New Yorkie

New Yorkie

6" by 6"

Oil with a palette knife on cradled board
SOLD

I saw this photo and thought that the fur and the colors would be great fun to paint with a palette knife. And it was. Curious onlookers asked if this was my dog. It's not but he is now a new member of my animal family of paintings. Would you like to adopt him?

UPDATE I found out that this little guy's name is Steven Tyler. What a hoot. Click here to see the owner's blog and scroll down to Sept 3 to see my painting. What a cutie he is and so famous. I think he might need some feather extension in his fur.

Photos from Zullo Exhibition

The Zullo Gallery website now has some photos posted of the exhibition. This one shows 2 of my paintings on the right side. Fun! Click here to see the whole collection of images.

Reenergized and inspired

I'm back from a wonderful vacation in hot and steamy, but inspiring Texas. I am reenergized and ready to focus on some new projects.

I signed up for The Sketchbook Project and the theme I chose is Boys and Girls. Like the paintings I've done for the Family Album series, I thought it would be fun to do some sketches from family photographs old and new. Look out Facebook friends cuz I may be invading your photo albums for sketching ideas. (if you signed up for that new "see who's viewing your profile" thing, you may see my name there!). I also saw that Boston's MFA currently has an exhibit about family. Photographer Nicholas Nixon took photos of his wife and her 3 sisters every summer for the past 35 years. Fascinating stuff. Might need to check that out for inspiration as well.

I started my sketchbook in the center.

I thought this photo that my Uncle Tommy and Aunt Arlene sent me of all of their grandkids (taken last year-it's still growing!!) would make a great centerfold.

Isn't this a hoot? I might jump around the sketchbook a little, instead of going in order, just to keep things interesting. And I can't help but want to write a little about each sketch to go along with it. Perhaps that's the blogger in me.

I've also signed up for Custom Art Framing and Gallery 9's upcoming exhibit called Looking Up. They supply you with a 10" by 10" canvas and you take it from there. What a fun idea and I can't wait to see them all together. The show goes up in November.

And finally, thanks to Kathy for the wonderful post today on her blog Weller Wishes about some of the pretty things you can find at Gallery 9. She included a photograph of one of my black and white Family Album paintings that is currently on display there. Kathy is also participating in The Sketchbook Project. Check out the cute illustrations she has done so far for her "Raining Cats and Dogs" theme.

The Littlest Bar, Province Street

The Littlest Bar, Province Street Boston

Oil with a palette knife on cradled artist board

14" x 11"
SOLD

You might be wondering about the emphasis of the bright red window in the bottom right of this painting. Well, that is what used to be "The Littlest Bar". This Irish Pub, truly the littlest bar you've ever seen, closed it's doors a few years ago, but I just read recently that they opened a newer, and not so little bar in the Financial District not too far from this original location. Here is a portion of an article about it closing its doors. I just noticed the that date of the article is also my birthday.

Polo and I visited the bar when it was still open at this location and it was quite a local experience. Let's just say, they know when you are "just visiting". My friend Kim told me that she had a first date at this place. One of the patrons made a comment about her curly hair which I won't repeat here, but I guess the date worked out ok because they just celebrated their 5th wedding anniversary.

When I took the photo I used for my reference, I peered into the window only to see stacks of boxes. The new owner is apparently using it for storage. The entire street has gone through quite a transformation. That building to the right of it is full of high rise condos. I so love the juxtaposition of old and new that you see all around Boston. I sure hope they come to their senses soon and do something interesting with this space. I mean, they gave it a fresh coat of bright red paint after all. I was glad to see they kept it intact.

Here is a close up of the only part of the painting that has people. You can see that it's only a few strokes that define the woman diners. I saved that part for last and had fun with it.

Juried in!

I recently entered these 3 paintings into a juried show for the Zullo Gallery Center for the Arts and I just found out today that they accepted all three! How exciting. Now I have to get busy doing the finish work for the show. Reception is September 25, from 7-9pm.

Half baked

I think it's interesting to see works in progress. I started this painting on Thursday and plan to finish it up this week, but in the mean time, I thought I would share it at this stage anyway. Why not, right? What I find interesting for my own introspection, is to see how I worked the top portion first (I think to completion) and left the bottom sketch alone. The bottom part includes people eating at an outdoor cafe and some flowers and landscaping. I think it will be a nice juxtaposition with the structural city buildings painted above.

The reference is a photo I took on one of my walks around Boston. When I post the final painting I'll share a little more about exactly where the photo was taken.

