

 

CMYK 21 / 0 / 31 / 20

HEX #A1CD8D

RGB 161 205 141

HSL 101.25, 0.39%, 0.68%

LAB 77.97, -26.22, 27.29

 

CMYK 30 / 0 / 31 / 20

HEX #8FCD8D

RGB 143 205 141

HSL 118.13, 0.39%, 0.68%

LAB 76.94, -32.35, 25.72

 

CMYK 31 / 0 / 24 / 20

HEX #8DCD9C

RGB 141 205 156

HSL 134.06, 0.39%, 0.68%

LAB 77.12, -30.4, 18.04

 

CMYK 31 / 0 / 16 / 20

HEX #8DCDAD

RGB 141 205 173

HSL 150, 0.39%, 0.68%

LAB 77.49, -27.14, 9.48

 

CMYK 31 / 0 / 7 / 20

HEX #8DCDBE

RGB 141 205 190

HSL 165.94, 0.39%, 0.68%

LAB 77.9, -23.57, 0.96

 

CMYK 21 / 0 / 31 / 20

HEX #A1CD8D

RGB 161 205 141

HSL 101.25, 0.39%, 0.68%

LAB 77.97, -26.22, 27.29

 

CMYK 28 / 0 / 41 / 15

HEX #9CDA80

RGB 156 218 128

HSL 101.33, 0.55%, 0.68%

LAB 81.16, -35.94, 38.09

 

CMYK 35 / 0 / 50 / 9

HEX #97E773

RGB 151 231 115

HSL 101.38, 0.71%, 0.68%

LAB 84.47, -45, 48.48

 

CMYK 41 / 0 / 59 / 4

HEX #91F465

RGB 145 244 101

HSL 101.54, 0.87%, 0.68%

LAB 87.81, -53.8, 58.67

 

CMYK 21 / 0 / 31 / 20

HEX #A1CD8D

RGB 161 205 141

HSL 101.25, 0.39%, 0.68%

LAB 77.97, -26.22, 27.29

 

CMYK 14 / 0 / 20 / 25

HEX #A6C09A

RGB 166 192 154

HSL 101.05, 0.23%, 0.68%

LAB 74.91, -15.9, 16.26

 

CMYK 4 / 0 / 6 / 30

HEX #ABB2A7

RGB 171 178 167

HSL 98.18, 0.07%, 0.68%

LAB 71.75, -4.51, 4.76

 

CMYK 3 / 9 / 0 / 29

HEX #B0A5B5

RGB 176 165 181

HSL 281.25, 0.1%, 0.68%

LAB 69.1, 6.97, -6.8

 

CMYK 7 / 22 / 0 / 24

HEX #B598C2

RGB 181 152 194

HSL 281.43, 0.26%, 0.68%

LAB 66.65, 18.5, -17.65

 

CMYK 5 / 0 / 31 / 20

HEX #C3CD8D

RGB 195 205 141

HSL 69.38, 0.39%, 0.68%

LAB 80.29, -13.71, 30.79

 

CMYK 13 / 0 / 31 / 20

HEX #B2CD8D

RGB 178 205 141

HSL 85.31, 0.39%, 0.68%

LAB 79.07, -20.09, 28.96

 

CMYK 21 / 0 / 31 / 20

HEX #A1CD8D

RGB 161 205 141

HSL 101.25, 0.39%, 0.68%

LAB 77.97, -26.22, 27.29

 

CMYK 30 / 0 / 31 / 20

HEX #90CD8D

RGB 144 205 141

HSL 117.19, 0.39%, 0.68%

LAB 76.99, -32.02, 25.81

 

CMYK 31 / 0 / 24 / 20

HEX #8DCD9B

RGB 141 205 155

HSL 133.13, 0.39%, 0.68%

LAB 77.1, -30.58, 18.54

 

