Mostrar mensagens com a etiqueta stone the crows. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta stone the crows. Mostrar todas as mensagens

sábado, 13 de julho de 2019

STONE THE CROWS: The 2nd Album

Original released on LP Polydor 2425 042
(UK, 1970)

In a way, you have to feel sorry for Stone the Crows. All the elements were there for them to have been one of the major bands, up there with Zeppelin - they even had the same management. But even on this, their second and best album, they could never quite put everything together. Live, they were an incendiary act, with singer Maggie Bell and guitarist Les Harvey true stars. Somehow, though, once they entered a recording studio, the magic seemed to come off with the overcoats. That's not to say this isn't a good album. "Sad Mary," "Friend," and "Love 74" are all showcases for Harvey's excellent guitar skills, while "Things Are Getting Better" and a cover of Curtis Mayfield's "Danger Zone" let Maggie Bell shine in her best Janis Joplin style (although it's a shame bassist Jim Dewar has his considerable vocal talents muffled). The good time, neo folk-rock of "Mad Dogs And Englishmen" offers some light relief. The biggest problem, really, was the songs - the original material simply wasn't strong enough to establish them as anything more than a cult act working the British college circuit. A hit single, or even a huge album track, would have lifted them out of the more. On this disc, "Love 74" was as close as they came, but instrumentals in 7/4 time were never usually commercial blockbusters. The reissue on Repertoire appends the shorter single version of "Things Are Getting Better." (Chris Nickson in AllMusic)

STONE THE CROWS Debut Album

Original released on LP Polydor 2425017
(UK, 1970)


A somewhat atypical debut rock release. Not only does the band deliver a soulful rendition of "Fool on the Hill," but the dreaded side-long track makes its appearance on side two of Stone the Crows. The tune is titled "I Saw America," and it pulls together the rock, blues, and soul elements that were splintered up on the first side. A spirited attempt was made to live up to the grandiose title, and there's some confident guitar by Les Harvey, but ultimately Stone the Crows are unable to meld together the progressive folk, boogie, jazz, and soul sections that comprise the piece. "A" for effort, though. (Peter Kurtz in AllMusic)
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