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An experimentation in patience, limitation and focus. For this track, I created a single-note piano sample where the end of the note is looped to the start of the file, and the initial strike of the piano doesn’t start when you play a note, rather you hear it 1-2 seconds later. I then improvised a recording 5 semitones up, then pitched it back down to at further imperfections to the sound. The result is something that doesn’t have a locked rhythm as the notes tumble over each other, but it feels peaceful. 1 instrument, 1 chord, 1 melody, 1 take. All recorded using the OP-1 Field. Chase Bliss Mood adding some extra droning and reverberation in the background.
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