thought so

by Count Zero

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1.
There's a bench deep in the park. Rebels kissed there after dark until one night, when a bride "tried a sailor on," and now a bright light shines there dusk to dawn. You told me,"Win the race. Come run for us." You said "It'll help build trust." And so I threw my front door open wide and lost the last place I'd ever hide. Somebody’s always honing in. Somebody sent a drone again. Somebody else is phoning in. I’ll never be alone again. Keep my head down. Shoot the camera. Mute the sound. I got a half hour or twenty max, until a hired hand's hot on the tracks. Somebody’s in the zone again. Somebody's got a tone to send. They caught me on the throne again. I’ll never be alone again.
2.
The grumpy old server at the pub chews out some bottled-water teen, who grabs her card and says, "Old Man, there's nicer ways of being mean, you know." A sparrow spreads herself half-mast, lit by the glow outside the bar window, superimposed on which a face can't quite cry. screamin to screens mean to machines you were you are speakin so loud lost in the crowd you were you are Pissed when folks don't get jokes you were you are I was a miserable young lad. Perspired at the very thought of me, when all I needed was some sense. And a provisional tracheotomy. A siren glides a carcass past. The motor's slow to shut the car window. O Rearview, I hear you go making some point, taking it ever more south instead, ruining all the shit you just said. You should quit while you're ahead. screamin to screens mean to machines you were you are struttin so proud head in the clouds you were you are lost in sound deaf dumb and drowned you were you are
3.
South 04:18
There she goes again, the old woman with her Irish Setter friend. Her hair’s the color of his fur (I can’t tell, though, maybe that’s a her). They’re always walking down the lane each time I’m at my windowpane. I’m wondering: Maybe they’re possessed? An omen? Spies with lies to test? But--maybe they’re okay? Or a sign that things are goin’ great? Why you always takin’ it south?! Why you always takin’ it south, boy? You see a girl’s shoe in the woods and say “Now, how can that be good?” But, hey, couldn’t it have been a game of friends daring friends during a field trip? Or snowmelt-displaced trash? Might I just suggest not taking the worst from the best? Why you always takin’ it south?! An invitation’s at the door, and you scream “what is this for?!” But, hey, maybe it’s a ticket to a memory yet to be? Or a card with a stunning photograph? Or a clever line that makes you laugh? I’d like to request you stop mixing the cursed with the blessed. I’d like you to stop takin’ it south.
4.
Overthinking 03:40
You're the last to reveal your deep dark blue Often thought to be a fine trait about you Often lets you see ghosts no one wants to but sometimes… Maybe there's been too much discussion Maybe it's time to draw the curtain Maybe you’re overthinking everything, when everything’s good enough. Whenever this red moon comes into view You start talkin how the glory days are few You're black certain they're coming after you but sometimes… Maybe there's been too much discussion Maybe it's time to draw the curtain Maybe you’re overthinking everything, when everything’s good enough.
5.
Upside Down 03:22
"I haven't heard a word from Riley. He wasn't round this afternoon. Not certain if he's even here. Check his room. "Can't say I know too much about Riley except that he screams himself to sleep. Seems kinda strange. Normally, he barely makes a peep, but last night I heard him say: 'With my feet in the air and my head on the ground, I must say, truth be told, y'all look better upside down! Look there, your toes are hair! Ain't that smile been a frown? Yeah, World, you look better upside down!' "He probably missed this morning's breakfast. Don't think I see him much 'round then. I doubt he's gone around the bend… but then again… "He filled the night with paranoia. Kept looking like he'd seen a ghost. Could be he’s fitting wings on Elvis. No one knows."
6.
Bigwig 03:11
he rode in on a fake white horse mean and sleazy with no remorse history told us he was no damn good but the door flew open and he swore he could solve our problems oh Chuck Hamlin thought he was a bigwig tried to drive the big rig but he couldn't handle it somehow some like him some just can't see what seems so obvious to those like me this tractor traitor not putin' US first see W smilin' he's not the worst the men in charge said it'll be just fine he'll learn the ropes and he'll get in line but he's a bull in a china shop he'll never learn his lessons, he's a pitiul flop in a tailspin Yo Chuck Hamlin thought you were a bigwig you tried to drive the big rig but you couldn't handle it
7.
Sometimes things turn out just as I planned, sometimes I’m off Sometimes they make rules I understand, sometimes I cough I’d squandered all my will to guarantee tonight won't end like this Tonight I’ll place my bets on number two. Roll little ball. Lights are dim on Trumbull Avenue. You make the call. No sooner had I tied than I became the crack in the abyss.
8.
you strapped on the blinders, set fire behind us we bit as you sold us, did what you told us our strategy is right where you hid your nightmare now, tail bites the dog so maybe we’ll just start a crisis and maybe we should call our friends ensure no fiendish force divides us then tell the telephoto lens, “tail, bite the dog” and when you finally leave us, you best believe us we'll want an airport greeting, a high level meeting show the folks back home we're holdin’ our own and yeah, tail bites the dog so maybe we should start a crisis and maybe we should call our friends and once you turn off your devices scream from our kitchens to your dens, “tail, bite the dog”
9.
Empty room, tender bloom – sighs Man in Moon-His cartoon – lies Only shadows for companions so we’ll pull some from the skies (from the skies) But what I see when I look over the edge – Butterflies (With a feather you could bowl me over) (With a feather you could bowl me over) You make him think there are no breaks in the ring. But when he wakes he won’t remember a thing- He’ll be deaf and dumb and blind (He’ll be deaf and dumb and blind) So curse your theories and your henchmen, the endless menace of your engine from behind. ‘Cause what I see when I look over the edge mystifies. (With a feather you could bowl me over) (With a feather you could bowl me over)
10.
morning rain drapes her haze leaves dew on an empty pack of Lay’s doesn't rinse as much as stir in that trenchant tin twang of urine the underpass of tarps and tents nineteen tiny governments I’m just passing through didn’t mean to lock eyes on you, Girl on a Corner teddy ruxpin doll on the ground workin on you, shit brown run down, show me the honey he says then turns all lo-res cop car siren screams past your cart add the screech of the BART you can't help but chime in guess you learn good timing being a girl on a corner you spend days out here you can you freeze your butt you learn to keep your mouth shut makes you pine for the days when you were turning tricks at least you had some control find a patch drop the pants squat down in your slow dance you used to want these stares when you were strutting your wares like some girl on a corner
11.
Overthinking 03:40
========OVERTHINKING======= You're the last to reveal your deep dark blue Often thought to be a fine trait about you Often lets you see ghosts no one wants to but sometimes… Maybe there's been too much discussion Maybe it's time to draw the curtain Maybe you’re overthinking everything, when everything’s good enough. Whenever this red moon comes into view You start talkin how the glory days are few You're black certain they're coming after you but sometimes… Maybe there's been too much discussion Maybe it's time to draw the curtain Maybe you’re overthinking everything, when everything’s good enough.

