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31 svibnja 2012

Romania 10.000 lei (July 15, 1999)

Nicolae Iorga (January 17, 1871 – November 27, 1940) was a Romanian historian, politician, literary critic, memoirist, poet and playwright. Co-founder (in 1910) of the Democratic Nationalist Party (PND), he served as a member of Parliament, President of the Deputies' Assembly and Senate, cabinet minister and briefly (1931–32) as Prime Minister. A child prodigy, polymath and polyglot, Iorga produced an unusually large body of scholarly works, consecrating his international reputation as a medievalist, Byzantinist, Latinist, Slavist, art historian and philosopher of history. Holding teaching positions at the University of Bucharest, the University of Paris and several other academic institutions, Iorga was founder of the International Congress of Byzantine Studies and the Institute of South-East European Studies (ISSEE).

His activity also included the transformation of Vălenii de Munte town into a cultural and academic center. In parallel with his scientific contributions, Nicolae Iorga was a prominent right-of-center activist, whose political theory bridged conservatism, nationalism and agrarianism. From Marxist beginnings, he switched sides and became a maverick disciple of the Junimea movement. Iorga later became a leadership figure at Sămănătorul, the influential literary magazine with populist leanings, and militated within the Cultural League for the Unity of All Romanians, founding vocally conservative publications such as Neamul Românesc, Drum Drept, Cuget Clar and Floarea Darurilor. His support for the cause of ethnic Romanians in Austria-Hungary made him a prominent figure in the pro-Entente camp by the time of World War I, and ensured him a special political role during the interwar existence of Greater Romania. Initiator of large-scale campaigns to defend Romanian culture in front of perceived threats, Iorga sparked most controversy with his antisemitic rhetoric, and was for long an associate of the far right ideologue A. C. Cuza.

He was an adversary of the dominant National Liberals, later involved with the opposition Romanian National Party. Late in his life, Iorga opposed the radically fascist Iron Guard, and, after much oscillation, came to endorse its rival King Carol II. Involved in a personal dispute with the Guard's leader Corneliu Zelea Codreanu, and indirectly contributing to his killing, Iorga was also a prominent figure in Carol's corporatist and authoritarian party, the National Renaissance Front. He remained an independent voice of opposition after the Guard inaugurated its own National Legionary dictatorship, but was ultimately assassinated by a Guardist commando.

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The Cathedral of Curtea de Argeș (early 16th century) is a church in Curtea de Argeș, Romania, located in the grounds of a monastery. It is dedicated to Saint Nicholas.

It resembles a very large and elaborate mausoleum, built in Byzantine style, with Moorish arabesques. In shape it is oblong, with a many-sided annex at the back. In the centre rises a dome, fronted by two smaller cupolas, while a secondary dome, broader and loftier than the central one, springs from the annex. Each summit is crowned by an inverted pear-shaped stone, bearing a triple cross, emblematic of the Trinity. The windows are mere slits; those of the tambours (the cylinders on which the cupolas rest) are curved and slant at an angle of 70 degrees, as though the tambours were leaning to one side. Between the pediment and the cornice a thick corded moulding is carried round the main building. Above this comes a row of circular shields, adorned with intricate arabesques, while bands and wreaths of lilies are everywhere sculptured on the windows, balconies, tambours and cornices, adding lightness to the fabric. It is all raised on a platform 7 ft (2.1 m). high and encircled by a stone balustrade. Facing the main entrance is a small open shrine, consisting of a cornice and dome upheld by four pillars.

The cathedral is faced with pale grey limestone, easily chiselled but hardening on exposure. The interior is of brick, plastered and decorated with frescoes. Close by stands a large royal palace, Moorish in style. The archives of the cathedral were plundered by Hungarians and Turks, but several inscriptions, Greek, Slav and Roman, are left. One tablet records that the founder was Prince Neagoe Basarab (1512-1521); another that Prince Ioan Radu completed the work in 1526; a third describes the repairs executed in 1681 by Prince Șerban Cantacuzino; a fourth, the restoration, in 1804, by Joseph, the first bishop. Between 1875 and 1885 the cathedral was reconstructed, and in 1886 it was reconsecrated.

23 veljače 2012

Romania 50 lei, 2005 (Swap with Istvan Vidami, Romania)

Aurel Vlaicu (November 19, 1882 – September 13, 1913) was a Romanian engineer, inventor, airplane constructor and early pilot.

Aurel Vlaicu was born in Binţinţi, Transylvania. He attended Calvinist High School in Orăştie and took his Baccalaureate in Sibiu in 1902. He furthered his studies at Technical University of Budapest and Technische Hochschule München in Germany, earning his engineer's diploma in 1907.

After working at Opel car factory in Rüsselsheim, he returned to Binţinţi and built a glider he flew in the summer of 1909. Later that year, he moved to Bucharest, in the Kingdom of Romania, where he began the construction of Vlaicu Nr. I airplane; it flew for the first time on June 17, 1910.

