Bohemian Triangle Quilt

I know I said after my first triangle quilt that I wouldn't be in a hurry to make another, but I really just couldn't help myself!  You see, I signed up for a Pink, Gold & Pearl Showcase over at Siiari Rose, thinking it could push me a little to use colours I would never normally choose.  And then I wondered what the hell I had done, because I couldn't find any fabrics that suited the theme.  Until the last #greataussiedestash on IG, when I found a great big bundle of Art Gallery Bohemian fabric!  I had hit the jackpot.  Half of the range is in green and yellow tones, but this half was perfect.....

And the first thing I wanted to do with them was cut triangles.  So I did.  And I could. not. be. happier. with the end result.  I've always loved Art Gallery fabric, but to make an entire quilt top using them is beyond divine.  They are so utterly silky and smooth and sort of......sexy.  Hahaha......

 I got out of my FMQ groove, and jumped in.  I used the gorgeous variegated pink Aurifil thread in a 40wt, in a free flowing meandering pattern with a few loops here and there. The backing is literally the perfect match to the pink print on the front.  It's not as "hot pink" as the photo depicts - it's actually called "ruby" and is true to its name.  It is a broadcloth cotton.

This is an "equilateral" triangle quilt.  I used my triangle ruler and made them 9" each side.  I followed the same rules and tips I used for my Isosceles on Point quilt.  Too easy. 

I was cross at the weather-gods all of Saturday, as the rain came down......but by Sunday afternoon the sun was shining.  I coaxed my husband out of his tv-viewing comfort and we wandered down to the local park just as the sun was setting.  I promised him he'd only get a few strange looks and he stood where I told him to stand - right in front of the most amazing golden tree on the lake.  I couldn't have asked for a more perfect background to this most perfect quilt!

I'm pleased to say this lovely finish will be available to purchase in the Showcase on July 8.

I'm linking up - everywhere - You can too!

Almost Wordless W.I.P. Wednesday & A Winner

247 x 4.5" blocks all sewn together with I think only a handful of points sacrificed.  I'm one very proud human being right now.

 

I got it up to a single bed size.  Just need to baste, quilt and bind.

I'm linking up with Freshly Pieced - You can too!

P.S.  The winner of Cornelia's "Every Which Way" pattern is - 

Thanks to everyone who entered!  I shall email you in a tic Quilting Momma!

An Isosceles Puzzle - Tips for Making a Triangle Quilt

 When I was asked to make my Isosceles on Point quilt, I was very helpfully pointed towards THIS tutorial/pattern.  This was the inspiration Larissa had found - which was very helpful indeed!  It was great to get an idea of what I was in for, however, it was  quite basic, and didn't really answer all the questions I had in this new triangle world I found myself in.  And it seems that I'm not alone.  A lot of you asked for tips and told me how scared you were of tackling triangles, so I took a bunch of photos throughout the process, and will hopefully make some resemblance of sense!

In terms of fabric yardage required, I can only tell you how much I used for a king single size.  I bought 1.25metres of each fabric, and when it was finished, I think I had about 20cm of each leftover.  The backing fabric was I think 5 yards.

The template that came in the above tutorial has a flat tip on the triangle.  Now this may make sense to some of you - but it had me stumped, and I could not for the life of me figure it out - no matter how much I googled and asked Yahoo!  So after sewing two rows of flat tipped triangles together, and noting that they were a big fat fail, I altered the shape myself.  It ended up being 5 3/4" across the bottom and 8" high.  If you print out the template from above link, you can trim it to the point!  To cut the triangles out, I cut rows of fabric 7.5" high by the width of the fabric.  Then use the template to top and tail your triangles.  I actually placed 6 layers of fabric on top of each other and cut through them all in one go - because I'm super impatient!

For the end half triangles, I cut half triangles as instructed.  BUT, if I were to do it again, I would just start and finish each row with a full triangle, and then once the quilt top was completely put together, trim it straight down each side.

Le Template trimmed.

Once I had a pile high of triangles, I then needed to figure out fabric placement.  I am still yet to have a design wall, so I was very lucky indeed to have a very organised customer/relative who had done all the hard work.  Ok, well, the first bit of hard work…..

