Εμφάνιση αναρτήσεων με ετικέτα Up The Hammers. Εμφάνιση όλων των αναρτήσεων
Εμφάνιση αναρτήσεων με ετικέτα Up The Hammers. Εμφάνιση όλων των αναρτήσεων

Δευτέρα 27 Απριλίου 2020

SCALD in Greece during the Coronavirus Apocalypse.

COVID-19 came and changed our lives. Nothing is the same. Daily routine, jobs, everything is different and our generation hasn't seen anything alike. While we don't know what tomorrow will bring and when everything will return to normality, among others the world of music also was hit by the pandemic. Since Crystal Logic is mainly a music blog, we decided to view one of those countless cases as detailed as possible.

SCALD, the legendary epic doom metal band, was formed in Yaroslavl of Russia, when singer Maxim "Agyl" Andrianov and drummer Aleksandr "Ottar" Kudryashov of ROSS (POCC) changed the name to SCALD and were joined by ANAMNESIS VITAE members Ivan "Harald" Sergeev (guitar) and Ilia "Velingor" Timashev (bass), in order to play epic metal in the vein of MANOWAR and BATHORY. The line-up was completed by the second guitarist Vladimir "Karry" Ryzhkovskiy, and adding the CANDLEMASS influence, it was clear that SCALD wanted to write and perform a specific style of music. After the North Winds demo of 1994, SCALD recorded the album Will of the Gods Is Great Power in 1996. SCALD managed to play a few shows in their hometown and few cities nearby, but on September 6th of 1997, tragedy shook SCALD. That day, Agyl was found dead in a railroad, hit by a train.

The album was finally released after Agyl's tragic death and not in 1996 (according to Velingor) on cassette tape only, since it was very difficult to find a record label outside Russia, and SCALD decided not to exist anymore. A few years later, Will of the Gods Is Great Power was finally re-issued on CD and vinyl and more people discovered the magic of SCALD. However, times are changing, so in 2019, the band was reunited for selected live shows, with Felipe Plaza (PROCESSION, CAPILLA ARDIENTE) on vocals.


During the Coronavirus Apocalypse, SCALD offered us the detailed saga of their adventure between March 11th to 15th of 2020. A story they won't easily forget.

Story told by Velingor

Translation by Arkadi Borissov


After our very successful performance at the German festival Hammer of Doom (Würzburg, Germany) in the fall of 2019 we all, of course, were looking forward to performing on the 13th of March 2020 at the Greek metal festival Up the Hammers in Athens. Many of our fans who witnessed our show in Germany said that they were planning to go there and our vocalist Felipe told us that Greek fans are something special and we should definitely perform to such an audience. We heard that there are a lot of SCALD fans in Greece (it is worth mentioning that the first vinyl edition of SCALD's album Will of the Gods is Great Power was released in Greece in 2004). We, the Russian part of SCALD musicians, have never been to Greece and we certainly wanted to go there.

By the time of our departure to Greece, on the eve of the 10th of March, the situation with coronavirus (COVID-19) in Russia and Greece was relatively calm. In both countries there were less than ten infected in each country (all of them were put in quarantine) and just a little more than one deceased. Of course, Italy was not far from Greece and everything was much worse over there... But everyone (including the organizer of the festival) hoped that everything would be fine in Greece. We flew to Athens on March 11th and found a rather calm and relaxed atmosphere, although we saw some people wearing masks on the streets and in the subway. All the shops, restaurants, coffee stores and even the flea market near the place where we settled - everything was open for business. We met our friend Arkadi from Ireland, who kindly agreed to be our interpreter (since he is Russian-speaking, but has been living and working in Dublin for a long time and therefore speaks better English than us). We walked around the center of Athens, enjoyed the warmth (it was still cold in Russia), delicious Greek food and looked forward to a successful performance...

That evening, in the apartment where we were accommodated, we watched the English-language news on TV and realized that the situation in Europe was getting worse every hour. More and more sick people, more and more fatalities... Later in the evening our vocalist Felipe arrived from Sweden and said that "Scaldocalypse" was taking place in the world and showed us a video on his smartphone sent by his friend from Italy. Army was brought in to patrol the streets of Rome... If I am not mistaken, on the evening of March 11th WHO officially announced the start of the coronavirus pandemic.

The next day, in the morning of March 12th, Manolis, the organizer of Up the Hammers festival broke the news that the festival was officially canceled. All American bands (including the headliners TOXIK and FIFTH ANGEL) either didn't travel, to those who managed to fly to Europe, immediately flew back to the USA (in connection with the statement by US President Trump about the immediate ban of all flights from Europe); ATLANTEAN KODEX from Germany also had to cancel.

The situation in Athens began to change - many coffee stores and restaurants were already closed or were working only for takeaway and it was no longer possible to sit in them. There were more and more people wearing masks on the streets. We all had non-refundable return tickets for the 15th of March (booked by Manolis in the summer) and we didn't have much cash with us. We decided not to rush to evacuate to Russia. Our guitarist Karry and vocalist Felipe decided to still do a rehearsal on March the 12th, which was planned in advance with the organizer of the festival. Felipe contacted the owner of the rehearsal studio (they had known each other) and agreed with him that everyone who wants to listen to SCALD would be allowed to attend the rehearsal for free, meaning those who came to the festival from Europe, United States and other countries,  and didn't go back yet. Manolis agreed to rent the rehearsal studio for three hours  and we can't thank him enough for that. So, we finally decided to stay in Athens.

