It's Hip To Be Square With This Steiff Prewar Charly The King Charles Pajama Bag

You snooze, you lose! But everyone who is interested in this next fantastic find is a clear winner. Check out this short inquiry from Steiff superfan Michael, who writes about an unusual novelty. He simply writes...

"Hi, could you give some detail and history on this pajama case, I think?"

It's hip to be square with this marvelous 1930s era Steiff Charly the King Charles pajama bag. The bag itself is 30 x 30 cm, square shaped, and made from long, soft tan mohair. It closes with a metal zipper with a pull ring and is fully lined in textured light green fabric. All of these details appear to be original to the bag. The bag itself is decorated with the head of Steiff's signature Charley the King Charles Spaniel. Charly's head is made from mohair and measures about 15 cm long. It is head jointed to the bag and was designed to rotate. His face is detailed with oversized brown and black glass pupil eyes (one appears to be missing), a black hand embroidered nose and mouth, and oversized, floppy ears, just like the real dog. And cue the happy dance - this great novelty retains its long trailing "f" button as its Steiff ID. 

 

This functional favorite was made as part of a series of children's pajama bags in the late prewar period. They were formally called "night dress bags" and were the first style of pajama bags that Steiff launched to the world. For the most part, they are really rare and seldom seen on the secondary market as they were designed to be used and loved as toys as well as functional items. As such, most wore out or were lost to time. Their basic "template" was a simple, square shaped and lined bag with the head of a well-known Steiff pet of the era. They were produced from 1930-1937 overall and came with Teddy baby, Bully, Charly, a Scotty, a Sealyham, Molly, or a Siamese cat as the animal detailing. This is the first one Steiffgal has seen with a Charly as its featured animal.

 

This rare pajama bag appears to be in really nice condition overall. It is missing an eye, which sometimes happens. Replacing the lost eye would add to its appeal and presentation, and is not that difficult to do with the right needle and thread. However, it is sometimes challenging to find an exact ocular match in terms of size and era. And for some reason, eyes that don't match often look a little strange. As such, if Michael is not able to find an exact match, he may consider replacing BOTH eyes on this item to give the face a pleasing and authentic balance. Of course, it is important to note and disclose any and all known restoration on a vintage item if you are considering selling it at some point in the future.  

Steiffgal hopes this discussion on Steiff's Charly the King Spaniel pajama bag has been the crown jewel in your day today. 

Have a question about one of your Steiff treasures? Let's talk! Click here to learn more.

This Fully Jointed Prewar Cat Has Quite The Tail To Tell!

Paws and check out this next Steiff surprise! Steiffgal was recently asked about a wah-hoo good Steiff prewar rarity that probably every collector in the world would love to add to their meow mix. Check out this fabulous feline and see what makes her so interesting from the design and product development perspectives. 

Here we have Steiff's early and delightful mohair cat. She is fully disk jointed - i.e., all limbs, head AND TAIL!! - and made from black mohair. She measures about 21 cm wide (nose to tush, not including her tail) and about 17 cm tall. She has tan claws, round and early green and black glass slit pupil style eyes, and a simple pink hand embroidered nose and mouth. She also retains her tiny long trailing "f" style button. You can see her ID close up in the image below. 

According to Pfeiffer's Sortiment, this rarely seen design was made in 17, 22, and 28 cm (measured vertically, top of head to toes) in grey or black mohair from 1913-1916 overall. You can see this catalog listing here on the left, the image is from Pfeiffer's prewar reference book. Although this one under discussion today does not have a squeaker, Pfeiffer notes that the item was produced with a squeaker, and those may have appeared in the larger sizes where the body cavity was large enough to hold this apparatus in place. 

There are two key things that make this cat purr-fect in every way. 

First, the color is lovely and rare, and its timing is intriguing. The black versions were actually made only in 1913, which is one year after the company produced a series of black mohair bears in tribute to the sinking of the Titanic in 1912. So it is possible that the mohair used on some of these black cats was identical to, or from the same rolls of mohair used to create the company's now legacy Titanic Mourning Bears.

The second is its jointing. Steiff produced a number of uber-jointed items starting around 1910 or so. These included rabbits with long jointed ears, begging squirrels with jointed bushy tails, and standing dogs and cats with jointed tails, among others. Less than a decade prior, Richard Steiff was just beginning to work on ways to create basic jointing on the company's doll and animal production, and Steiff's offerings were very basic animals in simple, stationary forms. 

So it is really amazing how quickly the concept of jointing impacted the company's product design and development trajectory - basically zero to sixty in just a handful of years. However, in the big picture, these extensively jointed items did not last long in the line. This is probably because they were very labor intensive and expensive to produce - and the extra jointing might not have paid out in either ROI or additional sales. 

Steiffgal hopes this discussion on this rare and early black cat has tickled your whiskers!

Have a question about one of your Steiff treasures? Let's talk! Click here to learn more.

This Charly Purse Is A Crown Jewel In Steiff's Prewar Novelty Production

Hold everything and check out this absolutely amazing rarity! Steiffgal has a thing for Steiff novelties, especially those made in the prewar era. And it is certainly the best of all worlds when it comes to this breathtaking example. This Charly the King Charles Spaniel handbag will undoubtably have your vote for “Best of Show” in terms of her beauty, design, and willingness to lend a paw in service!

