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Polyglot on Chloroform

by Rhys Langston & steel tipped dove

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  • Streaming + Download

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  • Record/Vinyl + Digital Album

    Polyglot on Chloroform & all the weight feathers don't have [vinyl bundle]

    Includes unlimited streaming of Polyglot on Chloroform via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Download available in 24-bit/48kHz.
    ships out within 14 days
    Purchasable with gift card

      $50 USD or more 

     

  • polyglot on chloroform (12" Vinyl) limited run
    Record/Vinyl + Digital Album

    polyglot on chloroform (12" Vinyl) limited run

    only 100 made

    **instrumentals** on side B

    Includes unlimited streaming of Polyglot on Chloroform via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Download available in 24-bit/48kHz.

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  • Polyglot on Chloroform test pressing
    Record/Vinyl + Digital Album

    straight from the Estate of the Lord Chocolate Davis, we are auctioning off a single test pressing of Rhys Langston's first ever vinyl release, 'Polyglot on Chloroform'

    signed and labeled personally by the Polite Force of Nature, it is one of one

    Includes unlimited streaming of Polyglot on Chloroform via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Download available in 24-bit/48kHz.

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1.
pulled up to the premiere with five day hair freshly shea butter soaped to coax my ethnic airs, fired from the writer’s room but invited by my agent as an inclusive, diverse reclaimant Trotwood Copperfield with the muthafuckin raiment analog reboot: shooing donkeys off my own grass patch hee haws from an ass to a biracial brass tacks modified races playable on my profile on Actor’s Access just to get cast (but fuck that) yo, sat off in the seats to the mid/side thoughts out of phase and producers look across the aisles at my Roman nose contrite yeah your guilt don’t pay for my cat’s wet food dude if the concessions were something like movie food I’d bean every head from here to fucking Kalamazoo What is jalapeños? in the lower peninsula the after party’s a megalomaniacal Medina hanging mouths, vacant through Neoliberal levers top 40 blaring through the speakers white-haired senility we entertain as we are entreated in this high society of the spectacle over at the catering table I’m pouring ranch on my vegetables, legalize it, nix the fine print every “E” and letter that’s silent I’m just here at my representation’s obliging miming mores memorized meeting senators’ daughters doing Ketamine while they poorly freestyle rhyme and rolling blunts with the social contract at the ire of I, the undersigned (but it’s alright) in lieu of royalties I exit onto Mulholland Drive and check my phone’s time I have a pitch to prepare in the morning a sitcom about human rights in Palestine (it’s not funny though)
2.
beginning again the quotidian windswept ken the polite force of nature in a gentleman's agreement regarding property taxes for the lessees west coast orator who too drought tolerant to smoke trees beginning again the diagnostic bisected armistice in church light halogen wicker basket mask to shitpost and don portable confessions (in public) beginning again the misbegotten son of an auctioneer gum flapping as the family trade allows but would rather be quiet in here laconic as permitted in goth ceiling vault decays Damned, Bauhaus, Sioux, Diné, Visigoth, Dravidian, Ghanaian, palm oil, Miller High Life, filé single file each bid in Twi Creole pidgin beginning again personal history made macroscopic activate a single memory begin an artisan species level extinction dowel driven, inlaying the mouth feel nerve damage is fantastic perfect sequence, pressed acetate recorded, planted grown roots amniotic aquaponic trauma this wing, unit of measurement sorrow made designer beginning again norteño ballads leaking through the windows rusting a single pane thinker from tangents on the timeline snake eating the tail commercial break processes, pauses, and lingers the Socratic method on Clyde Stubblefield loop questions resurface and then slip through the fingers
3.
see, what I’m gonna do in this garden? what I’m gonna do in this space? I tended it on my own now the weeds grew in your place see, what I’m gonna about my guarding? I’ve got it up still to this day waiting for the moment that it drops down and water streams down my face (face) tell me where to go if not right here though I feel the warm shined skies to see they’re clear but do you know I’m frozen? pruning limb to stem leaves of what were left rooted see, what I’m gonna do in the garden? what I’m gonna do in this space? see, what I’m gonna about my guarding? I’ve got it up still to this day waiting for the moment that it drops down and water streams down my face texts dry by the succulents what it is to be stuck in this exhaling the air pockets as the perlite and soil mix where there were four now two hands dig accompaniments to inter life until it blossoms and upon our split I was left in my kitchen dangling your pothos with the greenness of my pathos this menagerie of potted mementos I am left holding a nursery in which I rhyme on my lonesome see, what I’m gonna do in the garden? what I’m gonna do in this space? I tended it on my own now the weeds grew in your place see, what I’m gonna about my guarding? I’ve got it up still to this day waiting for the moment that it drops down and water streams down my face (face) (see what I’m gonna do about my guarding?) (see what I’m gonna do with this space?)
4.
sculpting a bust from welded e-waste varicose knee brace stone-hewn uppercase with chisel and given Welsh name federalist government eponym turned to polenta in Cornwall all my antonyms are cornballs posting bills along png files organized Crimean sea walls to advertise the personal drowning, insolvency, freelance tutoring in clowning the college fees were inflated so an injunction was made against adjacent adjuncts adjudicating adulating anodyne affronts solely for the loose digestion and chortles timeshare South Beach property was to sit on the couch and snorkel Atlantic water working 4k black magic 3B Afro-Ashkenazi cornrows (whoa) the remixed videos melting on the timeline in slow-mo K'uk'ulkan on tryptophan feathered orientalism spreads dactyls and blasts off to post-humanism shirking ground control, saving the last dance 401K investiture, small business defense contractors light refractors, concave analysis of shadows following the day jobs of out-of-work actors as Kubrick’s black obelisk throwing the bones, shooting the