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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C1FF3C it is the complementary color #3E00C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C1FF3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C1FF3C shade: #C6FF37, #D7FF4A, #E8FF5D, #F9FF70 and #FFFF83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C1FF3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C1FF3C shade: #C1FF3C, #B0ED29, #9FDB16, #8EC903 and #7DB700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C1FF3C shade: #C1FF3D, #F5FF3D, #FFD43D, #FF9F3D and #FF6B3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C1FF3C shade: #C1FF3D, #8DFF3D, #58FF3D, #3DFF55 and #3DFF8A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C1FF3C shade matches the following richer shades: #C1FF3D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C1FF3C shade: #C1FF3D, #BBEF4C, #B5DF5C, #B0CF6C and #AAC07B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C1FF3C shade: #FFD53D, #F5FF3D, #C1FF3D, #8DFF3D and #5AFF3D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C1FF3C shade: #9FE900, #B4FF13, #C1FF3D, #CEFF66 and #DBFF8F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C1FF3C shade: #C1FF3C, #3DFFA1 and #EE3DFF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C1FF3C shade: #C1FF3C, #3DC1FF and #FF3DC1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C1FF3C shade: #C1FF3C, #3DFFA1, #7A3DFF and #FF3D9A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C1FF3C shade: #C1FF3C, #3DFFDB, #7A3DFF and #FF3D60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 76 / 0

HEX #C1FF3C

RGB 193 255 60

HSL 79.08, 1%, 0.62%

LAB 93.09, -44.76, 79.89

 

Complementary color

CMYK 68 / 100 / 0 / 24

HEX #3E00C3

RGB 62 0 195

HSL 259.08, 1%, 0.38%

LAB 26.63, 65.93, -82.79

 

CMYK 22 / 0 / 78 / 0

HEX #C6FF37

RGB 198 255 55

HSL 77.1, 1%, 0.61%

LAB 93.36, -43.1, 81.63

 

CMYK 16 / 0 / 71 / 0

HEX #D7FF4A

RGB 215 255 74

HSL 73.26, 1%, 0.65%

LAB 94.51, -35.77, 77.34

 

CMYK 9 / 0 / 64 / 0

HEX #E8FF5D

RGB 232 255 93

HSL 68.52, 1%, 0.68%

LAB 95.77, -28.08, 72.1

 

CMYK 2 / 0 / 56 / 0

HEX #F9FF70

RGB 249 255 112

HSL 62.52, 1%, 0.72%

LAB 97.16, -20.13, 66.2

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF83

RGB 255 255 131

HSL 60, 1%, 0.76%

LAB 97.8, -16.29, 58.65

 

CMYK 24 / 0 / 76 / 0

HEX #C1FF3C

RGB 193 255 60

HSL 79.08, 1%, 0.62%

LAB 93.09, -44.76, 79.89

 

CMYK 26 / 0 / 83 / 7

HEX #B0ED29

RGB 176 237 41

HSL 78.67, 0.84%, 0.55%

LAB 86.98, -44.07, 78.96

 

CMYK 27 / 0 / 90 / 14

HEX #9FDB16

RGB 159 219 22

HSL 78.27, 0.82%, 0.47%

LAB 80.79, -43.21, 77.02

 

CMYK 29 / 0 / 99 / 21

HEX #8EC903

RGB 142 201 3

HSL 77.88, 0.97%, 0.4%

LAB 74.53, -42.16, 73.84

 

CMYK 32 / 0 / 100 / 28

HEX #7DB700

RGB 125 183 0

HSL 79.02, 1%, 0.36%

LAB 68.19, -40.86, 68.87

 

CMYK 24 / 0 / 76 / 0

HEX #C1FF3D

RGB 193 255 61

HSL 79.18, 1%, 0.62%

LAB 93.1, -44.71, 79.6

 

CMYK 4 / 0 / 76 / 0

HEX #F5FF3D

RGB 245 255 61

HSL 63.09, 1%, 0.62%

LAB 96.52, -24.49, 84

 

CMYK 0 / 17 / 76 / 0

HEX #FFD43D

RGB 255 212 61

HSL 46.7, 1%, 0.62%

LAB 86.35, 0.77, 75.01

 

CMYK 0 / 38 / 76 / 0

HEX #FF9F3D

RGB 255 159 61

HSL 30.31, 1%, 0.62%

LAB 73.8, 28.27, 63.12

 

CMYK 0 / 58 / 76 / 0

HEX #FF6B3D

RGB 255 107 61

HSL 14.23, 1%, 0.62%

LAB 63.44, 53.94, 52.78

 

CMYK 24 / 0 / 76 / 0

HEX #C1FF3D

RGB 193 255 61

HSL 79.18, 1%, 0.62%

LAB 93.1, -44.71, 79.6

 

CMYK 45 / 0 / 76 / 0

HEX #8DFF3D

RGB 141 255 61

HSL 95.26, 1%, 0.62%

LAB 90.56, -62.29, 76.31

 

CMYK 65 / 0 / 76 / 0

HEX #58FF3D

RGB 88 255 61

HSL 111.65, 1%, 0.62%

LAB 88.89, -75.47, 74.12

 

CMYK 76 / 0 / 67 / 0

HEX #3DFF55

RGB 61 255 85

HSL 127.42, 1%, 0.62%

LAB 88.53, -77.98, 65.32

 

CMYK 76 / 0 / 46 / 0

HEX #3DFF8A

RGB 61 255 138

HSL 143.81, 1%, 0.62%

LAB 89.09, -71.3, 42.67

 

CMYK 24 / 0 / 76 / 0

HEX #C1FF3D

RGB 193 255 61

HSL 79.18, 1%, 0.62%

LAB 93.1, -44.71, 79.6

 

