In 1924 Fflyette Films aspires to rival the flourishing moving picture companies of America. The English company has done well with action adventure, abysmally with dramas and epics. It needs a hit movie. How little has changed in the last 100 years.
Fflyette Films is prone to alliteration in its publicity - Fflyettes of Fancy.
Aristocratic backers of Fflyette Films are uneasy that the company is involved in illicit ventures while making movies. Inspector Lestrade reaches out to Sherlock Holmes for assistance. Holmes, awaiting a visit from Mycroft, designates Mary Russell to be the police mole within the company.
Fflyette Films is embarking on a journey to Portugal and then Morocco to film a sea action film. The Pirate King is to be a movie about a movie adapting the operetta, The Pirates of Penzance. As it is the silent film era no songs need be sung. To avoid being too complex the operatta is lightly drawn upon.
Fflyette Films prides itself upon realism. Not for Fflyette to use constructed sets. They shoot on location.
Russell is to be the assistant to the producer, Geoffrey Hale. Not a patient person, she is forced to deal with infinite details. The position is open as the previous assistant, Miss Lonnie Johns, has disappeared.
For The Pirate King the Major-General has 13 daughters, all blonde. To have them all of a lawful age to marry the pirates there are 4 sets of triplets. The movie is a diva’s delight.
Randolph St. John Warminister-Fflyette (I hate that name. I keep typing Flyette.) is the founder and sole director of the company. At 5’ he maximizes his presence by attitude.
Casting the pirates in Lisbon is a challenge. Where do you find a dozen piratical looking men? The acting fraternity of Portugal lacks the swarthy fierceness desired? Eventually non-actors are found who meet the director’s expectations.
The man chosen to be the Pirate King, Senhor M. R. X. La Rocha, is not only swarthy, he has a large gold earring and an actual scar slicing across half his face.
The poet / translator, Senhor Fernando Pessoa, turns out to be more interesting for the multiple personalities that make up his mind than his actual actions.
For over 100 pages there is barely a question or break-in to aid the investigation. Russell recognizes there is precious little progress. Indeed, the investigation was feeling contrived. How would a haphazard, ill-organized film company engage in criminal activities such as drugs and guns?
A sailing ship, Harlequin, converted to a fishing boat is re-converted to a brigantine and becomes the pirate ship. They set sail for Morocco.
The investigation really begins about 180 pages into the book.
Holmes makes a startling return to the book. I wish Holmes had been in the book from the start. The interaction between Holmes and Russell is crucial to the series. Russell’s earnestness needs Holmes’ brilliant eccentricities.
The Pirate King startles everyone with a spectacular outfit:
His hat was scarlet. From it danced an emerald ostrich plume the length of my arm. His jacket was brocade, orange and red, over a gold waistcoat, burgundy trousers, and knee-high boots a Musketeer would have killed for, also scarlet. His small earring had doubled in size overnight, and half a dozen fingers bore rings - gold rings, with faceted gems. The henna in his beard gleamed red in the sunlight.
Completing the pirate image is a parrot, Rosie, fluent in several languages with a speciality of “blood-curdling screams”.
The action picks up when the motley crew of pirates, actors and detectives arrive in Morocco.
The conclusion is amazing and the best part of the book.
It has been 16 years since I read a Mary Russell and Sherlock Holmes book. I had felt the series had declined and had not read after The Language of Bees. I am not sure I will read more of their adventures.
****