Pretty in Pink

Pretty in Pink

Oil with a palette knife on cradled artist board

10" x 10"
SOLD

This painting was done from the sweetest picture that Suzanne gave me to paint of her and her sister. Looks like they just got a new doll and are as happy as two sisters can be, sharing at least long enough to smile for the camera. Their pink dresses are as cute as they are. I had to borrow the perfect color (Rembrandt's Carmine) from my friend Frank in order to get just the right shade of pink. This was such fun to paint and a nice diversion from the rigidness of city windows and perspective of late.

All proceeds from the sale of this painting went directly to the Susan G. Komen foundation. How appropriate for it to be pink!

My moment to be a famous palette knife artist

Yesterday, we received the new (and really big!) Dick Blick Studio catalog in the mail.

My husband emailed me immediately to let me know that my painting was in there on the painting knives spread.
Even though I had posted a pdf of the page awhile ago on my blog, it was so exciting to finally see it in print! Someone told me this means that I am now a published artist. Perhaps it is my 15 minutes of fame, but hopefully people will hold on to it longer than that before it hits the recycle bin. Here is the painting that they chose to put on the page:

Afternoon in the City

Oil with a palette knife on cradled artist board

8" x 8" x .75"

I really do order most of my art supplies from Dick Blick. I love their prices, their website is easy to use, and I find everything I need there. And they don't pay me a dime to say that.

Now, I think I need to go order some of those wonderful palette knives. Just look at them all!

Happy art supply shopping.

Another Boston city view

Boston Near the Finish Line

Oil with a palette knife on artist board

12" x 12"x 1.5"
SOLD

The finish line of the Boston Marathon that is. I've been taking some photos during my lunch hour and have discovered some interesting views of the city that are going to inspire some future paintings. I began this painting in class on Thursday and finished it up today. I think I'm getting obsessed with painting windows. The order and structure appeal to me in a weird way, even though with the palette knife, it's really not that all that straight and orderly. You may remember that I did this sketch for this painting a few weeks ago. It helps me compose the painting, study the photo, and do some editing ahead of time.

Drawing on the beach

It took all week to finally be able to do some pencil sketching on the beach. This is a drawing I did on the very last day at the beach. This captures our friends in their daily beach position-relaxed, reclined, and reading. Ahhh, summertime in New England. There is nothing better.

Great esCape

Cape Escape

Oil with a palette knife on artist board

8" x 8"

SOLD

I finally took a break from the sun and surf to do some plein air painting while on vacation. What wonderful weather we have had this week so far. I included some more photos to give you a sense of our quintessential cape surroundings.The place we rented is right near the path to the beach. People leave their wagons and other things while they carry their beach gear down the stairs. Our place is to my left.
While I was inside taking a lunch break, some onlookers stopped to take a peak at my progress.
I hope to get some more painting time in. Today is a little rainy but we're going to try to get 9 holes of golf in later this afternoon. I do not want this week to be over!!

These streets will make you feel brand new...

New York from the High Line

Oil with a palette knife on artist board

12" x 12"x 1.5"
SOLD

I'm gradually trying bigger sizes of city scenes hoping to avoid the intimidation factor going to a really large canvas size all at once. Reminds me of when I was in art school and the drawing teacher would have the models come into each class with less and less clothes on. I guess he was breaking us in so that life drawing class and naked bodies were not so intimidating all at once.

Before we left for recent trip to New York, we kept hearing that song in our head by Alicia Keys and singing it around the house.

New York, concrete jungle where dreams are made of
There’s nothing you can’t do
Now you’re in New York
These streets will make you feel brand new
Big lights will inspire you
Hear it for New York, New York, New York

Perhaps, I am also inspired by the start of the new season of Mad Men tonight?

Ideas and works in progress

I started this painting last week...

It was inspired by this photo I took while in NYC walking on the new High Line, a great new park created from an old elevated rail line. I knew instantly that I wanted to paint it.
 I also knew I wanted to paint it in a square format, so I did this sketch first.
Then I had an idea. Since I seem to be fascinated with both NY and Boston city scenes, why not play up their rivalry and do paintings of similar scenes from both cities?

So, I then did this sketch from a photo I took while walking around Boston during my lunch hour. New York from the High Line vs. Boston from the Finish Line (think marathon). I actually sketched this while looking at the photo on my iPhone. Which sparked another idea...

I paint from photos that I take all the time. I usually print them out, but am always disappointed by how much vibrancy and detail is lost. So, what if Apple created an iPad app for artists where you could upload your photos, plug in the size canvas you're painting, zoom in, crop, even overlay gridlines if you want, and it would illuminate your photo for you as long as you are painting?  Of course you could get an accessory that clipped to your easel also. What do you think of my idea? 