With his Vlaicu Nr. II model, built in 1911, Aurel Vlaicu won several prizes summing 7,500 Austro-Hungarian krone (for precise landing, projectile throwing and tight flying around a pole) in 1912 at Aspern Air Show near Vienna, where he competed against 42 other aviators of the day, including Roland Garros.

Aurel Vlaicu died in 1913 near Câmpina while attempting to cross in flight the Carpathian Mountains in his aged Vlaicu II airplane. He is buried at the Bellu cemetery, in Bucharest.

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Eagles are members of the bird family Accipitridae, and belong to several genera which are not necessarily closely related to each other. Most of the more than 61 species occur in Eurasia and Africa. Outside this area, just two species (the Bald and Golden Eagles) can be found in the United States and Canada, nine more in Central and South America, and three in Australia.

Eagles are large, powerfully built birds of prey, with a heavy head and beak. Even the smallest eagles, like the Booted Eagle, have relatively longer and more evenly broad wings, and more direct, faster flight. Most eagles are larger than any other raptors apart from some vultures. Species named as eagles range in size from the South Nicobar Serpent Eagle, at 500 g and 40 cm , to the 6.7 kg Steller's Sea Eagle and the 100 cm Philippine Eagle. Like all birds of prey, eagles have very large hooked beaks for tearing flesh from their prey, strong muscular legs, and powerful talons. The beak is typically heavier than most other birds of prey. They also have extremely keen eyesight which enables them to spot potential prey from a very long distance. This keen eyesight is primarily contributed by their extremely large pupils which ensure minimal diffraction (scattering) of the incoming light. The female of all species of eagle known are larger than the male.

Eagles normally build their nests, called eyries, in tall trees or on high cliffs. Many species lay two eggs, but the older, larger chick frequently kills its younger sibling once it has hatched. The dominant chick tends to be the female, as they are bigger than the male. The parents take no action to stop the killing.

20 siječnja 2012

Romania 10 lei, 2005 (P#119)

Nicolae Grigorescu (May 15, 1838 – July 21, 1907) was one of the founders of modern Romanian painting.

He was born in Pitaru, Dâmboviţa County, Wallachia. In 1843 the family moved to Bucharest. At a young age (between 1846 and 1850), he became an apprentice at the workshop of the painter Anton Chladek and created icons for the church of Băicoi and the monastery of Căldăruşani. In 1856 he created the historical composition Mihai scăpând stindardul (Michael the Brave dropping the flag), which he presented to the Wallachian Prince Barbu Ştirbei, together with a petition asking for financial aid for his studies.

Between 1856 and 1857, he painted the church of the Zamfira monastery, Prahova County, and in 1861 the church of the Agapia monastery. With the help of Mihail Kogălniceanu, he received a scholarship to study in France.

In the autumn of 1861, young Grigorescu left for Paris, where he studied at the École des Beaux-Arts. He also attended the workshop of Sébastien Cornu, where he had as a colleague Pierre-Auguste Renoir. Knowing his weaknesses, he concentrated drawing and composition. However, he soon left this workshop and, attracted by the artistic concepts of the Barbizon school, he left Paris for that village, where he became the associate of artists such as Jean-François Millet, Jean-Baptiste Camille Corot, Gustave Courbet and Théodore Rousseau. Under the influence of the movement, Grigorescu looked for new means of expression and followed the trend of en plein air painting, which was also important in Impressionism. As part of the Universal Exposition of Paris (1867), he contributed seven works. Then he exhibited at the Paris Salon of 1868 the painting Tânără ţigancă (Young Gypsy girl).

He returned to Romania a few times and starting in 1870 he participated in the exhibits of living artists and those organized by the Society of the Friends of the Belle-Arts. Between 1873 and 1874 he traveled to Italy, Greece and Vienna.

In 1877 he was called to accompany the Romanian Army as a "frontline painter" in the Romanian War of Independence. During the battles at the Grivitsa Strongpoint and Oryahovo, he made drawings and sketches which later used in creating larger-scale works.

In 1889 his work was featured in the Universal Exhibition in Paris and at the Romanian Atheneum. Centerpiece exhibits took place at the Romanian Atheneum would follow in 1891, 1895, 1897, 1902, and 1905.

From 1879 to 1890 he worked in France, especially in Vitré, Brittany, and in his workshop in Paris. In 1890 he settled in Câmpina and started depicting pastoral themes, especially portraits of peasant girls, pictures of ox carts on dusty country roads and other landscapes. He was named honorary member of the Romanian Academy in 1899.

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Traditional house in Oltenia - Oltenia, also called Lesser Wallachia in antiquated versions, with the alternate Latin names Wallachia Minor, Wallachia Alutana, Wallachia Caesarea between 1718 and 1739) is a historical province and geographical region of Romania, in western Wallachia. It is situated between the Danube, the Southern Carpathians and the Olt river (although counties in the east extend beyond the river in Muntenia in some areas).