Walnut Ink & Watercolor

Autumn brings with it a beautiful array of colors and textures. At our Farmer’s Market a

new crop of persimmons are available in a variety of shapes and colors.  I came home with a bag full and put them in a favorite dish. I loved how the contrast of colors and textures played off of each other: orange-red against blue-green. Smooth against rough.

When Daniel Smith Artists’ Materials asked if I’d like to try their Walnut Ink. I was eager to give it a try. I am particularly fond of inks with warm tones. The idea of drawing the persimmons with walnut ink was appealing. Before the bottle arrived I did a little research on their website. I thought walnut ink would fade. I was wrong. Here is what I found.

“DANIEL SMITH Walnut Ink is lightfast, non-acidic, transparent, and low staining.  It’s finely pigmented, sepia-colored, water-based ink made from walnut husks. It's great for all types of drawing styles and calligraphy, and works beautifully with a dip pen or brush. With a brush, DANIEL SMITH Walnut Ink handles like a transparent watercolor with good layering, and lifting capabilities in darker washes. The rich color resembles traditional walnut-based inks, but will not fade.” 

Step 1

Watercolor Paper is Bockingford cold press 140lb. My favorite technique for drawing is continual line contour. I keep my pen on the paper for the majority of the drawing. I am using a bamboo reed pen…Why? I enjoy line variation.

Helpful hint: Before you begin drawing soak the tip of the bamboo reed pen in 3 inches of water for 20 minutes.  The pen will have an increased ability to hold ink.

Step 2

I start by pulling fresh color into the center of my palette. I work on a dry surface and mix the colors on the paper. You’ll noticed the Walnut Ink moves…I like that. If I touch the line gently it will move a little and more if I scrub the line with my brush the more it moves.  

The persimmons are a mixture of Hansa Yellow Medium, Anthraquonoid Scarlet & Quinacridone Burnt Orange. The Leaf and stems are Quinacridone Gold & French Ultramarine.

Step 3

The plate is painted with Cobalt Teal Blue. I intentionally disrupted the details on the plate with my brush. I want the lines to defuse. I don’t want the lines to be in sharp focus especially since the majority of the plate will be effected by shadows from the persimmons.

Step 4

Shadows are my favorite subject! The presence of light defines form and gives life to a subject. I begin my making two puddles of paint on my palette: 1. Quinacridone Burnt Orange & Quinacridone Rose 2. Imperial Purple. I start by painting the form shadows on the persimmons with Quinacridone Burnt Orange & Quinacridone Rose and quickly move into the cast shadows on the plate with Imperial Purple. I want a soft transition between the objects and the colors.

Step 5

The final stage I use Imperial Purple in the background. Before the passage has lost its shine I touch a small amount of Phthalo Turquoise into the area. Final touches are added to the foliage area.

My Daniel Smith dot card has a white X on the colors I used for this piece. All the materials used in this demonstration are listed below. 

Ink: Walnut Ink (new bottle same ink)

Pen: Bamboo Reed

Watercolors: Daniel Smith Watercolors

Watercolor Paper: Bockingford 140lb cold press

Happy Painting!
Brenda

Continual Line Contour

I've been using "continual line contour" drawing for so long I've forgotten when I learned how. I can tell you it has changed the way I see, draw and paint. I've learned more about observing edges, measuring, overlapping and page placement than any other approach. 

   

In my workshops (sketching, illustrated journal or plein air workshop) I start by demonstrating and teaching this technique. At first students might feel hesitant. But by the end of the workshop I have won them over.  

I keep a collection of props on hand and I ask students to bring props to the workshop too. The more variety the better: jars, kettles, paint tubes, brushes, mugs, wooden and metal tools, artificial flowers, vegetables. 
During the workshop I use a timer so the drawings don't become too involved or precious.  It’s funny how the mind acts when you use a timer…absolute and complete focus! We start by drawing: 1 object in 3 minutes, 2 objects in 6 minutes, 3 objects in 10 minutes. All drawing is done from life (no photos). Once we get comfortable with drawing we begin painting.

Here's a workshop demo:

During the drawing keep your pen on the paper as long as possible. Yes, I said PEN! This exercise will teach you to slow down, look longer and be more certain of shapes, size and edges. There will be a certain amount of distortion to the drawing but I consider this part of the charm.  Continual Line Contour is a good exercise no matter how long you've been drawing. 

Here's a short video I made showing, "Continual Line Contour". I usually work from life but in the video I use a photo so my view would be the same as the viewers. If the video doesn't play click on the link: https://youtu.be/eIVjtb5yQ9Q

"Art like life, is knowing where to draw the line".  Happy Sketching!
Brenda

What Are You Waiting For?

Have you ever wanted something so bad it was all you could think about? Me to! Ever since third grade I wanted to be an artist. The older I got the more complicated life became. My hopes and dreams became something I would obtain later. What was I waiting for?  I was waiting for my children to be older, to have more time, more energy, more money, to have my house work finished, my errands done, to be encouraged... The truth is I was better at finding reasons why I wasn't living my dream then putting the energy into making it happen. So what was the problem? Simply put…ME! It’s easier to make excuses then taking responsibility and making it happen. 

The honest-to-goodness truth is I had to change my thinking. I didn’t value my time. I’m not alone here…its common thinking among women to see what we do for others as more valuable than feeding ourselves. What we fail to see is creativity is the core of who we are.

Every day has 24 hours. We’re never going to have EXTRA time. It doesn't exist! Time will always run out at the end of the day. Family will need us, friends will come calling, laundry will need folding, dishes washed…Trust me these things will be their tomorrow.  Begin today no matter how small a step.

We make the choices of how we spend our time…PERIOD. What are you waiting for? Hope deferred makes the heart sick, but a longing fulfilled is a tree of life.  Proverb 13:12

These sketches show how everyday tasks can be an opportunity to draw. I have countless pages of daily chores, dishes in the sink, kitchen counter with its clutter, lunch, furniture in my home… Start making it happen.

Happy Sketching!

Brenda