Our manager Tatiana (she was not with us in Greece) posted on the SCALD facebook page about the rehearsal / mini-concert and we left for the place. We were surprised and disappointed at the same time, when we saw a crowd of 25-30 metalheads on the street near the studio who wanted to listen to us... and the studio owner, who told us that he was ready to let in only 3-5 people, no more. Felipe explained everything to the metalheads, who were quite disappointed with the whole situation, and said that the band invited them to the Underground Café bar in the evening to chat and hang out.

The rehearsal room was really small, but when we started playing the owner of the studio started letting people in. As a result 10 or more people from different countries somehow fit in. We played the entire concert program for them and repeated several songs for the encore. This resulted in a sort of mini-concert combined with rehearsal. Those in attendance and the band were very pleased. It is a pity that not everyone was able to get to this impromptu event.


In the evening we all went to Underground Café, which was packed with metalheads from various countries. Of course, we all understood that we were quite at risk of getting infected and that we all had two weeks of quarantine immediately upon return. But we all didn't care what would happen next. We were just glad that we played at least a small show in Athens and that we had an opportunity to hang out with our fans. All this action was reminiscent of a "A Feast in Time of Plague" - countries imposed a lockdown one by one, numbers of sick and dead people increased hour by hour, and all SCALD members and all the metalheads hung out, talked and drank beer and sang along to BLACK SABBATH's "Heaven and Hell" and W.A.S.P.'s "Love Machine" and other metal anthems which were aired at the bar. We had a lot of fun and there was no anxiety and fear whatsoever.

The next day we walked in Athens (we didn't care much because if we were at risk of infection we would've been infected already), climbed the Acropolis and Mount Lycabettus from where we enjoyed amazing panoramic views of Athens. We went to the seaport (for us who live far from the sea it was interesting). The streets of Athens were almost empty and our vocalist Felipe, who had already been here several times, said that he saw this for the first time - at any time of the year there were crowds of tourists in the streets of Athens, especially in the city center. Many restaurants and coffee stores were closed, there were almost no people in the subway and almost everyone we met wore masks. In the evening we had a small party in our apartment for ourselves with Metaxa and barbecue, which we managed to buy in a takeaway in one of the few restaurants still working nearby. Addresses to the people from leaders of many countries and opinions of experts in connection with the coronavirus pandemic were broadcasted on television without interruption. It was clear that the situation in the world had actually gotten out of control and many countries (who didn't have time to do this already) closed their borders and introduced total quarantine. The numbers of sick and deceased in the world increased every hour, although in Greece and Russia the situation so far remained one of the most stable.


Early in the morning of March 15th, Felipe left for the airport and a little later wrote to us that he was OK and he got on a plane to Stockholm. Arkadi also said that he was already on a plane to Dublin which is now taking off. We decided to check how things are going with our flight. We went to the airline's website (it was a Greek airline) to check our flight to Moscow and... our flight was canceled. Our drummer Ottar suggested that we should urgently pack the bags and go to the airport to clarify the situation on the spot and fly out of Greece as soon as possible. We contacted Manolis and explained the situation to him. He replied that in 30 or 40 minutes a minibus would come to take us to the airport and that Yannis, the driver of the minibus, will help us to deal with the airline representatives (in Greek, because our English may not be effective enough in this situation). The situation at the airport was rather deplorable. There was a huge number of people, all of them were agitated, some of them were crying. There were long queues to airline help desks. Our queue was not very long which inspired some hope. On the large screens we could see the situation at the world's largest airports. It was real HELL happening everywhere - giant crowds of stranded people, people desperately storming the airline offices. Even the Athens airport looked calmer in this regard. Finally after an hour of waiting we reached the representative of our airline and she immediately began to look for a solution to our situation (Yannis helped us a lot, many thanks to him for that) and tried to solve the issue of getting to Moscow without surcharges based on the tickets that we had. We had several flight options to Moscow (all of them with transfers via other countries).

As time passed nothing was sorted. In the end, the representative of the airline told us that nothing can be done today. "We will try to sort it tomorrow, now go to the hotel to have a rest, dinner and breakfast are included", she said. We followed her advice as it was already late and everyone was exhausted. We already heard that from tomorrow Greece will close its borders, all flights will be reduced to a minimum. We could only hope that somehow we could still fly back home. To our surprise the hotel turned out to be simply gorgeous. We had a great dinner in the restaurant, ordered the cheapest (by the standards of this hotel) bottle of wine, drank it calmly and were ready to go to bed and then... After we left the restaurant a hotel employee ran up to us and said (pronouncing our names) that the problem with our flight to Moscow has been resolved that the check-in for the flight is about to begin and that we are flying with a transfer... in Yerevan (Armenia)! In the end she wished us good luck and showed the devil horns. "Wow!" was our reaction as we didn't expect such an early solution to our problem and such an exotic route and none of us has ever been to Yerevan! Our guitarist Harald said: "Ivan in Yerevan - sounds cool!" (Ivan is his real name). Ottar added: "Yerevan sounds good, we can even get from Yerevan to Yaroslavl (our hometown) by trolleybus!" (which was of course a joke, there is quite a distance between the two cities). We quickly grabbed our gear and literally ran to the airport for check-in.

