. Adventure-Equation .: November 2012

Wednesday, November 28, 2012

Sun Ra - Live in Storyville / Unity (1978)

In May of last year, B13 released this phenomenal 2-LP set - a reissue of the beloved Sun Ra live album, Unity. This 2011 reissue/repackaging of the HORO LP, Unity, has been available for purchase as single LPs and as a two record set. Each red vinyl LP is packaged in a clear poly-vinyl sleeve with a clear poly-vinyl insert listing the performers and tracks. At the bottom of the insert are two words in Russian (?) followed by "-Licensed by Alfa/RVI. Tokyo - Ltd edition 500 copies" On the shipping sleeve there are two small stickers, one with the bar code and "B135 LP" ("B136 LP") and the second reading "Made in Germany"

"Variety Studio Improvisation (Sun Ra)"
does not appear on the HORO release.

Red vinyl in clear plastic sleeve with black lettering (limited edition 500 copies). Quite simply one of Sun Ra's best live albums. This rare recording finds Ra, along with a 19-piece Arkestra, playing a mix of his own compositions ("Images" and "Lights") along with several jazz standards (including Jelly Roll Morton's "King Porter Stomp" and Duke Ellington's "Lightnin'"). While Ra's own compositions were usually more avant-garde affairs, he always revelled in playing the classics as well in an effort to give his audience a lesson in jazz history.

Unity was released on the small Italian independent Horo label but unlike the other Horo releases New Steps and Other Voices, Other Blues, Sun Ra Quartet offerings which were performed and recorded in Italy, Unity was recorded in NYC & Paris and features the full Arkestra absolutely burning through a set of standards sprinkled with a few Ra originals. The recording is great and the performances are outstanding. Play this one LOUD every chance you get!

A live recording of a joyously swinging concert, this record finds Ra entering the final phase of his career, where he mixed his outer space/ancient Egypt inspired free jazz with the big band swing of his youth. It's a tribute to both Ra and the band that they were able to reconcile these two diametrically opposed types of music and make them work so well. Some of Ra's most steadfast sidemen are in attendance here like the saxophonists Marshall Allen and John Gilmore, along with some new additions like Michael Ray on trumpet and Craig Harris on trombone. Quite a bit of the material presented here would make for stumping "blindfold test" material, particularly when the band almost raises the roof on righteously swinging versions of Fletcher Henderson's "Yeah Man!" or the Jelly Roll Morton classic "King Porter Stomp." The group pretty much runs through the history of jazz moving from swing to bop on Tadd Dameron's "Lady Bird" and post-bop, checking in with Miles Davis's "Half Nelson" and a very Coltrane-ian run through of "My Favorite Things." [not so Coltrane-ian in my opinion - This Ra-Gilmore take really swings - yotte]. It's only at the end of the concert that they leave Earth orbit with fine versions of legendary Sun Ra tunes "The Satellites are Spinning" and "Enlightenment." This one might be a bit of a bear to track down, and I'm not sure if it's still in print or not, but it is well worth the effort. This edition of the Arkestra was rock solid, and like fellow polymaths Jaki Byard and Rahsaan Roland Kirk, they had the entirety of jazz at their fingertips.

from Music and More

Live at the Storyville, NYC. The Arkestra's best live album. Loaded with standards. Incredible musicianship.

AMG review by Michael G. Nastos

Horo HDP 19-20, a 2-LP set titled Unity, was released in 1978. All tracks also appeared on Japanese RCA RVI 9003/9004 in 1979. All information (except for the provenance of two tracks recorded in August 1976 at Châteauvallon--session 235) is taken from the record jacket. Some titles were unduly abbreviated there (corrections are provided in brackets). Tommy Hunter recorded these live sessions.

257. [210] Sun Ra Arkestra

Unity

Sun Ra (org, Rocksichord); Michael Ray (tp); Ahmed Abdullah (tp); Akh Tal Ebah (tp, voc); Craig Harris (tb); Charles Stephens (tb); Vincent Chancey (Fr hn); Emmett McDonald (bass horn); Marshall Allen (as, ob, fl, perc); Danny Davis (as, fl, perc); John Gilmore (ts, cl, timb, voc); Danny Ray Thompson (bars, fl, perc); Eloe Omoe (bcl, fl, perc); James Jacson (fl, bsn, Inf-d); Richard "Radu" Williams (b); Thomas Hunter (d); Luqman Ali (d); Atakatune (cga, perc); Eddie Thomas (perc, voc); June Tyson (voc).