shit holding the remaining audience’s hand to the tyranny of symphonic music omniscience tells David Byrne to stop ululating in the back the talent’s only working with two tracks no English dubs or overwritten memory card of Indo-Aryan tongue clacks palate cut by Danish reactionaries in the Writer’s Guild screening room pale glow of Nordic suspense coloring attendees pates in a Chromecast steel toe magnolias orated by Darby Crash for kindergarteners’ reader’s theatre extracurricular class enriched uranium space heater Svalbard seed vault jungle fever ice melt bear pelt spontaneously combusting top shelf asphyxiating monocropping Afrikaners in the veldt installing Windows XP on a quantum computer in Soweto conjecture turned to syllable count let go caesura on nitrates the polycule was monophonic with a noise gate gender dressed down calling the spades our their name to their face Persian plastic surgeon forehead bones of exonyms engendering entrenched ideologues’ epithetic backpedaling public option rebates who’d rather train AI to abstract expressionist paint mortar on the front lines in Ukraine a trebuchet of the same, coupled meaning sags machine learning in its frame and loftily I do abstain from inserting my superego in this (and loftily I do abstain from inserting my superego in this): what’s igneous is bliss 1500 Kelvin Catalan kiss Requerimiento read at an Upper West Side bris foreskin mineral rights stretch corporal limits subcutaneous dermic postscript assonant resonance in old growth forest adolescent technocrats grift by column indent in yellowed jingoist newsprint facial recognition, delivery eye-contactless broken blue black mirror autocompleting abridged chapters in Gaelic 40 cloves of garlic broiled in rotisserie sediment metamorphic quartz pozole turned from hominy protolith absolutely scrumptious geological records at 78rpm flipped resequenced into one shot hits inlaid turquoise reversed and pitched conflict diamonds in the liner notes copy written with an inch of carbon bearing an arm’s auto-playing stylus routing the channel to another tung-oiled deck before a cease and desist eye of the needle worn scratching gerrymandering in heaven’s mists shit—
5.
spliff licked precipitous betwixt Kardashian lips the market dips the card shark has a lisp flips a six of clubs skims the chips the house has in-obstinate kicks so it perennially wins legato drips, affogato over vanilla gelato, latté skim regional accent flooding the room in a din dimmed recessed light hit boss man grins concubine espadrilles upon on the ottoman often, lofty projections as such in holographic glow soft fresh plaster walling London calling to authorize whales selling sons of freedman yelling, gerunds defunding people not of reason Bartolomé de las Casas living for free in colonized minds in a presidential suite in the Four Seasons Dominican Republic renunciation of over/unders Darryl Dawkins relámpago drum filled 96% cacao bean of Chocolate Thunder all backboards asunder tears the rim down to the inlet of Howe Sound waves extend to the alternate timeline where the Mau Maus refused kowtow British Columbia turned to cumin and bitumen in a molcajete methane exhaust before the Natural History Museum displayed Paleolithic tempeh and the roulette has its substrate while it bets on Black domestic aid on the Oscar stage awarded in the back gate the floor ablaze patrons of Casino Petit Bourgeois, the lion’s share of assonance “on a sea of silky smooth Crème Anglaise”
6.
dyslexic reading in Kanji in a chrysalis sumi-e braille dappled on vellum pavement the imagist hung from a spare line enjambment in arraignment sham trial spam Misubi in case files transpacific barters androgynous garters Mao’s Little Red Book praxis for decapitating the Carters idolatry of VPs of marketing placation industrial complex in compartments exchange rate of lymphatic systems platelets diluted with horse hair bristles and tabla rhythms Irish American converts in the Faisal Mosque re-lacquering orientalist art in high gloss scripture as intrusive thoughts for atheists’ Tourettes NeoGeo pocket got the circuit wet next book of revelations is a fantasy sports bet decolonizing color commentary fan duel Cyrillic em dash in Joshua tree and the headliner corporate streams the Gojoseon Dynasty 8 piece vocal group tears the bee’s ACL and Achilles’ disabled list and full roster of systemic inequality whose respective logos pull up the rug and settle for threes full court press silk screened sloganeering linguistic flattening and tapering the eccentricities this is the erstwhile social textile cross cultural hatch of endearments commoditized as consumer-tech siphoning the humanities in other words, this is literary criticism for the multimedia future infinity this is the, um, uh, polyglot on chloroform object permanence foreign born shredding the Moynihan report defunding the poverty porn irascible nave made wade in the present’s liquid form giving descending rise international chart size imperial, world-weary sighs wheezing twinkling the twine the Pimsleur approach upon the horizon line anthropology acid washed given a Canadian tuxedo and advertising time quitely fine-tuned corsairs enshrined scorbutic enzymes dissolved in cebolla, cilantro and lime coup de grâce piña smoked rhyme over shawarma achiote carved part time in high top Filas cleansing the oil from the palette the speaker comes to removes the sublingual treatment removes the cloth and breathes freely uncoils their philo cues the lights and retranslates a once trivialized peace treaty the representative amid declension and impious impropriety on autopilot almost lit the plume in the embassy prepares for the windup contact and discrepancy as in what was said versus what it was meant to mean
7.
(es que es que es que es que) las palabras se salen desde la brecha abajo de mi lengua, distorsiona como un espejo y la altura arriba alcanza un techo de sedimento pero si yo estuviera hablando fuera de materia todavía yo encontraría lo palpable: aplasto lo que he deducido antes, compulsivo como soy, y el polvo resultante se revuelve por dentro ya mero llego en una esencia, la mirada de humo y carbón penetrando moléculas de razón de hecho, he articulado más en la manera de árboles caídos sobre grandísimas hormigas viendo el enjambre sin fila se puede dejar venir una lluvia de saliva que inunde cada colonia y cubra nuestra imaginación mundial porque me ha dado cuenta que soy vecino de lo distinto, mejor dicho, el destello de lente que llena el marco que a nosotros, nos convierte en niños con gotitas que se acumulan en deseos alcalinos aquí: cada medida se falla cada medida se tambalea y mis manos solo agarran groserías, pruebas de tornasol tragadas en la boca del Latin vulgar me saco el pulgar