Larissa drew up a grid of triangles, and proceeded to get her crayon on.  This was extremely helpful when it came to fabric placement.  And as you can see, I had to add an extra piece of paper and draw some more triangles.  Clearly I am not an artist in the drawing sense!  But it worked.  I used 7 different colours/hues in this quilt, but you really can use as many or as little as you wish.

Once you've got your fabric placement sorted, you need to panic get prepared to sew them together!  Make sure you have some time and patience.

Begin by taking your first 2 triangles.  Place them RST (right sides together) as shown in the photo below….

(I realise this is not the first two triangles together, but have no photo of  that!)  You want the tip of your triangle to be peeping out at the other end.

You want your little overhang to measure 1/4".  Because where that 1/4" point is, is where you start sewing your 1/4" seam.

With your 1/4" foot on your machine (or if you don't have one,  make sure you have a mark on your machine to follow) put the point of your triangle in.

This photo shows that each time you put your triangles in to sew, the needle should line up with where your overhang begins.

Sew all the way down the triangle, when you get about half way, put your needle down and get the other pointy end of your triangle and align it all together, making sure you again have a 1/4" of triangle peeking out at the end, like in the above photo.  Your stitching should end just like that.  I found it easiest to hold the little overhanging bit at the end so it didn't slip away!

This is what your triangles should look like at the end of each one.  You should have an "intersection" which forms a neat little triangle seam, with overhanging bits.

And once you've continued on adding triangles to your row, press all the seams to one side.  You will have rows of neat little triangles!

When you've got your required amount of rows completed, it's time to sew them together!  This is where some of the things I've noted earlier will come in to play……

Take two rows to be sewn together, and place them RST.  Remember which edge you will be sewing together - otherwise you will find that your fabric placement will be wrong - don't ask me how I know that……..

Get your first "intersection/point" of each row, and line them up.  The most accurate way I found, was to try and line up the points on the inside as pictured.

Once you have the points lined up, pop a pin in right at that point.  When you get to sewing it together, you will know to stop about an inch before that pin to make sure it all still lines up.

Don't worry if your points meeting up means that your top seams are out of whack.  The seams don't matter even half as much as the points!  Pin at EVERY. SINGLE. POINT/INTERSECTION.

When it comes to the actual sewing of the rows together,  where your points meet "should" be around 1/4".  However, do a little measure before you sew, then you can adjust your seam allowance accordingly.  I had to move my needle over one notch to the left, as my points were just over 1/4".

Now you just literally sew!  As you approach your intersections which have been pinned, make sure they are still lining up and that you don't have any "give" in your two triangles.  If you have to ease the fabrics together a little to ensure your points will still meet, then do it!

It was VERY hard to get a photo as I sewed across the intersection!  But you basically want your needle to run JUST across where the point of your intersection is - see photo below.

This is a great example of getting the row of stitching right across the tip/point of the triangle intersection!

And this one too!

When you manage to get the stitching really right, as in the previous two photos - this is what your points/intersections will look like on the right side - PERFECTO!

There WILL be times when you won't get it perfect - but hey - the points are still there…….  See photo below.

See - you still get the points, but there's just a little, little bit of space above and below each one.

Once I had all my rows sewn together, I trimmed off all the overhanging dog ears.  You don't have to do this, but I find it just takes away a little more bulk when you're quilting.

I also like to press my seams apart for the same reason.  

When you have it all pressed, you can feel very VERY proud of your hard work and ALL THOSE POINTS!! 

And one last photo.  I had a few peeps on Instagram ask me about my basting process when I posted this photo.  I have learnt that I can do it standing up, on my dining table (Ummmm, that sounds a little wrong, but you know what I mean!).  It saves my knees and my carpet (and again, sounds wrong).  Here's a quick explanation of how I do it….

I have quite a large dining table - it can fit 10 seats around it.  If I'm doing a quilt that is smaller in length than the table, then I place the backing wrong side up on the table top.  Making sure it is completely flattened out with no ripples etc in it, I get some thick sticky tape (cello tape) and tape the ends of the backing to the table.  I then lay the batting on top, ensuring I smooth out any ripples etc again on the backing.  I find that the batting smoothes out very easily!  Then it's time to put the quilt top on.  I fold the quilt top in half length ways, right sides together.  Then line up one end to where I want it to sit on the batting/backing.  Once I have it lined up on the end, and the sides, I place it down, and unfold over to the other end.  Again, time to smooth it all out and adjust it where necessary.