Storyville, NYC,
October 24 and 29, 1977

235. [202] Sun Ra Arkestra

Sun Ra (p, solar org, Mini-Moog syn, Rocksichord); Ahmed Abdullah [Leroy Bland] (tp); Chris Capers (tp); Al Evans (flg); Craig Harris (tb); Vincent Chancey (Fr hn); Reggie Hudgins (ss); Marshall Allen (as, fl, ob, kora, perc); Danny Davis (as, fl, perc); John Gilmore (ts, cl, timb); Pat Patrick (bars, fl, perc); Danny Ray Thompson (bars, fl, perc); Eloe Omoe (bcl, fl, perc); James Jacson (bsn, fl, Inf-d); Tony [R. Anthony] Bunn (eb); Hayes Burnett (b); Clifford Jarvis (d); Larry Bright (d); Stanley Morgan [Atakatune] (cga); June Tyson (voc); Judith Holton (dance); Cheryl Banks (dance); poss. Rhonda Patrick (dance).

Châteauvallon, France, August 24, 1976

Although nothing is said on the jacket, "Rose Room" and "The Satellites are Spinning" (title abbreviated to "The Satellites") were released in 1978 on Horo HDP 19-20, Unity; this album also appeared on Japanese RCA RVI9003/9004. ct has documented the origin of these two tracks with an A/B test of the audience tape and the LP.

from Campbell / Trent The Earthly Recordings 2nd ed.

Sun Ra Arkestra

Live at Storyville in NYC 24th October 1977

B13 presents

B135 (2011) Ltd edition 500 copies

pressed on red vinyl

1. A1 Yesterdays (Kern/Harbach) 5:36

2. A2 Lightning (Duke Ellington) 2:45

3. A3 How Am I To Know (King/Parker/Robbins) 9:29

4. A4 Penthouse Serenade (Jason/Burton) 4:14

5. B1 Lights (Sun Ra) 5:45

6. B2 Yeah Man (Sissle/Henderson) 2:43

7. B3 King Porter Stomp (Jerry Roll Morton) 3:40

8. B4 Images (Sun Ra) 10:29

-FLAC-

-320-

Sun Ra Arkestra

Live at Storyville in NYC 29th October 1977

B136 (2011) Ltd edition 500 copies

pressed on red vinyl

1. A1 Lady Bird / Half Nelson (Dameron/Davis) 8:38

2. A2 Halloween in Harlem (Sun Ra) 6:07

3. A3 My Favorite Things (Rodgers/Hammerstein) 6:07

4. A4 Enlight[en]ment (Dotson/Ra) 2:16

5. B1 The Satellites (Sun Ra) 7:16

6. B2 Rose Room (Hickman/Williams) 9:27

7. B3 Variety Studio Improvisation (Sun Ra) 7:06

-FLAC-

-320-

Sun Ra Arkestra
Unity
HORO HDP 19-20 [CD]

1. Yesterdays   5:50
2. Lightnin'   2:53
3. How Am I To Know?   9:32
4. Lights [On A Satellite]   5:50
5. Yeah Man   3:21
6. King Porter Stomp   3:49
7. Images   10:29
8. Penthouse Serenade   4:22
9. Lady Bird-Half Nelson   8:38
10. Halloween [In Harlem]   6:12
11. My Favorite Things   5:24
12. The Satellites [Are Spinning]   7:17
13. Rose Room   9:19
14. Enlight[en]ment   2:26

I collected this album from the web a few years ago and unfortunately have no recollection of where I found it. Many thanks to the original uploader.

-FLAC-

RS1 + RS2

HF1 + HF2

-320-

Saturday, November 24, 2012

Sun Ra - Out There a Minute (1989)

In today’s instantaneous-information and media-saturated age, it might be difficult to imagine what a revelation it was when Out There a Minute appeared in 1989. Billed as “Sun Ra’s personal selection of rare Arkestra recordings from the late 1960s,” this CD allowed a glimpse into the darkest recesses of Ra’s most obscure period. But in typical Saturnal fashion, the packaging was devoid of liner notes beyond some cryptic Ra poetry leaving any definitive information as to dates and personnel merely inferred or totally unknown. That is until the efforts of Prof. Robert L. Campbell to compile a definitive Sun Ra discography began to circulate on the nascent internet. Thanks to Prof. Campbell (and the small but avid cyber-community of Ra fanatics), one could in the coming years finally piece together the murky history of Sun Ra’s Arkestra and gain an understanding of the material that appears on Out There a Minute. The Earthly Recordings of Sun Ra was subsequently published by Cadence Jazz Books in 1994 and a greatly enlarged second edition (which I still need to purchase) was published in 2000.