During check-in for a flight to Yerevan it turned out that we would have there almost half a day before the flight to Moscow. We all decided not to miss the opportunity to visit Yerevan itself and considered at least a little walk in the city center. As a result we flew out of Greece late in the evening of March 15th as originally planned. The plane landed in Yerevan about 6 in the morning or even earlier. We met a very serious medical check up of all who arrived. All the border guards, customs officers and airport service personnel wore masks, there were many doctors around, not only in masks, but also in special protective medical suits. Everyone at the exit of the aircraft was checked with a stationary thermal imager and people standing in line for border control were selectively approached by doctors and checked with a hand-held electronic thermometer. We did not have any problems, so we left for the arrival zone of Yerevan Airport.

After some rest we took a taxi (in Armenia, as it turned out, a taxi driver is any driver you can negotiate with, especially since everyone speaks and understands Russian, after all it is the former USSR republic!) and so we arrived at the center of Yerevan. Yerevan is a rather exotic city, where the old Soviet architecture (with a local flavor) is adjacent to the newly built office buildings, hotels, casinos and restaurants. What really impressed us was the grandiose view of the snow-capped Mount Ararat in the distance, the top of which was obscured by clouds. This huge mountain was visible almost from everywhere we walked. On this early morning of the working day the center of Yerevan was completely empty, there were almost no people there and those whom we met (they were obviously rushing to work) looked with surprise at our exotic "northern" appearance. The only place that was open was a small 24h supermarket where we immediately bought the famous (according to numerous positive reviews) Armenian cognac and then drank it on a bench with a view at one of the central streets. We wandered around the center of Yerevan and finally found an open restaurant where we had breakfast, quickly negotiated with the next "taxi driver" and left for the airport.



In the departure zone we sat right next to the huge panoramic window from which Mount Ararat was perfectly visible in all its glory. We also did not forget to drink Armenian cognac from Duty Free. After boarding the plane to Moscow we learned that from tomorrow Armenia would close its borders and this is the last scheduled flight. "We made it in the last moment, will of the gods is indeed a great power!", we all thought. And finally, Moscow Sheremetyevo Airport! Now we were almost home. We have already prepared for serious medical checks and questions like "where were you, how long have you been there, whom did you contact with, how do you feel", etc. We were struck by how empty the airfield was - there were only a few planes of the Russian airline Aeroflot. We saw that for the first time. Upon leaving the plane, to our surprise, there were no checks at all. Only at the far end of the corridor (50 meters from us) we noticed a thermal imager and two doctors with bored looks. Apparently, Armenia by Russian standards was still considered a safe country in relation with coronavirus. However here, as in Armenia, all border guards, customs officers and maintenance personnel were wearing masks and gloves. Finally we got all our luggage, went outside, breathed in almost freezing air and sighed with relief - that's all, our adventure is over! We loaded into the shuttle bus (ordered in advance) and went to our hometown of Yaroslavl. We had yet another 4 hours of travel and two-week home quarantine, and tests for coronavirus. But we were very pleased with the fact that we visited Greece and that we still managed to play at least some kind of concert and meet the fans. We got a lot of positive impressions in general, although there were a lot of frustrations and worries. As a result none of us got sick - all the tests turned out to be negative and we all, including Felipe in Stockholm and Arkadi in Dublin (who reported that they feel fine after two weeks of home quarantine), immersed in our regular life.

We all would like to return to Greece again and play a proper, full show on the big stage for all fans who want to see us. But better without these sudden adventures that happened to us this time. Many thanks to all who supported and helped us on this trip!



Prologue by Andreas Andreou

Story told by Velingor

Translation by Arkadi Borissov


Join SCALD on Facebook HERE

Κυριακή 11 Ιουνίου 2017

Up The Hammers Festival 2017: The Might of Chaos Descends

Now the dust has settled. The might of Chaos was unleashed upon the (decadent since ages)  cradle of civilization, on May 27th, of 2017. 

Up The Hammers festival (Athens, Greece) started from small basements, growing every year with hard work from the right people and associates, and on its XII edition, it moved to the best venue of its history. On May 26th and 27th, the 2-days underground metal festival took place at Gagarin 205 club with a line-up that was mainly dominated by the headline acts of Ross The Boss (performing Manowar) and Cirith Ungol. The strong support of metalheads around the world over the last years, helped Up The Hammers to move to the next logical step, that is a bigger venue. That wouldn't happen without the support of the metal hordes and friends coming from Germany, Italy, United Kingdom, France, Spain, Sweden, Norway, even United States or Australia and many many more places... Manolis Karazeris (promoter of the festival, along with Dimitris Papanastasiou of Music Box Prod.) thinking most of the times as a fan, had the right thoughts and ideas about the line-up of the festival, depending on its budget, and managed to establish it as one of the best underground metal festivals of our times, that was expanded with the support of the fans.