CMYK 37 / 0 / 53 / 29

HEX #71B454

RGB 113 180 84

HSL 101.88, 0.39%, 0.52%

LAB 67.12, -39.07, 41.92

 

CMYK 29 / 0 / 42 / 25

HEX #89C070

RGB 137 192 112

HSL 101.25, 0.39%, 0.6%

LAB 72.35, -32.67, 34.68

 

CMYK 21 / 0 / 31 / 20

HEX #A1CD8D

RGB 161 205 141

HSL 101.25, 0.39%, 0.68%

LAB 77.97, -26.22, 27.29

 

CMYK 15 / 0 / 22 / 15

HEX #B8D9AA

RGB 184 217 170

HSL 102.13, 0.38%, 0.76%

LAB 83.29, -19.48, 19.61

 

CMYK 10 / 0 / 14 / 10

HEX #D0E6C6

RGB 208 230 198

HSL 101.25, 0.39%, 0.84%

LAB 88.96, -13.03, 13.15

 

CMYK 22 / 0 / 32 / 20

HEX #A0CD8C

RGB 160 205 140

HSL 101.54, 0.39%, 0.68%

LAB 77.89, -26.73, 27.7

 

CMYK 31 / 0 / 4 / 20

HEX #8DCDC5

RGB 141 205 197

HSL 172.5, 0.39%, 0.68%

LAB 78.09, -22.02, -2.53

 

CMYK 0 / 31 / 9 / 20

HEX #CD8DBB

RGB 205 141 187

HSL 316.88, 0.39%, 0.68%

LAB 66.23, 31.4, -14.15

 

CMYK 22 / 0 / 32 / 20

HEX #A0CD8C

RGB 160 205 140

HSL 101.54, 0.39%, 0.68%

LAB 77.89, -26.73, 27.7

 

CMYK 31 / 21 / 0 / 20

HEX #8DA1CD

RGB 141 161 205

HSL 221.25, 0.39%, 0.68%

LAB 66.18, 3.29, -24.78

 

CMYK 0 / 31 / 21 / 20

HEX #CD8DA1

RGB 205 141 161

HSL 341.25, 0.39%, 0.68%

LAB 65.44, 27.18, -0.68

 

CMYK 22 / 0 / 32 / 20

HEX #A0CD8C

RGB 160 205 140

HSL 101.54, 0.39%, 0.68%

LAB 77.89, -26.73, 27.7

 

CMYK 31 / 0 / 4 / 20

HEX #8DCDC5

RGB 141 205 197

HSL 172.5, 0.39%, 0.68%

LAB 78.09, -22.02, -2.53

 

CMYK 10 / 31 / 0 / 20

HEX #B98DCD

RGB 185 141 205

HSL 281.25, 0.39%, 0.68%

LAB 64.78, 28.22, -26.62

 

CMYK 0 / 31 / 27 / 20

HEX #CD8D95

RGB 205 141 149

HSL 352.5, 0.39%, 0.68%

LAB 65.12, 25.43, 5.63

 

CMYK 22 / 0 / 32 / 20

HEX #A0CD8C

RGB 160 205 140

HSL 101.54, 0.39%, 0.68%

LAB 77.89, -26.73, 27.7

 

CMYK 31 / 6 / 0 / 20

HEX #8DC1CD

RGB 141 193 205

HSL 191.25, 0.39%, 0.68%

LAB 74.96, -14.04, -11.49

 

CMYK 10 / 31 / 0 / 20

HEX #B98DCD

RGB 185 141 205

HSL 281.25, 0.39%, 0.68%

LAB 64.78, 28.22, -26.62

 

CMYK 0 / 25 / 31 / 20

HEX #CD998D

RGB 205 153 141

HSL 11.25, 0.39%, 0.68%

LAB 67.79, 17.79, 13.9

 

Description

Color code: HEX #A0CD8C | qconv.com Color code: HEX #A0CD8C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 205 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 205 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 32 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 32% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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