So, it turns out that Out There a Minute contains several tracks that were later issued on CD in their proper album context on Art Forms of Dimensions Tomorrow, When Angels Speak of Love (Evidence ECD 22216), and Night of the Purple Moon (Atavistic ALP 264) along with two tracks from the still-out-of-print Continuation LP from 1968. I will not consider any of these tracks here except to say that Atavistic needs to reissue Continuation pronto. The remainder of the CD consists of never released recordings, some of which derive from the Choreographer’s Workshop era and therefore fits chronologically into our discussion of these crucial early/mid-sixties sessions.

“Somewhere in Space,” “Dark Clouds with Silver Linings,” and “Journey Outward” were all recorded in 1962 and demonstrate Ra’s evolution from the more swing-based traditionalism of the Chicago era to the experimental, avant-garde music that first appeared on Art Forms of Dimensions Tomorrow and was perfected on Secrets of the Sun. “Somewhere in Space” is a lumbering two-chord march featuring Art Jenkins on “space voice,” actually wordless, improvisatory singing through an inverted ram’s horn (see Szwed pp.192-193 for the whole story). After a while, the horns enter with a simple, but affecting batch of riffs before each picking up small percussion instruments in support of a string of rather meandering solos: Pat Patrick on baritone saxophone, John Gilmore on tenor, Marshall Allen on flute. “Dark Clouds With Silver Linings” is a more conventional Ra original with a mid-tempo blues structure but with some typically unexpected harmonic twists. Gilmore states the melody and his tenor solos glide effortlessly through the weirdly bop-ish changes. Meanwhile, Ra explores some interesting two-handed counterpoint along with his stabbed comping. The ensemble sounds a little unsure of itself when it enters with the restatement of the theme, which yields some mild inadvertent dissonance before the close. “Journey Outwards” appears to be another early example of the conducted improvisations that would characterize this period’s most important work. It opens with Gilmore on mellifluous bass clarinet over softly mumbling drums. Then Gilmore drops out as the percussion builds into a polyrhythmic African groove. Al Evans enters with some mellow, richly melodic flugelhorn statements and Ra joins in with some angular piano figures before fading out. Very nice.

The title track, “Out There a Minute,” remains somewhat of a discographical mystery. According to Prof. Campbell, it could have been recorded at any time between 1962 and 1964, but to my ears it sounds very similar to the hissy, distant quality and subtly swinging combo feel of 1961’s Bad & Beautiful. In any event, it’s another patented off-kilter blues with some slippery piano work from Ra and a spirited Patrick solo on baritone saxophone. “Other Worlds” jumps ahead to the Magic City (Evidence ECD 22069) sessions of spring 1965, with a larger Arkestra and more aggressively avant-garde approach, but probably not recorded at the Choreographer’s Workshop (for one thing, it’s in stereo). Ra plays a quietly intense introduction on simultaneous piano and bell-like celeste before the Arkestra bursts in with a hard-driving atonal workout. Throughout the piece, Ra’s piano attack is every bit as ferocious as Cecil Taylor’s and the entire 11-piece Arkestra blows hot and heavy, tossing lines around with seemingly wild abandon. But repeated listens reveal a tightly controlled compositional integrity that packs the whollop of John Coltrane’s “Ascension” into a mere four minutes and forty-eight seconds. Incredible stuff. “Jazz and Romantic Sounds” probably dates from about 1969 given Ra’s electronic organ. Also, Gilmore is notably absent, but Marshall Allen and Danny Davis duke it out on alto saxophones while Ra conjures up the “space-age barbeque music” vibe similar to My Brother the Wind Vol. 2.

These never-before-released tracks make Out There a Minute a must-have proposition for the hardcore Sun Ra fan while the whole disc is full of prime cuts and a suitable introduction for the novice. Sadly, the CD is now out print although its widespread distribution means it’s readily available in the secondary market and well worth the effort to track it down. Essential.

