Georgia o’keeffe

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an abstract painting of white and pink flowers

Flower Abstraction is among the earliest of Georgia O’Keeffe’s large-scale flower paintings, which she continued to produce through the 1950s. In these paintings, O’Keeffe harnessed the technique of close cropping that she had learned from modernist photography, especially the work of Paul Strand, with her own pictorial vocabulary of undulating forms and soft gradations of tone. In this way, she transformed her botanical subjects into compositions that oscillate between abstraction and…

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two white calla lilies in a vase

O'Keeffe was initially attracted to flowers due to their intricate forms and colors. She experimented with forms and approaches before settling on a close-up approach in depicting them, which brought out the delicate details and forms of each flower. Georgia O'Keeffe. Calla Lilies, 1924. Oil on canvas. Private collection. © Georgia O'Keeffe Museum

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a painting of a yellow flower with white petals

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an abstract painting with white and black colors

The early American Modernists may be usefully understood as the generation of artists born primarily between 1875 and 1890 who promulgated the new languages of modern art—fauvism, cubism, futurism, orphism, synchromism, expressionism, Dada—both in the United States and abroad.

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the cover art for suewong's georgia o'keefe album

Although Georgia O’Keeffe (1887–1986) has long been celebrated as a central figure in twentieth-century art, the abstract works she created throughout her career have remained overlooked by critics and the public in favor of her representational subjects. In 1915, O'Keeffe leaped into abstraction with a group of charcoal drawings that were among the most radical creations produced in the United States at that time. In these and subsequent abstractions, O’Keeffe sought to transcribe her…

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