about

"this is the polyglot on chloroform
object permanence foreign born
shredding the Moynihan report
defunding the poverty porn
irascible nave made wade
in the present's liquid form"

~~~~~~~~~~~~

Polyglot on Chloroform presents two of the best kept bicoastal secrets in an effort of linguistic expressionism and genre abolition. In 7 tracks Los Angeles’ Rhys Langston turns his rapping into a conceptual artist’s toolkit. And in the 20 min runtime, Brooklyn’s steel tipped dove employs his decades of experiences in the dungeons of leftward rap to take texture and timbre to task. Tearing through the boundaries of experimental rap, Langston rhymes abstraction and absurdity, with poetic English peppered in Romance language phrases, – even as he croons like an alternate-reality grunge singer, and mutters spoken word in Spanish. Bouncing off the contemporary underground’s dour flavor, dove crafts tilt-shifting beats, pliable chord progressions, and oddball foley– nestling the maximalist approach to language and meaning in careful impressionism. Released on Fused Arrow Records, it sees Rhys Langston’s music for the first time ever on vinyl, and builds upon steel tipped dove’s emergent role as prolific underground curator, collaborator, and mastermind.

credits

released April 30, 2024

written and performed by Rhys Langston*
produced, mixed, and mastered by steel tipped dove^

* "casino petit bourgeois" features vocals and writing by Fatboi Sharif

^ "still to this day" features clarinet by Rhys Langston

art by Rhys Langston

a Fused Arrow Records release, in association with Black Market Poetry
special thanks to Ivan Salinas, Salima Allen, Edouard Glissant

license

all rights reserved

tags

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