Read the entire review at NuVoid's Sun Ra Sundays

77. [66] Mr. Sun Ra and his Arkestra

Bad and Beautiful /
Art Forms of Dimensions Tomorrow

Sun Ra (p.); Marshall Allen (fl -1, perc -2); John Gilmore (ts -3, perc -4); Pat Patrick (bars -5, perc -6); Ronnie Boykins (b); John Ore (b -7); Tommy Hunter (d).

Choreographers Workshop, NYC,
November-December 1961

unidentified title 2, 3, 5 [inc]
unidentified title [p, b; inc]
The Bad and the Beautiful
(Previn-Raksin) 1, 3, 5
Ankh (Ra) 3,5
Just in Time (Styne-Comden-Green) 3
Search Light Blues (Ra) 2, 3, 6
Exotic Two (Ra) 2, 4, 6
On the Blue Side (Ra) 5
And This Is My Beloved
(Borodin-Wright-Forrest) 1, 3, 5
Lights on a Satellite (Ra) 3, 5, 7
Kosmos in Blue (Ra) 3, 7

Although all but the last two tracks were sold to Black Lion in December 1971, they were never issued on that label. Saturn LP 532, Bad and Beautiful, was released in 1972. All tracks were reissued on Impulse ASD-9276 in 1974 and on Evidence 22038 [CD] in 1992. Julian Vein (the source for the track-by-track breakdowns) points out that the piano introduction to "The Bad and the Beautiful" has been edited out of all issues. This was done in early 1972 by Richard Wilkinson while preparing the tape for issue on Saturn: "I took out the intro because the tape was frayed. Sun Ra complained for years."

The last two tracks were first issued in 1965 on Saturn LP 9956, Art Forms of Dimensions Tomorrow, on which the band was billed as "Sun Ra and his Solar Arkestra." This LP was given the catalog number 404 in 1967. The same two tracks were reissued in 1989 on Blast First BFFP 42 [LP and CD] in Britain, on Restless 71427 [CD], and on Torso 31332 [LP] in the Netherlands. All tracks from the Saturn album were reissued in 1992 on Evidence 22036 [CD]. "Kosmos in Blue" was abridged on the Saturn release; uncut on Blast First (where it is retitled "Starships and Solar Boats") and Evidence.

Date and location from Phil Schaap. The Choreographers Workshop, managed by the Variety Arts Company, was located at 414 West 51st Street in New York City. After their arrival in New York, the Arkestra hooked up with Pat Patrick and drummer Tommy Hunter, who was working at the Workshop at the time. The Arkestra used the practice rooms on the nights and weekends for three years or more (until they moved all their rehearsals to a room at the Sun Studio on East 3rd Street). John Gilmore has stated that the sessions at the Workshop began after the Savoy session; Tommy Hunter (who recorded the sessions) confirms 1961 as the date and says that he was present on the tracks with two bassists (not C. Scoby Stroman as stated on the Saturn jacket). These sessions were made in a room on the third or fourth floor, where the acoustics and the piano were not to Ra's liking.

90. [78] Sun Ra and his Arkestra

Out There a Minute

Sun Ra (p.); Marshall Allen (as, fl, perc); John Gilmore (ts, perc); Pat Patrick (bars, fl, perc); Ronnie Boykins (b); C. Scoby Stroman (d); Art Jenkins (space voice, perc); Tommy Hunter (perc).

Choreographers Workshop, NYC, 1962

Somewhere in Space (Ra)

Stylistically, this track dates from the same period as Secrets of the Sun. It may even have come from the same session as "Solar Differentials."

91. [79] Sun Ra (p.); John Gilmore (ts); Marshall Allen (as); Pat Patrick (bars); Ronnie Boykins (b); C. Scoby Stroman or Tommy Hunter (d).

Choreographers Workshop, NYC, 1962

Dark Clouds with Silver Linings (Ra)

92. [80] Sun Ra (p.); Al Evans (flg); John Gilmore (bcl); Marshall Allen (mor); prob. Pat Patrick ((bgo); prob. Ronnie Boykins (perc); prob. Tommy Hunter (perc).

Choreographers Workshop, NYC, 1962

Journey Outward (Ra)

93. [81] Sun Ra (p.); Marshall Allen (as, fl); Danny Davis (as, fl); John Gilmore (ts); Pat Patrick (bars); Ronnie Boykins (b, announcement); Clifford Jarvis (d).