This year's edition was dominated by the performance of Cirith Ungol, one of the last two and most wanted reunions in traditional heavy metal; the other one is Heavy Load. Behind the Cirith Ungol reunion lies a fairytale gone right. Many people tried over the years, but finally it happened thanks to few individuals with most notable Jarvis Leatherby (founder of Night Demon and promoter of Frost And Fire festival), and of course the will of the band members. Cirith Ungol is hailed as an underground metal band and not a famous, maistream or established act, but I have to say that this specific reunion is one of the most professional and successful ever happened. Everything was organized slowly, correct and beyond our wildest dreams. The present line-up includes all the right members, with both Greg Lindstrom (he played guitar on the first CU album "Frost And Fire") and Jim Barraza (he played guitar on the last CU album "Paradise Lost"), since Jerry Fogle (guitar on first three albums) left this mortal world one August day of 1998. Tim Baker (vocals) and Robert Garven (drums) are of course here, and Jarvis Leatherby handles bass duties, since Flint isn't part of this reunion. Jarvis is also the manager of the band and another crucial thing is that Metal Blade Records (the best metal label in my book) is supporting Cirith Ungol with great reissues of their albums, among other things. Important label stuff are also supporting the band in person, and travelling in the Cirith Ungol shows, promoting and helping them. If we will add that at this period of time "old" metal is somehow back in the rails, this was the perfect timing for such a reunion. Traditional metal is not mainstream in terms of older times, but for sure it has more exposure in magazines (the ones left), many small festivals appear here and there, countless reunions of old bands (even ones with just an album) happen, and I can't even mention the hundreds reissues... And all these in a period where the music industry is a living dead entity, but still, things happen despite the low physical sales and the minimal support and of the younger generation, if we will compare them with the years that all these bands were active. On the other hand, when these bands were active back in the 80s, most of them were really underground and nowadays they play to wider audience. So this reunion really matters and deserves every success, and a new album is probably scheduled somewhere at the end of 2018.

When Cirith Ungol walked the stage, on their third show after the reunion, everything we saw before was forgotten and the might of Chaos was unleashed upon us. Each band member performed with passion and it was obvious that they had many rehearsals before. The Cirith Ungol music is not 100% the best festival soundtrack, but it was exactly what the people of Up The Hammers wanted to hear. This was one of the best shows in the history of Up The Hammers festival.

The night before, Ross The Boss with a killer line-up including Rhino (ex-Manowar, Burning Starr) on drums, Mike LePond (Symphony X, Heathen's Rage, Silent Assassins) on bass and Marc Lopez (ex-Meliah Rage) on vocals, performed a special Manowar setlist with songs from his Manowar-era. You cannot fail when you play eternal hymns like "Thor" or "Blood Of My Enemies". These songs are so powerfull and unique, and this was a great festival addition, with guaranteed satisfaction for this specific crowd. I cannot even imagine what would happened if we would witness the real deal in this venue...

The only disadvantage of this festival, is that these two performances - names were by far superior than anything else we saw. There were more great acts and shows, but there was a significant difference between the headliners and the rest billing of the festival. Night Demon were amazing, though. These guys live and breath metal, and their shows are always full of energy. Probably one of the three or five best bands of the so called "new wave of traditional heavy metal". Other new bands should watch them and learn how to "work". When you play countless shows over the world and already have 2 great full-length albums in a period of three years, you are doing something right. 

Attacker was another cool addition and this kind of US metal is needed in these festivals. Especially when the band members perform with passion, and you have songs like "(Call On) The Attacker"! US metal was represented also by Thrust who tried to kill the posers, Tyrant who killed our ears, and Resistance who was indeed a Metal Machine.

Myhtra was the surprise of the festival. It is always great to see some old bands performing with the passion of their youth. That was great, and also a NWOBHM band is always needed in this kind of festival. Lord Vigo from Germany was the second big surprise of the festival. Their paranormal doom metal was performed flawless and their stage performance was also special. Monasterium was the other doom metal band of the festival, and the Polish act was closer to the traditional epic doom style of Candlemass and Solitude Aeturnus, but both bands played in front of few people as opening acts of both days. Blizzen were just ok in their traditional metal style and Holy Martyr was a perfect addition even if I believe that the doom elements on their new album don't fit in the character of the band. However, none of us can tell to a musician how to play and I really enjoyed their "classic" tunes. Diviner and InnerWish were the Greek bands of the festival and both of them were professionals. Lot of people enjoyed their shows, some "old-school" metalheads didn't enjoy so much Diviner and many others would prefer a better setlist from InnerWish, since they supported mainly their last album. Fans from Greece are already familiar with them and have their opinion, but I am sure they gained some fans from abroad, even if they were different from the "true underground metal" character that few individuals have for a festival like Up The Hammers. At this point, with bands like InnerWish, I will have to mention that the sound was also very good at the venue. 

Top - 10 artists of UTH:


10. Vince High: A performer with a  complete NWOBHM feeling.


9. Rhino: The triumph of steel. A metal machine.

8. Bobby Lucas: The leather lungs of US metal.


7. Ross The Boss: THAT guitar tune!


6. Mike LePond: A true unsung legendary musician.


5. Greg Lindstrom: The silent force (aka: the man who wrote "Frost And Fire")


4. Robert Garven: The atom smasher. The master of the pit.


3. Jarvis Leatherby: The demon of the stage.


2. Tim Baker: The voice of Chaos.


1. Jim Barraza: A true guitar master. An Idol.



The first bands of Up The Hammers 2018 are already announced and tickets are already on sale. You can reserve your ticket HERE and trust me, this will be something you don't want to miss.