CMYK 24 / 0 / 76 / 0

HEX #C1FF3D

RGB 193 255 61

HSL 79.18, 1%, 0.62%

LAB 93.1, -44.71, 79.6

 

CMYK 22 / 0 / 68 / 6

HEX #BBEF4C

RGB 187 239 76

HSL 79.14, 0.84%, 0.62%

LAB 88.36, -39.16, 69.93

 

CMYK 19 / 0 / 59 / 13

HEX #B5DF5C

RGB 181 223 92

HSL 79.24, 0.67%, 0.62%

LAB 83.64, -33.03, 58.37

 

CMYK 15 / 0 / 48 / 19

HEX #B0CF6C

RGB 176 207 108

HSL 78.79, 0.51%, 0.62%

LAB 79.01, -25.9, 45.51

 

CMYK 11 / 0 / 36 / 25

HEX #AAC07B

RGB 170 192 123

HSL 79.13, 0.35%, 0.62%

LAB 74.62, -19.05, 32.34

 

CMYK 0 / 16 / 76 / 0

HEX #FFD53D

RGB 255 213 61

HSL 47.01, 1%, 0.62%

LAB 86.6, 0.26, 75.24

 

CMYK 4 / 0 / 76 / 0

HEX #F5FF3D

RGB 245 255 61

HSL 63.09, 1%, 0.62%

LAB 96.52, -24.49, 84

 

CMYK 24 / 0 / 76 / 0

HEX #C1FF3D

RGB 193 255 61

HSL 79.18, 1%, 0.62%

LAB 93.1, -44.71, 79.6

 

CMYK 45 / 0 / 76 / 0

HEX #8DFF3D

RGB 141 255 61

HSL 95.26, 1%, 0.62%

LAB 90.56, -62.29, 76.31

 

CMYK 65 / 0 / 76 / 0

HEX #5AFF3D

RGB 90 255 61

HSL 111.03, 1%, 0.62%

LAB 88.94, -75.08, 74.18

 

CMYK 32 / 0 / 100 / 9

HEX #9FE900

RGB 159 233 0

HSL 79.06, 1%, 0.46%

LAB 84.82, -49.42, 82.45

 

CMYK 29 / 0 / 93 / 0

HEX #B4FF13

RGB 180 255 19

HSL 79.07, 1%, 0.54%

LAB 92.25, -50.71, 87.11

 

CMYK 24 / 0 / 76 / 0

HEX #C1FF3D

RGB 193 255 61

HSL 79.18, 1%, 0.62%

LAB 93.1, -44.71, 79.6

 

CMYK 19 / 0 / 60 / 0

HEX #CEFF66

RGB 206 255 102

HSL 79.22, 1%, 0.7%

LAB 94.14, -37.39, 66.23

 

CMYK 14 / 0 / 44 / 0

HEX #DBFF8F

RGB 219 255 143

HSL 79.29, 1%, 0.78%

LAB 95.4, -28.78, 49.55

 

CMYK 24 / 0 / 76 / 0

HEX #C1FF3C

RGB 193 255 60

HSL 79.08, 1%, 0.62%

LAB 93.09, -44.76, 79.89

 

CMYK 76 / 0 / 37 / 0

HEX #3DFFA1

RGB 61 255 161

HSL 150.93, 1%, 0.62%

LAB 89.43, -67.32, 31.83

 

CMYK 7 / 76 / 0 / 0

HEX #EE3DFF

RGB 238 61 255

HSL 294.74, 1%, 0.62%

LAB 60.55, 86.66, -60.63

 

CMYK 24 / 0 / 76 / 0

HEX #C1FF3C

RGB 193 255 60

HSL 79.08, 1%, 0.62%

LAB 93.09, -44.76, 79.89

 

CMYK 76 / 24 / 0 / 0

HEX #3DC1FF

RGB 61 193 255

HSL 199.18, 1%, 0.62%

LAB 73.77, -15.27, -40.59

 

CMYK 0 / 76 / 24 / 0

HEX #FF3DC1

RGB 255 61 193

HSL 319.18, 1%, 0.62%

LAB 60.29, 81.49, -25.96

 

CMYK 24 / 0 / 76 / 0

HEX #C1FF3C

RGB 193 255 60

HSL 79.08, 1%, 0.62%

LAB 93.09, -44.76, 79.89

 

CMYK 76 / 0 / 37 / 0

HEX #3DFFA1

RGB 61 255 161

HSL 150.93, 1%, 0.62%

LAB 89.43, -67.32, 31.83

 

CMYK 52 / 76 / 0 / 0

HEX #7A3DFF

RGB 122 61 255

HSL 258.87, 1%, 0.62%

LAB 45.21, 67.83, -86.23

 

CMYK 0 / 76 / 40 / 0

HEX #FF3D9A

RGB 255 61 154

HSL 331.24, 1%, 0.62%

LAB 58.91, 77.32, -5.46

 

CMYK 24 / 0 / 76 / 0

HEX #C1FF3C

RGB 193 255 60

HSL 79.08, 1%, 0.62%

LAB 93.09, -44.76, 79.89

 

CMYK 76 / 0 / 14 / 0

HEX #3DFFDB

RGB 61 255 219

HSL 168.87, 1%, 0.62%

LAB 90.61, -54.63, 3.84

 

CMYK 52 / 76 / 0 / 0

HEX #7A3DFF

RGB 122 61 255

HSL 258.87, 1%, 0.62%

LAB 45.21, 67.83, -86.23

 

CMYK 0 / 76 / 62 / 0

HEX #FF3D60

RGB 255 61 96

HSL 349.18, 1%, 0.62%

LAB 57.5, 72.93, 26.75

 

Description

Color code: HEX #C1FF3C | qconv.com Color code: HEX #C1FF3C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 255 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 255 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 76 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 76% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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