Choreographers Workshop, NYC,
late 1962 to early 1964

Out There a Minute (Ra)

These tracks were first issued in 1989 in Britain on Blast First BFFP 42 [LP and CD], Out There a Minute. Also on Restless 71427 [CD] in the U.S. and Torso 33132 in the Netherlands.

"Out There a Minute" was also included on a 7" EP Blast First sampler that was packaged with an issue of Chemical Imbalance magazine, and in Blast First BFDJ1-10, a collection of 10 7" 45-rpm singles released in October 1989 and titled Devil's Jukebox. In this singles collection "Out There a Minute" is on the A side of BFDJ7; the B side is "Third Movement" by Glenn Branca. Other titles in this set by Head of David, Dinosaur Jr., Band of Susans, The Butthole Surfers, etc. (thanks to Henry Weld for this information). In 1996, "Out There a Minute" was included in a special CD that collected past offerings from Chemical Imbalance.

Digital samples from the performances on Out There a Minute were used on Blast First BFFP 105, an anthology CD sold by mail order only through Wire magazine in 1994. The title was Deconstruct, and the CD was advertised as "The Blast First back catalogue folded, spindled and mutilated by Christian Marclay, Disco Inferno, Poss/Stenger, Stock, Hausen & Walkman, Bruce Gilbert, Philip Jeck, John Oswald [the last being the impresario of Plunderphonics]." Thanks to ct. for information.

108. [94] Sun Ra (p.); Walter Miller (tp); Marshall Allen (as, perc); Danny Davis (as, perc); John Gilmore (ts -1, perc); Pat Patrick (bars); Robert Cummings (bcl -1); Ronnie Boykins (b); Tommy Hunter (perc, reverb -1, 3).

Choreographers Workshop, NYC, 1963

When Angels Speak of Love (Ra)
Next Stop Mars (Ra) [ens voc] -1

Saturn LP 1966, When Angels Speak of Love, was released (in mono) in 1966. All known copies have a red portrait of Sun Ra pulled sideways in a copier to create streaks. The first edition had this portrait on a gold cover, and a black liner with notes by Natel Juni and a personnel list (thanks to Gilbert Hsiao and Len Bukowski for information on this edition). The second edition used the same portrait on a white cover but left the back blank. A cover with a black ameboid figure was advertised in the 1967 Saturn catalog, but no copies with this jacket have yet turned up. All copies of the album have the red Saturn label, which supports the 1966 release date. In 1967 the album was given the catalog number 405. It is not known how many Saturn LPs were pressed, but two lots of 75, for a total of 150, is a good guess. In 1971 the master tape for at least one side of this album was sold to Black Lion, but it was never issued by that label (according to Julian Vein). At least side B was originally recorded in stereo.

The two tracks from the second session were reissued (in stereo) on Blast First BFFP 42 [CD] and Restless 71427 [CD] in 1989. The last 4:40 of "Next Stop Mars" has been edited out on these reissues; Blast First BFFP 42 [LP] and Torso 33132 include only "When Angels Speak of Love."

115. [102] Sun Ra and his Solar Arkestra

Sun Ra (p, e-celeste, bass marimba, tymp -1, sun harp, dragon drum -2, 3); Teddy Nance (tb); Bernard Pettaway (btb); Marshall Allen (as, picc, perc); Danny Davis (as -1, 3); John Gilmore (ts -1, perc -2, 3); Pat Patrick (bars -1; tymp -2); Robert Cummings (bcl -1; perc -2, 3); Ronnie Boykins (b); Jimmy Johnson (d).

New York City, April-May 1965

The Shadow World (Ra) -1
Other Worlds (Ra) -1
Abstract Eye (Ra) -2
Abstract "I" (Ra) -3

Three of these tracks were originally issued on Side B of Saturn LPB 711, The Magic City, in 1966. In 1967 it was given the catalog number 403. Later issues on Thoth Intergalactic LPB 711 (black label, c. 1969) and El Saturn LP 403 (1970s). All titles reissued in 1973 on Impulse AS-9243 and on Evidence 22069 [CD] in 1993.

