Flower Abstraction is among the earliest of Georgia O’Keeffe’s large-scale flower paintings, which she continued to produce through the 1950s. In these paintings, O’Keeffe harnessed the technique of close cropping that she had learned from modernist photography, especially the work of Paul Strand, with her own pictorial vocabulary of undulating forms and soft gradations of tone. In this way, she transformed her botanical subjects into compositions that oscillate between abstraction and…
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