Τετάρτη 24 Οκτωβρίου 2012

One more Heavy Metal week - Chapter I: Manilla Road


Shark, Manilla Road, Hammers and Wine...


Now, let’s see what happened the last days. There was so much intense, passion and HEAVY METAL, that I want to keep it alive, not only as a memory (it won’t be forgotten anyway), but also for everyone to see that some musicians remain legends among men. 

On October 14, 2012 there was Up The Hammers Festival Special Edition II in Athens with Manilla Road as headliners and Dark Nightmare, Etrusgrave, War Dance, Midnight Priest completing the billing of the best festival in Greece. Two day before we were expecting the arrival of Mark “The Shark” Shelton and he would be in Ragnarok club for “meet n’ greet” with fans and friends of the band. The good friend and organizer of Up The Hammers, Manolis Karazeris along with the people of the club, organized everything perfect and we knew that there will be an unforgettable weekend. Funny, but there was also a special Manilla Road/Up The Hammers wine limited to 20 bottles! Of course, I took one, but I will open it for a very special occasion. So, people all over Greece and certain friends around Europe start gathering in Athens. Back in the club, after 12 o’ clock Mark made his appearance in the club. It is always good to see this guy and for sure he is feeling like home when he is in Greece. He signed some records, took photos, had his drinks and chat with friends and fans. 

There was a very funny moment, when we were headbanging during “Astronomica” near at a window in the club and suddenly we felt someone all over us… It was Mark climbing to the window! The night continued like that, but next day I had to go to the work… The next day passed easily for me, still though I had some time with friends that I hadn’t seen for some time. Of course we ate also. That’s one of our hobbies!


And then Sunday comes. I woke up early (I think…) along with my girlfriend, and went in the center of Athens to pick up our buddies from Patra. Of course we ate also. I told you, that’s one of our hobbies. And we only eat meat. I went earlier to the club of the festival (Kyttaro Live Club) because I had some work to do with the label. There I had the chance to see War Dance during soundcheck. I really love this band and for me they are the “next big thing”. 

So, everything was set up, we’ve already start drinking and having fun. 
Midnight Priest was the first band to hit the stage and people started to enter the venue. The band was very passionate and they enjoyed playing there. Then I grab a beer and went to the front to watch War Dance. They are perfect. They combine elements from Manowar, Warlord and Sarissa, filtered through a personal sound and the result is pure lyrical epic metal magic. They have released only a promo CD but they are in recording sessions for the material that will be their first album. I can’t wait for that. After that there was some kind of problem in the club with electricity or something and Etrusgrave moved on stage and wait for the problem to be solved. It took a little time, but after that, the Italian band was a huge surprise. I didn’t expect them to play before Dark Nightmare, but if you would see the respond that Dark Nightmare had from the people there, you would be surprised. Great shows from both bands.

But there was a storm waiting to break… Arise all ye faithful to the sword... Manilla Road was on stage, for a special 3 hours set starting with my favorite MR album “Open The Gates” performed in its entirety. Magik, Dragonships, the Spear of Tiw, Fires, the Norns, Kings and the Dragon passed before our eyes and took us by storm. We were speechless from such a magical performance. Mark’s guitar was sending vibes from Hell and Bryan was singing with passion the hymns of mythical poetry. For my surprise, since it was the first time to see Neudi behind the drum kit, he really moved the band to a higher level. After “Open The Gates” the Road passed through “Necropolis”, “Haunted Palace” (Randy would be proud of Neudi), “Isle Of The Dead” (with a monumental moment of Agis throwing Jim off the stage!), “Masque Of The Red Death”, “Death By The Hammer”, “Hammer Of The Witches”, “Divine Victim”, “Dig Me No Grave”, “Metal”, “Crystal Logic”… and many more! During “Mystification”… well, I went a little crazy, but I think this will be my last stage diving - getting old I think. Still have bruises – for a moment I thought I broke some bones... but I enjoyed it! I really can’t say more for this performance. All you have to do is take a look on this video:




After two days, on October 16, there was a special event. A secret acoustic gig among few friends of Manilla Road (around 40 people) in a wine bar under candles’ light. Mark and Bryan with the help of Gianluca Silvi spoke straight to our hearts that night. There was a great moment where the original guitarists of Battleroar (Kostas and Manolis) with violin player Alex and Mark on vocals performed “The Wanderer”. A night to remember… with great friends and lot of wine!


I was very busy that week… and I was expecting a special guest. A good friend, a great person and a unique singer, but this is Chapter II


Τετάρτη 26 Σεπτεμβρίου 2012

Up The Hammers Special Edition Chapter II

The countdown has begun...
for Up The Hammers Special Edition Chapter II at October 14, 2012, at Kyttaro Live Club (Ipeirou 48, Athens)

For this event, the might Manilla Road will perform a special 3 hours set, including the album "Open The Gates" in its entirety. 


