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mandag 6. september 2010

Tor - Mighty Warrior/Taur, re della forza bruta



Italy, 1963

Directed by Antonio Leonviola

Cast:
Joe Robinson, Harry Baird, Bella Cortez, Alberto Cevenini, Antonio Leonviola, Carla Foscari, Thea Fleming, Janine Hendy, Claudia Capone, José Torres, Erminio Spalla



Having been positively surprised by the very enjoyable Thor and the Amazon Women, I felt strongly compelled to seek out its companion piece, Tor - Mighty Warrior, which was apparently made by director Antonio Leonviola at the same time with much of the same cast. Now, as it turns out, I've gone about watching the films in the wrong order as Tor - Mighty Warrior was actually the first one to be released (in late June 1963), while Thor and the Amazon Women came out shortly afterwards (in early August 1963). However, I don't think it matters much as the two films aren't directly related other than the fact that they both feature muscleman Thor (though this time the 'h' in his name is omitted from the English title) and his bumbling black sidekick Ubaratutu.


Thor and Ubaratutu are back for more!


The film kicks off with two pretty girls running joyfully through a meadow - picking flowers. They are attacked by a couple of bad guys in what looks like birdman costumes but, luckily, the girls are saved by the heroic intervention of a handsome young lad named Syros (Alberto Cevenini). The two girls, Illa (Thea Fleming) and Tuja (Claudia Capone), are revealed to be the daughters of the king of a village named Surapak. Syros is instantly smitten by the blonde and lovely Illa and because of his bravery, the king allows them to marry.


The brave Syros


The king's daughters


Ubaratutu (Harry Baird), Thor's big, muscular and very goofy black pal from Thor and the Amazon Women apparently lives in this village and he is given the task of fetching Thor (still played by Joe Robinson), so he can come and partake in the celebration of Syros and Illa's wedding. It just so happens that Thor already knows Syros, who was put out in the woods as an infant but was rescued and taken care of by none other than Thor. In any case, Thor and Ubaratutu head back to Surapak to attend the wedding but by the time they arrive, tragedy has struck. The king has been murdered and the others have been taken prisoner by a bloodthirsty, Inca-like enemy tribe named Kixos. Not surprisingly, Thor and Ubaratutu take it upon themselves to retrieve both Syros and the king's daughters.


Ubaratutu finds the king slaughtered


They manage to sneak unseen into Kixos territory and free Syros, who is kept in a huge cave along with hundreds of other captives. While exploring the giant cave, Thor and Syros discover a black woman named Afer, who is chained to the wall. Afer is played by Janine Hendy, who played the very sexy and wicked queen in Thor and the Amazon Women, but anyone hoping to see her play a similar role here is in for a huge disappointment because she looks far less attractive here - with grey hair and old-age make-up! Afer tells the men that 18 years ago, the king of Kixos died in battle and the evil grand priest El Kab (played by the film's director, Antonio Leonviola) had the queen murdered and the baby prince substituted with a baby girl named Akiba. After putting Akiba on the throne, El Kab hypnotized the girl and made her his will-less slave - thus tyrannically ruling the kingdom through her. Afer herself was given the task of murdering the baby prince but was unable to do such a horrible thing and instead left the child in the woods. For this insubordination she has been chained up in the cave ever since! No wonder she's looking old and haggard!

Anyway, Afer is stunned when she discovers a peculiar scar on Syros' chest. It just so happens that she carved a mark just like this into the baby prince's chest in order for him to be identified later on. So Syros is actually the old king's son and hence the rightful heir to the kingdom of Kixos! My my, what a nifty coincidence! Can you believe it? So now it's up to Thor to get Syros on the throne and put an end to the tyrannical rule of El Kab and Akiba.


Poor, old Afer!


Syros' rather peculiar scar


Now, about Akiba... She has now grown into quite a sexy woman - played by the pouty-lipped Cuban peplum star Bella Cortez. She's not a particularly nice girl, though. Just like the evil El Kab, she is very bloodthirsty and forces the female prisoners (including Illa and Tuja) to participate in gladiator training so they can fight each other to the death while the people of Kixos enjoy the spectacle. As you can probably tell, this part of the plot is pretty similar to Thor and the Amazon Women but the gladiator angle is featured less prominently this time around.


