#9: Forever and a Day by Anthony Horowitz

007 is dead, so a new 007--named James Bond--sets out to avenge his predecessor's death, and subsequently prevent an attack on America, in Anthony Horowitz's Forever and a Day.

This is Horowitz's second Bond novel, after Trigger Mortis, and like its predecessor this novel sits very comfortably in the Ian Fleming timeline and written in that classic style.  His last Bond novel took place immediately after Goldfinger, and this one slots in just before Casino Royale.

Thus we have a rookie Bond, being helped along by an older, enigmatic freelance agent called Madame Sixtine.  Horowitz has fun staging the origins of a lot of Bond's interests and habits shown in later novels.  And of course, adds a couple of oversized villains orchestrating a Byzantine plot.

For fans of the classic Bond, Horowitz hits all of the right notes.

I listened to a good audiobook reading of this novel on loan from the New Castle-Henry County Public Library in New Castle, Indiana.

#32: Trigger Mortis by Anthony Horowitz

James Bond swings into action when a diabolical plot to sabotage the Space Race is revealed in Trigger Mortis, a new James Bond novel set in the late 1950s, during the time of the original Ian Fleming series.

The recent James Bond novels have ranged from excellent (Sebastian Faulks' Devil May Care) to just okay (Jeffrey Deaver's Carte Blanche), but Horowitz's entry is pretty good.  It has all the requisite elements, including a memorable Formula One car race against a Soviet driver, and a climactic motorcycle vs subway train chase, plus colorful villains and supporting characters.

Interestingly, Trigger Mortis snugs in just a few weeks after the events in the novel Goldfinger, and includes "Bond Girl" Pussy Galore from that story.

Fans of Fleming's original Bond novels will find a lot to enjoy here.

I checked this out from the New Castle-Henry County Public Library on audiobook.  The audiobook version got some attention when it was announced that actor David Oyelowo was the reader, making him the first African-American to portray James Bond--and he does a great job with the reading.

#42: Solo by William Boyd

James Bond gets involved in African post-colonial politics in William Boyd's Solo, set firmly (and enjoyably) in the time of the original 1960s James Bond series.

Boyd is the second author, after Sebastian Faulks and his novel Devil May Care, to root his contemporary Bond tale in Ian Fleming's timeline.  Faulks' novel gave off more of that swinging 60s vibe--including a villain with a monkey's paw for a hand--than Boyd's more sober meat-and-potatoes Bond, but it is a grand adventure nonetheless (with some potentially politically incorrect elements given a more contemporary spin).

I have enjoyed William Boyd as more of a literary author so I was quite surprised to see him tackle a James Bond book.  It is a worthy addition to Fleming's canon as well as a good spy novel in its own right.

I checked this out from the Morrisson-Reeves Library in Richmond, Indiana and read it quickly.  Recommended for fans.

#49: Carte Blanche by Jeffrey Deaver

James Bond is back in action against a recycling magnate with a death fetish in Jeffrey Deaver's low-stakes initial outing with 007, Carte Blanche.

Despite some globe-trotting through Eastern Europe, England, and South Africa, overall this is a bit of a banal spy story, whether the name of James Bond is attached or not.  And yet it is hard to identify this retooled Bond, a veteran of the war in Afghanistan who still likes fast cars but has more politely contemporary views on drinking and women.  The main character really could have been any protagonist of this type of story.

Although I have enjoyed Deaver's crime fiction from time to time, I was a bit put out by a mechanic in this story that kept cheating the reader by holding back key plot elements until later reveals, almost as one might see in a screenplay.  That being said, if Deaver does another Bond novel I will probably check it out to see where he goes with it next.

It might be unfair to critique Deaver's take on Bond so quickly on the heels of Sebastian Faulks' superior Bond novel Devil May Care, which fits directly into Fleming's original series where he left off in the 60s.  I would have loved to see Faulks do another one that fit directly into the canon.

I started reading this borrowed from the Morrison-Reeves Public Library, put it down, then picked it up on audio book and finished it on a long drive back and forth to Chicago.  Recommended for Bond completists.