Running order:
Doors open 18:00
Midnight Priest 18:15 – 18:50
War Dance 19:05 – 19:40
Etrusgrave 19:55 – 20:30
Dark Nightmare 20:45– 21:25
Manilla Road 21:45 - end


Ticket Price: 30 euro
Presale: Ticket House, No Remorse, Sirens Records



Up The Hammers organizer's announcement:
"Up The Hammers Festival, starting from October 14, will forbid the use of iPhones, Smartphones and any kind of cameras. We are not against technology but someone must make a move to stop the madness. You can enjoy the gig without posting on Facebook a video the second after you get out the venue. We need your support in that and respect our decision."



For those who are interested, visit HERE to preorder the festival t-shirt for a discounted Facebook presale for 12 euro instead of 15 euro at the festival. Make a post with the size required and your real name and get it at the festival. No need to pay in advance, just get what you ordered, but "attend" only if you really will be there to get your t-shirt.


Σάββατο 7 Απριλίου 2012

EVIL-LŸN INTERVIEW - The sound of battle cry in the night of delusions...


Evil-lÿn is definitely one of the best newcomers in the Heavy Metal world for this year. Hailing from Finland, their recent debut release is a mini CD entitled “The Night of Delusions” and after their stunning appearance in Up The Hammers festival in March 2, I had to interview the band and present it to you. So, have a sit, press HERE if you haven’t heard anything from Evil-lÿn yet, read the detailed interview with Anssi Salonen (guitars), Marko Niemi (bass), and Johanna Rutto (vocals), and then go and grab “The Night of Delusions”.

First of all, what does Evil-lÿn means?

Anssi: Haha, well, Evil-lÿn is a character in Masters of the Universe comics / cartoons / movie. An evil sorceress. I am huge fan of Masters of the Universe. At first it seemed weird to name the band after a female character, but then again names like Alice Cooper and Lizzy Borden work like charm.

Let’s go back in time. What’s the story of Evil-lÿn?

Anssi: Well, we started as a hard rock band. Me and Lasse have been in the band since the beginning. We played at the garage for a few years which were a bit problematic during winters. We also went through quite a many line-up changes. The nice part was that with each change we moved forward. Of course there were times when it felt like we were going nowhere, but you just have to keep your cool and work hard. With the current line up, things clicked right away.

-How old are the songs of “The Night Of Delusions” and when were they recorded? Do you have other compositions?

Anssi: 2-3 years old. We recorded the EP last summer (summer of 2011). Jani Niemelä, our drummer, did the engineering, recording, mixing and so on. We used outside help only for the mastering. Yes, we do have some other compositions and I think we will put one older song on the first full length; 13th Hour, the one that has been opening song of our shows.

You came in touch with Iron On Iron Records from Greece to release your first official album (a mini CD). Did you have any demo recordings before that and how did you come with this deal?

Marko: Yes, we did record a couple of songs back in 2009 with intent do create a demo and send it to record labels and gig promoters etc. But after all it didn't go as planned, since we were doing it ourselves without proper knowhow (and time) and we never finalized it properly. Things changed a lot when Jani joined the band in the beginning 2011. He is experienced and talented in recording, editing and mixing. This time we had better material so started to record five songs with a purpose to select three best fitting songs for demo. This time we put some raw versions of “Four Horsemen” and “Last of my Kind” into MySpace and our webpage. And instantly we got attention from some record labels. Iron On Iron wanted to release all five songs as MCD and we found them fitting for us, so selected them.

In March you played at Up The Hammers Festival in Athens. Which are your impressions from the festival?

Marko: It was awesome! It was so great to notice that even if the crowds didn't know our own music beforehand, they took us well. They were banging their heads, making a lot of noise and stage diving throughout the show. Excellent audience and excellent opportunity for us to play! We had the best time over there. People were so open, polite and helpful all the time and we got a lot of new friends out there. From the other bands, but from the crowd as well. Memory of that trip will stay in our metal hearts forever.

Anssi: Amazing festival and amazing audience! I really liked the atmosphere and the setting; small club in the middle of the city. For me it was probably the best festival experience besides my first visit to Keep It True. People at the UTH were very friendly and open minded, I made a lot of new friends, which is always nice!

Johanna: Up The Hammers was an amazing festival! It was our first gig outside of Finland, and I was really surprised how the audience was so involved. You won't see
that kind of energized audience in Finland so often. Best gig I've been this far!

I saw you guys with t-shirts from Sortilège, Stormwitch and Crimson Glory in your last concert. Which are your main influences?

Anssi: Hard to say, there's so many. Mercyful Fate and King Diamond have shaped this band a lot, but their influence might not be that audible anymore. Maiden and Running Wild are two pretty obvious, but there's so many. Some of the “Maiden-influences” actually come from vanadium etc. so there's a lot influences and they're mixed in mysterious ways. This is actually a topic of which I could speak for hours, but let's leave it here. If someone is interested I'm always happy to chat about this subject at festivals etc.

Marko: I think the main influences are still bands like Iron Maiden, Manilla Road, King Diamond/Mercyful Fate, Judas Priest and Running Wild. There is still a punch of other bands that we listen to. Even if I like to wear my Maiden/Trooper or Running Wild T-shirt, I sometimes like to put something else on.