about

When a band exists in its own realm, things like timelines and chronology only serve to please the outside world. What stirs loudest within a blurred cauldron of the past, present, and future is the music, dangling overhead like a specter, reminding us both of what was and what is right now. For most bands, releasing a new album after 13 years would be seen as a sort of comeback or rebirth. For Count Zero, the genre-straddling Boston alternative band that always sounded like the future while reveling strictly in a moment of insular grandeur, the promise of a new album is just simply what we’ve been expecting all along.
And now we have tangible proof that we are firmly in that right here and right now. Count Zero unveiled its fifth studio album, a theatrical 10-track odyssey titled Thought So, November 8, 2024, and celebrated with a release party that later night at Sonia in Cambridge.

credits

released November 8, 2024

Tracked, mixed, and produced between 2014 to 2024 by Peter Moore at Palace of Purpose, Boston, MA
Mastered by Jeff Lipton at Peerless Mastering, Boston, MA
Assistant Mastering Engineer: Costanza Tinti
Guest musicians:
Ken Winokur: Percussion on ‘Big Wig’
Joel Simches: Keys on ‘Tail Bites Dog’

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Count Zero Boston, Massachusetts

Count Zero is a Boston-based rock band formed in 1996 by former members of the cult electronic band Think Tree. peter@count-zero.com

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