El Kab and Akiba


In the meantime, Thor and Syros hide among the other male prisoners while trying to plot a revolt. They are approached by the gorgeous Ararut (Carla Foscari), who is the trusted confidante of El Kab. Ararut is very attracted to Syros and tells him she sympathizes with their cause and wants to help them put an end to El Kab and Akiba's reign. That sounds fine and dandy now, doesn't it? But since the role of Ararut is played by the sexy and alluring Carla Foscari, who played the delightfully cruel Ghebelgor in Thor and the Amazon Women, it goes without saying that this chick isn't as nice as she seems. But, unfortunately, the alarm bells fail to go off for poor Syros, who obviously hasn't seen enough pepla to be able to separate the cunning bad girls from the fair-haired heroines. Hence, he foolishly tells Ararut that his great love Illa is one of the girls being trained for gladiator fighting. Wanting Syros for herself so she can become queen of Kixos, Ararut then schemes to make sure Illa is forced to partake in a fight to the death in the gladiator arena - against her sister Tuja!


Do not trust this babe!


All of this actually sounds pretty enjoyable but somehow Tor - Mighty Warrior never really becomes quite as entertaining as it ought to. In spite of some obvious similarities, the film has a very different feel from Thor and the Amazon Women. One of the most notable differences is that this time Thor has a much more prominent role and he actually gets to play the part of the hero instead of spending his screen-time recuperating in bed like he did in Amazon Women. Now, it's good that he actually serves a purpose, but at the same time it's problematic too. The main reason Amazon Women was so enjoyable was precisely because of its intriguing female gladiator plot and the focus on the strong female characters instead of the boring Thor. Now, Thor is admittedly more likeable this time around but, as played by Joe Robinson, he's still rather stiff and not a terribly engaging hero.

There's also the unfortunate matter of Thor's black sidekick Ubaratutu, who, just like in Amazon Women, is portrayed as unintelligent and clearly inferior to his white friend Thor, whom he repeatedly addresses as "master". But this time Ubaratutu isn't portrayed merely as a dim-witted fool but also as an easily scared coward. This, of course, gives way to a series of strained and unsuccessful attempts at comic relief - the worst instance being a scene where Thor and Ubaratutu are hiding from the evil guards and the sound of the frightened Ubaratutu's chattering teeth almost gives away their hiding place!


Ubaratutu's teeth chatter from fear


However, the real problem with Tor - Mighty Warrior is that it's a fairly generic entry in the peplum genre. Antonio Leonviola's direction feels workmanlike, which is surprising considering that his earlier peplum adventures, Mole Men Against the Son of Hercules and Atlas in the Land of the Cyclops (both 1961), are both engaging efforts. One of the main strengths of those films is that they are very unusual peplum entries with strong individual stamps that help them stand out among the endless crowd of similar flicks being churned out in the 1960s. Mighty Warrior, however, suffers under the lack of the distinctively bizarre details found in Leonviola's other films, and as a result, it remains the least of his peplum adventures. That said, the film still has its moments and it perks up as it goes along. It really gets enjoyable by the last third, when Leonviola throws in lots of cool action, such as a bound Thor fighting to stay alive on a conveyor belt heading towards a nasty rock crushing machine, sisters Illa and Tuja battling to the death while gagged and blind-folded so they don't recognize each other, a big revolt and a volcanic eruption. It's too bad the rest of the film isn't of the same caliber but the final 30 minutes are well worth sticking around for.


Highlight 1: Thor vs. the rock crusher



Highlight 2: Gagged and blind-folded gladiator battle


Another really nifty part that I thought was terrific is when El Kab and Akiba select a couple of strong men to fight to the death. The losers are obviously killed by their opponents, but the really great twist here is that instead of getting a nice reward, the victors end up suffering a far more horrible fate: they are boiled to death in cauldrons looking like giant beer mugs! Yikes! Didn't see that one coming!


Crappiest reward for winning ever!


Just like Thor and the Amazon Women, many scenes were shot on location in the Postojna caves in Slovenia but this time more money seems to have gone into the making of the film - as evidenced by higher production values, lots and lots of extras and some nifty miniature effects. All of which work to the film's advantage, of course.