Johanna: Our songs are mainly written by Marco and Anssi, so the influence in our music comes mostly through them. I think many of our fans can hear sounds of
Iron Maiden, Judas Priest and many others 80's heavy metal legends. Personally I can't name my influences particularly as a singer. I like to listen very extensively
Heavy Metal, and it does not really matter if it's singed by female singer or not. Strong voice and good spirit is the most important things for a vocalist and of course great charisma on stage. One great example of great female fronted bands is Finnish Battle Beast.

You step in the band in early 2011. Did you participate in another band before and how did you join Evil-lÿn?

Johanna: I've been singing in many projects over the years before I joined in Evil-lÿn, last of them was doom/sludge band called Slug Lord. I moved in Tampere in summer of 2010, and after a few months I talked with Lasse over the internet, and he told me that they are looking for a new singer for their band. After I told that I've singed in a few bands before I moved in Tampere, he asked me if I would come to their rehearsals and sing some of their songs, and of course I said yes! After rehearsals guys decided to take me for their new lead singer.

And that was a great choice! Which are you other memorable moments from your live shows until now?

Johanna: Most memorable gig this far is of course our show in Up The Hammers festival because of the things I listed before. But after that comes our gig in Metal Warning festival in Finland last autumn. We played on same stage with so many great bands. There were lots of energy and the audience was great. Our show was energetic, and we played our gig by full throttle, even though I had terrible sore throat. I was sick but it didn't matter, because the atmosphere was so amazing. I also like to remember our first bigger festival gig at Jalometalli festival in northern Finland last summer. There were also big names of metal like Sepultura, Sodom, Napalm Death, Oz, Evil Dead etc

Anssi: “Heavy Metal Angels” at UTH! Best moment ever. Each time someone in the audience is singing one of my songs is a memorable moment for me. Also the little things can be quite memorable; at one Finnish festival, Jalometalli, I was going to switch on my amp before our show, but the festival staff had already switched it on and also bought towels and water on stage. That was weird for a small band like us and as such was quite memorable; a little taste of the bigger circuits, haha.

Marko: Meeting guys from the bands, like for example Metalucifer, Pagan Altar, Oz and having fun with them is one side of the coin. And the other side is how audience has taken us. We have had memorable moments (before Up The Hammers) on stage for example in Jalometalli, Sauna Open Air festival after party last year, Metal Warning IV festival in Helsinki. Some other smaller shows where the crowds did go wild, maybe supporting Helvetets Port in Tampere last November needs to be mentioned. The rest of the shows have been fun as well, but these listed, have been the most memorable shows. But, Up The Hammers festival topped this list instantly and clearly. I still can't fully believe it happened for real, it was so awesome show and great journey to Greece in all!

How are things in Finland for Heavy Metal music? Does it get publicity in more mainstream or commercial media?

Marko: Heavy Metal is getting a lot of attention in Finland. Heavy Metal music is getting a lot of radio play, there are solid printed media for Heavy Metal and we have a lot of metal festivals if you consider the population of Finland. But we also have highest density of Heavy Metal bands in the world. It means one smaller band like us don't get much attention. But our direction is good at the moment, so I can't wait seeing our picture in the front cover of the Inferno magazine some day, haha...

Johanna: There're lots of metal bands in Finland, and that’s why it's pretty difficult to get publicity for that kind of music because of the oversupply. I could say that there is almost every day some kind of metal gig in some part of Finland, and more gigs at weekends in biggest cities. Most of the metal bands are playing death metal, thrash metal or other melancholic style metal, but there are not so much bands that play old school heavy metal, like we do. It's still pretty rare to hear metal in commercial media, although there are few exceptions. Anyway, Heavy Metal and its by-products are commonly acceptable. There're lots of heavy/rock oriented bars, clubs, record stores, clothing stores etc. so there's no any problems to find other metalheads in Finland.

Anssi: Well, the mainstream metal does get attention. It's a bit complicated; stuff like Nightwish is huge in Finland, even in the mainstream media and gets played in radio, supermarkets, wherever, but stuff like Crimson Glory doesn't. It's a shame. There are so many mainstream metal bands and so much exposure for mainstream metal that a lot of people don't feel the need to dig and find great bands on their own, that's why lot of classic underground bands don't have that great following in Finland although bands like Maiden can sell out stadiums! In a country with only 5 million people… That's crazy.

You have a new mini CD out and maybe it is early to speak for near future plans, but I saw the spark in your eyes, so which are your future plans?

Anssi: Oh yes, we have already set our sights on forthcoming full length. At the moment we are writing and rehearsing new material. I think we will soon start the pre-production; you know, do some demos, see what works and perhaps fix some bits and pieces. Hopefully we can start recording the actual full length this summer.

