Daniel Sobol
• Political and Social Context
• What is Expressionism?
• Expressionism in Art and Film Noir
• Expressionism in Theater
• Franz Kafka
• World War One consisted of two stages
– conventional warfare from 1914-1916
– War of desperate expedients, as both sides struggled for their own existences
The Allied Powers :
•France
•Great Britain
•Russia
•United States
Central Powers:
•Germany
•Austria-Hungary
•Turkey/Ottoman Empire
• On June 28, 1914, Franz Ferdinand, the Austro-
Hungarian heir to the throne, is assisinated
• Germany allies with Austria-Hungary
• On August 3rd, 1914, Germany delcares war against France, and German soldiers invade
Belgium, seizing towards France
• By August 27th, Germany sends forces to the eastern front
• The Trench is built on the western front- the battle in the west becomes a war of attrition
• Forces on the eastern front trapped by Russian forces
• May 31, 1916, the U.S. enters the War, after having ships attacked and sunk by the German navy
•March- September, 1918: The
Allies surge Germany and push them back from the western front
•Germany has lost 1,000,000 soldiers, leaving them with an army of 2.5 million
•The German army is down 191 divisions to the 400-500 of the
Allies
•Bulgaria (Germany’s ally) is defeated in late September
•German army is defeated
• Throughout the war, Germans had been led to believe by government propaganda that they were winning the war
• Germany literally being starved of food due to
Britain’s blockade of Northern ports
• Germany’s leader- William II, forced to abdicate
• The Social Democratic Party comes into power, led by Friedrich Ebert
• SDP announces that Germany is now a republic
• Ebert completely unable to control Berlin, establishes the
“Weimar Republic”
• Soldiers returned from war still armed, blaming the government (although it was not Ebert’s fault that Germany had lost the war)
• 2 million soldiers killed.
Because these soldiers had been Germany’s workforce, the country’s economic situation plummeted
• Economic disaster
• Loss of manpower
• Complete disrespect for the government
• Thousands of armed, disillusioned soldiers roaming streets
• A civilian population devastated and traumatized by the impact of war
• A political revolution, transforming the nation into a republic led by an unpopular and opposed government
• For centuries, women in Germany are considered inferior to men
• The Weimar Republic in 1919 gives women new freedoms and privileges, including:
– Emphasis on secondary education
– The right to vote
• This small progress towards equality ends in 1933 when
Adolph Hitler comes to power
• Expressionism is a term that was first coined in
1901 to distinguish paintings done by neoimpressionists who tried to capture the appearance of objects under a particular light and moment
• Expressionism in painting emphasizes strong inner feelings about an object
• Portrays life as modified, twisted, and distorted by the artist’s personal perception of reality
• Does not try to imitate reality, but transform it.
• Expressionism seeks to discover and examine the essence of life, the internal, eternal meanings of facts, objects, and people.
• Expressionism seeks to find a deeper reality than on the surface
• Expressionism is not sight; it is vision
This painting in often interpreted as an
EXPRESSION of Munch’s personal torment and mental illness.
• German Expressionism sprung a small, distinct period of filmmaking, which included stylized representations of reality
– The soul in anguish
• Exaggerated shadowing, high-contrast lighting, skewed sets, and off-kilter camera angles visualize psychological states.
• The Cabinet of Dr. Cilgari , 1919- First attempt to create expressionist film
• 1910- Expressionism introduced in
Germany
• “An anthropomorphic view of existence,” expressionism projected human views and emotions into inanimate objects.
• Expressionists sought truth in human spirituality rather than in external appearances
• Expressionists rejected realism, believing that it focused only on the surface of life, implying a fixed and materialistic nature of society, not the real truths of the universe.
•Expressionists believed that external reality is malleable, and should be changed until it is in harmony with human spirituality, the only significant truth
• Expressionists viewed the society in which they lived as one which mechanized and distorted the human spirit, preventing the attainment of truth and happiness
• Some expressionist dramatists, thus, took this militant view into their art and sought to transform social and political conditions and effect change.
• Expressionist Truth was subjective
• New artistic means were needed in order to express these new perspectives and bring audiences beyond the surface:
• Distorted line
• Exaggerated shape
• Mechanical stage movement and body language
• Abnormal coloring of set and lighting
• Often expressionist plays were shown through the perspective of the protagonist
• Seeing a piece of theater through the eyes of the protagonist alters emphasis and imposes dramatic interpretations on the event, story, character, and thus the audience’s perception of the piece.
• Generally Episodic
• A central idea creating unity in a piece, often questioning the idea of a future Utopia, and the possibility of such
• The struggle between old values and new conventions
– The Beggar by Reinhard Johannes Sorge (1912) tells the story of a visionary poet striving for fulfillment in a harsh and materialistic society.
• The journey to find fulfillment and truth in life
• With the impending threats of World War One, the emphasis of expressionist work turned away from personal problems and became a warning of universal catastrophe and a plea for the reformation of man and society.
• Until revolution overthrew the German monarchy in 1918, little expressionist theater was being produced due to strict and imposing censorship.
• When the war ended, however, expressionism took root in Germany.
• Theaters began to take expressionist plays into their repertoire
• 1919-1924-
Expressionism was the principle type of theater in Germany
• As the state of German society declined, so did the optimism of the end of the war turn to disillusionment and disappointment.
• The ideals and views of Expressionist thinkers were crushed.
• By 1924, Expressionism had essentially become dead, and what expressionist works remained evoked pessimism and personal despair.
• Georg Kaiser (1878-1945)
• His trilogy of expressionist plays reveal his perception of the world as it recedes into despair, paralleling the state of
Germany:
– Coral (1917): Protagonist comes to understand the soulfails, but is optimistic about the future.
– Gas I (1918): Son on a journey to regenerate societyfails but is left optimistic about the future.
– Gas II (1920) : Desperation of mankind- the world is self-destructing at the end of the play
• Born July 3, 1883 in Prague,
Bohemia
• Grew up in a middle-class
Jewish family, with the constant presence of his domineering shopkeeper father.
• Received a degree in law in
1906
– Could sustain a livelihood and have time to write.
• 1917- Kafka diagnosed with tuberculosis, spends most of his time in sanatoriums and health facilities.
• Dies June 3, 1924
• Kafka lived in emotional dependence on his parents
– In much of his writing, a sense of impotence
(even in rebellion) underlies thematically .
• Kafka had many fruitless love affairs; his values contradicting between an utter aversion to intercourse and a fondness for prostitutes.
– In his writing, Kafka connects sex with guilt, treating it as an attractive and enticing abomination.
• The Judgment- 1913
– The story of a rebellious son who is condemned to suicide by his overbearing father
• The Metamorphosis- 1915
– The story of a son, an outsider, who undergoes a physical and symbolic transformation into a repulsive and fatally wounded insect.
• The Penal Colony-1919
– The story of a torture machine, its operators, and its victims. Parallels are made to a person’s inner morality, guilt, and retribution; the age of World War One.
• Kafka’s concise writing style sharply contrasts the complexity, anxiety, absurdity, and powerfully oppressive symbols of torment that fill his vision as a writer.
•Kafka’s writing both elicits and defeats any attempt at conclusive explanation and is thus expressionistically subjective.
• Nightmarish vision of a castle on the threshold between “the human sphere and the other”
• Cool yet grotesque style.
• Contains little plot; set in a timeless room in an unnamed country.
• Portrays the challenge of discovering ultimate truth
“ But I know it is getting blacker and blacker, this time it is an autumn sad beyond all measure.”