Some quite nice-looking production values


As for the actors, not all of them are put to good use. Joe Robinson is too stiff as Thor, while Harry Baird simply embarrasses himself as Ubaratutu - again! Janine Hendy is completely wasted as she spends most of her short screen-time chained up and in old-age make-up, and Alberto Cevenini, though not bad, is given little to do in the role of Syros. I like the fact that director Antonio Leonviola cast himself as the evil El Kab, and while he's somewhat of an over-actor, he seems to have had a lot of fun.


Why pay a professional actor to play the villain when you can have a great time doing it yourself?


The only ones given any real opportunity to shine, however, are the villainesses. The voluptuous Bella Cortez (dubbed into English by Carolynn De Fonseca - in typically bitchy fashion) is stunning to look at and she nails the part of the wicked queen Akiba. However, Akiba isn't technically one of the bad guys. She's not really to blame for any of her wrongdoings since she's been turned into a will-less slave by El Kab's magical powers. But in a rather hilarious twist, the good guys completely fail to take this into account when they enact their revenge upon her! Or maybe they just forgot? Oops! Poor Akiba! Oh well...

In any case, the true standout is - like in Thor and the Amazon Women - the mesmerizing Carla Foscari, who steals every scene she's in as the cunniving and sexy Ararut. She reminds me of Rosalba Neri in many ways and really ought to have enjoyed a longer-running movie career than she did!

Overall, Tor - Mighty Warrior does not compare favorably to Thor and the Amazon Women but if you liked the latter, you'll probably want to check this one out as well. It does have some cool moments - particularly in its last third - and a couple of very appealing actresses, so give it a chance.



© 2010 Johan Melle




The cast:



Joe Robinson as Thor


Harry Baird as Ubaratutu


Bella Cortez as Akiba


Alberto Cevenini as Syros


Antonio Leonviola as El Kab


Carla Foscari as Ararut


Thea Fleming as Illa


Janine Hendy as Afer


Claudia Capone as Tuja


José Torres as Thorak


Erminio Spalla as King of Surapak

søndag 5. september 2010

Thor and the Amazon Women/Le gladiatrici



Italy, 1963

Directed by Antonio Leonviola

Cast:
Susy Andersen, Carla Foscari, Joe Robinson, Harry Baird, Janine Hendy, Maria Fiore, Claudia Capone



A while back I bought a DVD set called the Warriors 50 Movie Pack, which consists of a whooping 50 Italian peplum movies from the 1960s. It's currently selling for $26.99 on Amazon, which means you're getting 50 films for roughly $0.5 each. Sounds like a great deal but, unfortunately, most of the films are given horrible presentations – having been culled largely from cropped, battered and washed-out TV prints. In fact, the majority of the prints are practically unwatchable. There are, however, a few exceptions, and one of those is the 1963 film Thor and the Amazon Women, which not only has one of the better transfers in the set - it's also a very enjoyable little flick.

Unlike most of the other films in the DVD set, this one doesn't play out in ancient Rome. Instead it is set in a kingdom ruled by a tribe of bloodthirsty women who have enslaved all the men - keeping them as caged prisoners and forcing them to work in a mine. The evil black queen (Janine Hendy) is a particularly nasty number who takes great pleasure in the pain and suffering of others.

One day, however, a laughable-looking sibyl with green-ish skin and white hair foretells that a brave and powerful man will defeat the queen's all-woman army and overthrow her. This brave man would seem to be kind strongman Thor (Joe Robinson), whose strength and heroic deeds the oppressive women have caught wind of.


The sibyl makes a predicament...


...and it's not to the queen's liking!


Naturally, the queen is none too keen on the prospect of being overthrown, so she sends out her troops to capture Thor and thereby prevent the sibyl's prophecy from being fulfilled. The queen's female army, led by the shapely captain-general Yamad (Maria Fiore), soon succeed in finding Thor and confront him in an unintentionally sidesplitting scene where Yamad matter-of-factly announces: “We have come to capture you, Thor. You must come with us!” Unsurprisingly, Thor refuses, and when the women attempt to seize him he starts backing away while shouting: “Stand back! Don't move! I do not fight against women!” Hilariously, Thor's English-dubbed voice sounds terribly wimpy here - making the supposedly heroic strongman come across like a big coward. Anyway, Thor keeps backing away from the women till he ends up falling off a cliff! Fortunately for him, he is carried to safety by his muscular black sidekick Ubaratutu (Harry Baird), who hides them in a cave.