Marko: Our future plans contain a lot of new songs to be written and starting the recordings for the full length album during the summer 2012. Actually, we have already about 7-8 ready for the album. And both Anssi and I have some other unfinished new ideas that we haven't played with the band yet. So, stay tuned. We have a new release coming. Cannot say any dates yet but maybe the release will be out next winter.
We are taking some time off from live shows on purpose, in order to get that release out. But of course we are willing to do all the festival shows that we are offered, and especially those that are abroad. We have played a lot in Finland, but only once abroad. So, all the shows abroad are welcome. Some are on the plate already but I can't yet tell more about them. And on top of that, we have been discussing about signing a management deal with one European management company that seems to be willing to do a lot work for us to get us a bigger name. While I'm writing this we are just considering about the cons and pros, but it seems that there are no lines on cons side.
So yes, if you saw us hungry for more that is 100% true. We want to feel the same spirit like in Up The Hammers many more times in future. I think our UTH show was what playing in Heavy Metal band is supposed to be about, throw yourself fully in and get something in return from the audience! The best feelings ever... I need more of that adrenaline.

Johanna: We have made some new songs and I can't wait get to record them, and playing them live. We don't yet have precise schedule for the record sessions, but it starts probably in next summer. All five of us are much exited to make a new record, and we wish to get lots of gigs. Hopefully we get some of them in foreign countries also, because Up The Hammers festival showed us how great it could be.

Thank you guys, hope to see you again in Greece, soon.


Live photos by Mika Saloranta.





Evil-lÿn – The Night of Delusions

Iron On Iron Records (2012)

The last years there are lot of bands that return to more traditional heavy metal paths. Some of them return to the glorious days of New Wave Of British Heavy Metal and 80s metal, sounding like Tokyo Blade, early-Iron Maiden and other acts of that time, while others are playing like Mercyful Fate/King Diamond. Evil-Lÿn is definitely a band that respects these names and seems devoted to the real Heavy Metal sound, but they sound fresh and not just a replica of an old famous band. The vocals of Johanna are powerful and fit perfect to the music. They are far from all these boring operatic and symphonic female singers, and are closer to the likes of Leather Leone (Chastain) or Marta Gabriel (Crystal Viper). Apart from the vocals, the rhythm section is solid and works perfect but the element that takes you by storm, is the guitar riffs and solos. They are simply amazing. Just listen to songs like “Four Horsemen” and “Last of my Kind”. It seems that these guys have listen (and study) very well the music of early Iron Maiden, Judas Priest, King Diamond, Stormwitch, Running Wild and Omen. All the great aspects we love in Heavy Metal are here, with crystal clear production, very well constructed compositions, passion and inspiration.


 

Τρίτη 28 Φεβρουαρίου 2012

Up The Hammers Festival VII

Το ετήσιο ραντεβού για ένα εκ των σημαντικότερων και σπουδαιότερων Heavy Metal festival, έφτασε. H εβδομάδα – Up The Hammers ξεκινάει την Πέμπτη, 1η Μαρτίου, όπου θα προηγηθεί το warm-up του φεστιβάλ στο Κύτταρο (Ηπείρου 48 & Αχαρνών) και θα εμφανιστούν οι Finger Of Scorn (tribute μπάντα στους θρυλικούς Cirith Ungol), Released Anger, Wrathblade, Hardraw και ως special guests οι Shok Paris. Οι πόρτες ανοίγουν στις 19:30 και η είσοδος είναι 10€

Την επόμενη ημέρα, όλοι οι δρόμοι οδηγούν στο An Club (Σολωμού 13-15, Εξάρχεια). 
Εισητήρια υπάρχουν ακόμα διαθέσιμα, προς 30€ την ημέρα, στα καταστήματα: No Remorse (Γαμβέτα 4), Sirens Records (Νικηταρά 14) και Ticket House (Πανεπιστημού 42, εντός στοάς.


Το πρόγραμμα έχει οριστεί ως εξής

Παρασκευή, 02 Μαρτίου:
Οι πόρτες ανοίγουν στις 16:30
17:00 – 17:30 Witchcurse
17:45 – 18:20 Gae Bolga
18:35 – 19:15 Sorrows Path
19:30 – 20:10 Evil-lÿn
20:25 – 21:20 Holy Martyr
21:35 – 22:35 Pagan Altar
22:50 – 00:10 Shok Paris

Σαββατο, 03 Μαρτίου:
Οι πόρτες ανοίγουν στις 16:00
16:30 – 17:00 Lethal Saint
17:15 – 17:50 Serpent Saints
18:05 – 18:45 Axevyper
19:00 – 19:45 Valor
20:00 – 20:50 Metal Inquisitor
21:05 – 22:10 Cloven Hoof
22:25 – 23:35 Skyclad
23:50 – 00:35 Remember Lizzy  


Οι special guests Remember Lizzy είναι μια tribute μπάντα στους ένδοξους Thin Lizzy και θα παίξουν κομμάτια που μεγάλωσαν ολόκληρες γενιές μουσικόφιλων, ενώ οι Skyclad θα παρουσιάσουν ένα ειδικό setlist με κομμάτια από τα 4 πρώτα albums τους.

Στο χώρο του φεστιβάλ θα υπάρχει, όπως πάντα, merchandise του φεστιβάλ, των συγκροτημάτων και πολλά CDs, βινύλια για όλους τους ενδιαφερόμενους, ενώ στα πλαίσια του φεστιβάλ, θα κάνει πρεμιέρα το πολυαναμενώμενο full-length των Wrathblade και η παρθενική κυκλοφορία των Evil-lÿn.

ΕΔΩ θα βρείτε πληροφορίες για το νέο digital single των Shok Paris με τίτλο "Those Eyes"

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