More Chunky Deliciousness

I love taking these close up shots.You can really see the texture. Like butta.

Flower Shop

Flower Shop

Oil with a palette knife on artist board

10" x 8"
SOLD at The Red Inn

I was having one of those nights during Thursday night painting class where I felt the need to organize my painting supplies before I could get into the right mindset to paint anything worthwhile. So after organizing my reference folder, scraping clean the palette, squeezing down all of the tubes of paint using my fabulous paint tube wringer, (trust me, spend the extra money and get the metal one!) then setting out a fresh new array of pretty dollups of paint, I finally settled down to paint. Thoughts of the anal retentive chef from SNL come to mind? Yes-sometimes I am the anal retentive artist.

So with the shortened time I had left, I started this painting from a photo reference that Kim had on hand. I hadn't painted flowers in awhile and it's nice to change things up every now and then isn't it? The blue flowers and vase were not in the original image, but the composition needed some color down there. It's always difficult for me to "make stuff up" but I think this came out pretty believable. If you look closely, I actually painted the green color and then scraped it away to make it look like a glazed pottery. Kim has been encouraging me to try some new techniques with the palette knife such as this type of subtraction. I think it's a good idea too and can keep the paintings interesting and fresh.

The New York report

I haven't been doing much painting lately, but we did spent a wonderful four days in NYC recently. The last time we were there it was wintertime and boy does the city really come alive in the summer.

Our first stop, The Guggenheim Museum. I had never been there before and so I was fascinated by the architecture and layout of it. I snapped this shot before I realized I was standing next to a giant "NO PHOTOGRAPHS PLEASE" sign.

D'oh.

Our next adventure was renting a rowboat in Central Park. What fun that was. Isn't Polo all New York with his stingy brim on? Of course, we had to quench our thirst with cocktails at The Boathouse afterwards. Yum.

As we walked through Central Park, we came across the back of the Metropolitan Museum of Art and I noticed this structure on the top that looked like a giant boat made out of reeds and people were walking on it. I keep meaning to check their exhibits to see what this is all about.

The next day we ventured over to Chelsea, hoping to visit some galleries, but they were all closed (it was Sunday but I think we forgot cuz we were in vacation mode). Double D'oh.

But we stumbled upon this really great new addition to NYC--The High Line. They've converted an old elevated rail line to this wonderful park that spans several city blocks and gives you a whole new perspective on the city.

Can you see the guy standing at the bottom of the stairs looking down at the street through the giant windows? Cool.

Along the path, there was this piece of art/sculpture by the artist, Richard Galpin, that you had to experience by looking through this viewfinder.

Here's a photo taken through the viewfinder. Very graphic and abstract, kind of a cool idea.

Below is the description if you can read it. I'm hoping they plan to put more artwork up there. It's would make a great open air sculpture garden.

I took lots of photos for painting inspiration so get ready to see more of NYC as interpreted with a palette knife coming soon.

Plein Air Workshop

Come On In, We're Open

Oil with a palette knife on artist board

8" x 8"

Click on the image to enlarge
NFS

Last weekend, the husband and I participated in a Plein Air Workshop taught by the talented and creative artist, Kim Morin Weineck. She started with a short lecture and handed out all this fun stuff to help us get inspired. And look at the cute bags she made for everyone that contained fun art supplies to help us out with our planning and sketching.

It was a little grey out but the rain held off for the most part. We set up in Norwood Center and I decided to paint the front of Julie's store which is so cute. Here is Kim all set up to paint (and keeping pesky people from parking there and blocking my view!)

Lately I had been painting a lot from photographs and you forget how the photo is somewhat already cropped and composed for you, so Kim reminded us when you paint on location, it's important to plan what you are going to paint by sketching it out first. Here is my page of possible compositions. I decided to go with the square format.

And this shows my setup after I had worked up my sketch onto the panel.

And of course, I had to include some close up shots of the painting.

What a fun day all around. Here's a link to see Polo's painting.

How blue is your sky?

Is That Our Hotel?

Oil with a palette knife on cradled artist board

12" x 9"

Click on the image to enlarge
SOLD

I've been staring at this painting for over a week now wondering if the color I used for the sky is right. During critique, some fellow artists thought it could be a little brighter or darker. So I did an experiment in Photoshop trying out different options before I actually committed to changing it. Of course these won't show the palette knife texture, but it helps to show different values and shades of blues.

Deep blue

Bright blue

Soft  blue

Grey day

It's interesting to see how it changes the feel of the painting, isn't it? I would love to hear your thoughts.