Thor and Ubaratutu


Thor the wimp


Yamad and her army don't have to leave empty-handed, however, as they come across the beautiful, blonde Tamar (Susy Andersen) and her annoying little kid brother Homolke, and decide to take them prisoners instead. We quickly learn that Homolke and Tamar aren't just simple village folk. No, their father was actually the king of the kingdom that is now ruled by the merciless black queen. She had the entire royal family massacred so she could take over but Tamar and Homolke were able to escape and have been living quietly in exile among a friendly village people ever since. All of this is revealed to us through some terrible expository dialogue in which Tamar actually tells her little brother the whole story about how the two of them escaped when the rest of their family was slaughtered. As if Homolke - who, after all, witnessed all of this together with Tamar - wouldn't already know!


Tamar and Homolke


Luckily for the royal siblings, though, their captors have no idea of their real identity but they are quickly separated. Homolke is put with the rest of the captive males, while Tamar is put in gladiator training. Apparently, all female prisoners must become gladiators and fight to the death in the arena for the enjoyment of the queen and her women. Tamar is given 21 metals bands to wear on one arm - representing the amount of gladiator battles she must fight and survive before she will have earned her freedom. For each battle she wins, one band will be removed. So far, however, not a single one of the gladiator women have managed to win their freedom but there is one who is very, very close: the wicked Ghebelgor (Carla Foscari), who only has two bands left on her arm.


The perils of gladiator training


Evil, sexy Ghebelgor is willing to do whatever it takes to lose those last two bands...


But where is our big hero Thor in the midst of all this? Oh, he actually spends most of the film bed-ridden in the cave, where he recuperates from his fall down the cliff! Some hero, huh? If anything, Thor is more a supporting character than any sort of hero. Eventually, he does get back on his feet and helps the gladiator women to revolt but he takes a definite backseat to the film's strong, sexy ladies. And that's not a bad thing! On the contrary, keeping the focus on the women is one of the main strengths. Gladiator movies were popular at the time, thanks to big Hollywood spectacles like Spartacus (1960) and Barabbas (1962), but this film manages to stand out in the crowd thanks to the gladiators being female. Sure enough, this wasn't the first Italian film to portray domineering women who live in a society free of men - an earlier example includes Colossus and the Amazon Queen (1960) but that was a pretty toothless affair leaning more towards comedy. Furthermore, Thor and the Amazon Women notably pre-dates the somewhat similar but far more well-known Italian female gladiator flick The Arena (1973) - starring Pam Grier and Margaret Markov - by 10 years.

All the gladiator-related stuff in the film is really cool and well-made. The fights are impressively executed and are far more brutal than you'd expect from a 1963 movie. Furthermore, Tamar is a likeable central character who is easy to root for. The growing tension between her and the villainous Ghebelgor is very well-handled, and their inevitable face-off in the gladiator arena is one of the film's highlights.




Some surprising bits of gladiator violence


From a visual point of view, it's obvious that director Antonio Leonviola had a limited budget to work with, which is no doubt because he shot this back-to-back with the similar Tor - Mighty Warrior, which features much of the same cast. Most of the money seems to have gone into this companion film, and hence Leonviola had to perform a couple of cost-cutting maneuvers on Amazon Women. The most obvious example of this is a scene early in the film where a woman tells the queen of one of Thor's heroic feats, and her speech is accompanied by footage of Thor wrestling with a gorilla inside a cage. This footage is actually lifted from Leonviola's earlier peplum adventure, the wonderful Mole Men Against the Son of Hercules (1961) with Mark Forest. So, naturally, it's Forest we see wrestling the silly-looking gorilla, and NOT Joe Robinson - a fact that is painfully obvious!


Recycled gorilla wrestling


Much of the film was shot on location in the famous Postojna caves in Slovenia, and this adds a certain atmosphere and partly makes up for the budgetary restrictions. However, it was obviously very cold in the caves as there are many scenes where we can see frost breath coming from the mouths of the scantly dressed actresses.