What we have here is Steiff’s Charly Handtasche or Charly Purse. This novelty is based on Steiff's beloved and legacy Charly The King Charles Spaniel pattern which debuted in the late 1920s. This precious pooch purse is 25 cm long, in a standing (albeit slouchy) position, and head jointed. She is made from long and short mohair plush. Her ears and tail are brown-tipped mohair, while her body and face are off-white mohair which has mellowed to a vanilla color. Her face is detailed with oversized brown and black glass pupil eyes and a simple black hand embroidered nose and mouth. She also has black embroidered claws on her hands and feet. And here’s what makes her a purse: her torso is hollow like a pouch, and is lined in bright orange velvet. You can see that detail in the photo on the left.  Her back opening closes with a study brass zipper. The pouch volume is quite small; it probably is the volume of about a small sized apple. This fantastic and very rare prewar novelty was produced in 22 and 25 cm from 1927 through 1940.

Steiff debuted a series of zippered, mohair purses in 1927 based on some of their most beloved characters of the era. These measured 17 to 29 cm in size, measured horizontally. Each featured a velvet or silk lined, hollow back pocket which closed with a zipper. The zipper had a mohair ring pull to it, which probably also was designed as a small handle. These rings tend to get lost to time or wear given their function. The first button-in-ear handbag designs to appear included this Charly, as well as Jocko the Chimp, Petsy the Baby Bear, Bully the Bulldog, and Molly the puppy. Other patterns rolled out over time, with the final design being a Pip in 1941. 

Now let's do a bit of time travel. Check out this image on the left from Steiff's 1929 catalog. You can click on the image to make it bigger. The page is dedicated to their line of mohair handbags. Three young ladies are happily modeling the purses, including one with the Charly bag under discussion here today. Steiffgal thinks she looks the happiest of the gals, and for good reason! You can also see the circular mohair zipper pulls on the purses. The words on the advertisement translate roughly to, "Elegant in the arm of the lady, funny with the little ones.” The catalog page also notes that the purses were decorated with a collar or silken ribbon. 

Steiffgal hopes this discussion on Steiff's animal handbags has got you carried away - in the best possible way!

Have a question about one of your Steiff treasures? Let's talk! Click here to learn more.

Picturing The Possible Design Origins Of Steiff's Beloved Jocko Chimpanzee

Steiffgal was working a project for one of her auction house clients and came across this charming image. Well, actually it came to her... probably because Steiff is usually in her head at any given time!

Image from Potter & Potter Auctions

What we have here is a 28 x 37-¼" printed broadside from around 1913. It was published in Hamburg, Germany by Adolph Friedländer, a man who ran a lithography company that produced over 9,000 posters between 1872 and 1935. Most of these were for performers and traveling acts, including magicians and circus and vaudeville performers. The words on the poster read Every Evening / Jeden Abend / Tous Les Soirs, and it is illustrated with a performing chimpanzee in four vignettes: modeling a tuxedo and top hat with a cane and cigarette; tossing a barrel over his head; riding a bicycle down a flight of stairs; and walking on stilts. The three languages on the poster suggest that this primate performance was international, or at least appeared in the UK, Germany, and France. This item is lot #256 at Potter & Potter Auctions' February 1, 2025 Wunderkammer sale, and is estimated at $2,000-3,000.   

Image from Zwiggelaarauctions.nl

So what is the possible connection to Steiff here? It is interesting to note that starting around 1910 or so, trained, performing chimpanzees were the darlings of the entertainment world. They appeared in circuses, in sideshow and venue acts, and in publicity photos and postcards - usually dressed in scaled human clothing. Steiff has always been aware of current events, media trends, and popular culture as inspirations for new product design. This started around 1904 or so, when the company produced a licensed version of Peter Rabbit - who at the time was making headlines in the children's literature world. Other history/cultural/celebrity productions of basically the same era included a series of dolls based on the Happy Hooligans comic strip; Caesar, the King's dog; and Tige (Buster Brown's dog), among many others. 

Primates have appeared in several forms in the Steiff line since the company's catalog debut in 1894. However, in 1909, Steiff introduced its most realistic, lifelike, and appealing brown mohair chimpanzee. Coincidence or not?

Image from Steiff's 1913 catalog

This fully jointed primate pattern - which would "officially" be named Jocko in 1929 - had authentic body and limb proportions and lifelike felt hands, feet, and facial features. Medium sized Jockos onward sported a white mohair chin and featured felt eye pockets. This ocular detailing meant that their brown and black glass pupil eyes were surrounded by raised felt eyelids. Brown mohair Jocko was produced in 15 sizes, ranging from 10 to 90 cm, from 1909 through 1943 overall.  

Image from Zwiggelaarauctions.nl

Bringing this discussion full circle, Steiffgal found an almost identical version of this poster, except that it had the words "The great consul Patsy" written in large letters across the bottom. She could not discover additional details on Patsy, but infers that the chimp pictured may have been named Patsy. Patsy was a popular boy's name in the early 1900s, and derives from a Latin word meaning “noble,” “nobleman,” or “patrician.” It is intriguing to think that someone from Steiff may have seen this poster, or performance, or one like it, and decided that it was time to elevate the company's chimp design to match the popular aesthetic of the time. And collectors more than a century onward are thanking them for this really wise choice!

Steiffgal hopes this discussion on Jocko's possible design origins has been a feast for your eyes!

Have a question about one of your Steiff treasures? Let's talk! Click here to learn more.