Once it's all smoothed out and where it should be, I start basting from the centre outwards, and when the whole table worth of quilt is basted, I unstick the tape from the ends, and from one side of the table, centrally, gently pull the quilt over to reveal the rest of the quilt that requires basting.  It's then a matter of smoothly that section out again.  Repeat for the other side.  And HELLO - quilt basted!

If you have a quilt that is too big to sticky tape down on your table top, it means it's usually heavy enough not to move around too much - like the triangle quilt.  It just takes a little more time to smooth out and make sure you won't have a bunched up backing!  I have to say - I haven't had any problems (yet) using this basting method!

So there you go my friends.  A sort of tutorial on how to make your own isosceles triangle quilt!  Now - go forth and triangulate?!!!?!

Isosceles On Point - A Triangle Quilt

I'm incredibly proud to do the big reveal of my triangles quilt! As you well know, this project has taken me longer than usual, and has made me use my brain considerably more than usual. But it's done! And dusted! And delivered! I've called it "Isosceles On Point", because of the 338 triangles and their beautiful points. Enjoy.......

I was somewhat surprised that it ended up relatively "square" when it was finished. Those pesky little half triangles down the side of the quilt were so out of whack, I thought for sure it would be all over the show!

 

I can't take any credit at all (well, just a little) for the fabric/colour combinations in this quilt. From the moment Larissa (my husband's cousin) approached me to make a custom quilt for her, she had a vision of what she wanted - and she stayed very true to that vision! I was VERY nervous taking on the order - Larissa is a visual merchandiser (think Freedom Furniture) and is rather fastidious in her taste for all things interior design. So I was more than happy to sit back and give her space to work out her fabric choices. It worked beautifully, because she managed to find the exact hues she was after, and delivered it! The ONLY say I had in terms of design, was in my finding of the black and white stripe, and the choice to use Aurifil #4670 40wt thread - a divine variegated silver/grey. Larissa trusted me with both of these choices!

 

The biggest decision she had was in the backing fabric. Larissa had seen my Wonky Star Cot Quilt, and had fallen in love with the Paloma Grey dot I used. So I searched the web and discovered plenty of yardage at fabric.com. I think it was the perfect choice!

 

This photo shows the thread off beautifully. The way it goes from dark grey to a light silver is just divine.  It was my first time using 40WT Aurifil, I'm a 50WT kind of gal.  However, I loved the slight difference in thickness of the thread.  My machine seemed to REALLY like it!  So it looks like another order is in order....

And you can see the same effect on the back. I straight line quilted myself silly on this one. I used my walking foot and did straight lines 1/4" on either side of every. single. triangle. That's a lot of lines. FIVE bobbins worth of lines. It is also the biggest quilt I have put through my darling Bernina. It was quite the workout!

 

I love how it looks against the background of my very bright green lawn in the afternoon sun!

 

LOVE how the colours all look together. LOVE.

   

 And this last photo? Well, we were sitting at the dining table eating dinner, and I looked towards the staircase where the quilt was hanging. The sunlight was streaming through the front door and I jumped up and grabbed my camera announcing it was the perfect light! My family looked at me like I was crazy crazier than normal, then continued eating whilst I snapped away. Sigh. 

 In the details - Size: King single 87" x 67". 

 Fabric: Prima Homespun solids from Spotlight. Stripe from Lincraft. Dear Stella "Paloma". 

 Batting: Cosy Cotton 

 Thread: Aurifil #4670 40WT - Variegated silver/grey. 

 Quilted by: Me! On my domestic Bernina 430

I'm happy to say this was received with much excitement on Sunday morning.  And I am more than happy to see the back of triangles for quite some time!  Well........ I do have quite a few leftover, so maybe I'll just make something with them......

For those of you who have asked me to do a tutorial and for tips on sewing triangles - have no fear!  I took a gazillion photos during the process and will get down to the task of trying to make them make sense for you all very soon!  Give me a week or so and it will be here!

I'm linking up with a bunch of wonderful linky's this week - You can too!