The Postojna caves


While the film's original Italian title Le gladiatici - i.e. the gladiatrices - is in keeping with the film's themes, the misleading English title is certainly not. 'Thor and the Amazon Women' makes you think this is going to be a film about Thor - when in fact he's a supporting character at best. Whenever he is on-screen, all he seems to do is recuperate in bed or goof around with his black sidekick, Ubaratutu, who is supposed to provide comic relief by behaving like a clumsy fool. Ubaratutu is portrayed as highly unintelligent and clearly inferior to his white pal Thor, whom he addresses as "master". Black actor Paul Wynter had previously played a similar character in Leonviola’s Mole Men Against the Son of Hercules, so it seems that this type of stereotypical portrayal of blacks is a common trait in Leonviola’s films. One can’t help but feel bad for Harry Baird, who plays Ubaratutu. This handsome-looking, muscular guy should have been given something better to do than to embarrass himself as the bumbling, unintelligent sidekick.


Ubaratutu in all his glory


To me, the only interesting thing about Thor and Ubaratutu is their strange, homoerotically charged relationship. This is said about lots of pepla and most of the time it’s a case of people reading way too much into the Italian way of male bonding. In this film, however, the gay vibes are unusually strong - with Ubaratutu intimately sucking poison out of Thor's leg and gently nursing him back to health. And it doesn't exactly help that Thor shows a surprising disinterest not only in leading lady Tamar but actually in all of the women in the film. Yeah yeah, I know I'm reading way too much into this but I had to try and find something interesting about the Thor character and there really wasn't much else! To me, the fact that the homoerotic vibes are most likely unintentional just makes it funnier.


One of many awkward moments between Thor and Ubaratutu


But, fortunately, it doesn’t matter much that Thor is a bore because the sexy female cast more than make up for this by livening up the screen with their presence. Blonde, statuesque Susy Andersen is best remembered for her starring role in the 'Wurdalak' segment from Mario Bava's anthology horror film Black Sabbath (1963), and she makes Tamar a strong, sexy and likeable heroine who is considerably tougher than your average peplum heroine. Then there are the wicked villainesses, whose delightful bitchiness adds volumes to the film's camp entertainment. The gorgeous Janine Hendy is great as the evil black queen who rules the all-white village with violence, while her black superiority is symbolically demonstrated by her carrying around a little white cat. You gotta love this kind of charming bluntness!

But my absolute favorite of the lot is the diabolical Ghebelgor, who is a really amazing piece of work. Curvy, raven-haired Carla Foscari plays the part with real gusto and clearly relishes the opportunity to play a character that is so wonderfully ruthless. Her huge grin when she is given the task of executing a girl who refused to kill her gladiatorial opponent is priceless.



Tamar and Ghebelgor battle it out


It’s really interesting to see how nearly all the women are depicted as strong and independent. These gals are definitely are far cry from the helpless damsels in distress we see in most pepla. That said, this is not in any way a feminist action flick. Far from it! If anything, writer-director Leonviola seems to want to show us the horror of how society would be if ruled by women. His view on a woman's real place in society is clearly demonstrated through some outrageously non-PC dialogue by the captain-general Yamad, who rebels against the female rulers because, as she herself puts it: "a woman cannot deprive herself of every human sentiment in the name of a superiority that nature never meant to assign to them!" Leonviola clearly shares her views, and while this is a horribly offensive attitude, I couldn't help but find it endearingly amusing. They just don't make films with a message like that anymore!

Some viewers will no doubt be put off by the film's attitude towards blacks and women, and while I do not support such views, I think it's important to remember that this is just an obscure Italian action film from the early 1960s. When looked at through nostalgic glasses, its non-PC attitudes are actually more humorous than offensive. Plus there is so much else to love! The gladiator stuff is amazing and the strong female characters are really cool. The only reason I'm not giving Thor and the Amazon Women a top recommendation is due to the tired and unnecessary scenes involving Thor. Still, the rest of the film is surprisingly well-made and definitely worth checking out!



© 2010 Johan Melle




The cast:


Susy Andersen as Tamar


Carla Foscari as Ghebelgor


Joe Robinson as Thor


Harry Baird as Ubaratutu


Janine Hendy as The Queen


Maria Fiore as Yamad


Claudia Capone as Agarit


??? as Homolke


??? as The sibyl