According to James Jacson, "The Shadow World," "Abstract Eye" and "Abstract 'I'" were recorded at Olatunji's loft in New York City. However, the Evidence reissue reveals that "The Shadow World" was recorded in mono and the two "Abstracts" in stereo, suggesting at least two different sessions. A 12" pressing from Variety Recording Services has recently come to light. According to John Szwed, one side consists of "The Shadow World" and what were then labeled "Abstract Experiment Take 1" and "Abstract Experiment Take 2." The B side contains three tracks labeled "The Other People's World"; these have not yet been checked. According to Seth Tisue, Impulse 1973, Impulsivity, was a 2-LP sampler that was circulated to radio stations in 1973. "Abstract 'I'" was also included in a Sun Ra sampler derived from Evidence and released in 1997 on Japanese Paddle Wheel KICJ 315.

"Other Worlds" has the same personnel and the same sonic ambience as "The Shadow World" (except that it is recorded in stereo). It was first released in 1989 on Blast First BFFP 42 (UK, LP and CD), Torso 33132 (Netherlands), and Restless 71427 [CD], all titled Out There a Minute.

151. [134] Sun Ra (p innards, sun harp, gong -1; p -2); Marshall Allen (picc -1, Jupiterian fl -2); Danny Davis (strings -1, fl -2); Robert Cummings (bcl -2); prob. John Gilmore (bells -1); poss. Tommy Hunter (scraper, perc -1; reverb).

Sun Studio, NYC, 1968

Earth Primitive Earth (Ra) -1
New Planet (Ra) -2

Both tracks also released in 1989 on British LP and CD Blast First BFFP 42, Out There a Minute, and on Restless 71427 [CD] and Torso 33132 [LP]. On these releases, the titles were changed from "Earth Primitive Earth" to "Cosmo Enticement" (this was also edited and is shorter on the Blast First releases than on Saturn) and from "New Planet" to "Song of Tree and Forest" (slightly edited on Blast First).

"Cosmo Enticement" also appeared under that title on David Toop's "ambient" compilation Ocean of Sound, a two-CD set released by Virgin in 1995. Other tracks on this anthology include an excerpt from Peter Brötzmann's "Machine Gun," along with pieces by Brian Eno, David Toop with John Zorn, Herbie Hancock, Miles Davis, Velvet Underground, My Bloody Valentine, Erik Satie, an others (Pete Gianakopoulos).

Hunter is not credited on the Saturn jacket but his trademark reverb indicates that he was at least engineering the session. Continuation is normally dated 1968-1969, but on stylistic grounds an earlier date is possible for these tracks.

159. [138] Sun Ra Arkestra

Out There a Minute

Sun Ra (Farfisa org); Marshall Allen (as solo); Danny Davis (as); Pat Patrick (bars); Clifford Jarvis (d).

Early 1970

Jazz and Romantic Sounds (Ra)

Stylistically this piece resembles those from My Brother the Wind II; personnel identified by rlc.

163. [145] Sun Ra and his Intergalactic Astro-Solar Infinity Arkestra

The Night of the Purple Moon

Sun Ra (Rocksochord -1; two Mini-Moogs, Rocksichord -2); John Gilmore (ts -3; d -4); Danny Davis (d -3; as -5; fl -6; acl -7; bgo -8); Stafford James (eb except -2).

Variety Recording Studio, NYC, mid-1970

Sun-Earth Rock (Ra) -1, 4, 5
The All of Everything (Ra) -1, 4, 6
Impromptu Festival (Ra) -1, 3
Blue Soul (Ra) -2
Narrative (Ra) -2
Outside the Time Zone (Ra) -2
The Night of the Purple Moon (Ra) -1, 4, 7
A Birds-Eye View of Man's World (Ra) -1, 4, 7
21st Century Romance (Ra) -1, 4, 6
Dance of the Living Image (Ra) -1, 4, 8
Love in Outer Space (Ra) -1, 4, 7, 8
Love in Outer Space [alt.] (Ra) -1, 4, 7, 8

Thoth Intergalactic IR 1972, The Night of the Purple Moon, was released before August 1970 (Victor Schonfield); it had a blue-and-white Thoth label. The same album also appeared as Saturn LP 522. Location from Richard Wilkinson. Personnel from the Saturn jacket, with minor corrections. According to Michael Fitzgerald, the RMI Rocksichord was first sold in 1970.

The alternate version of "Love in Outer Space" was issued in 1989 on Blast First BFFP 42 (British LP and CD), on Restless 71427 [CD], and on Torso 33132 (Dutch LP), all titled Out There a Minute. Seth Markow points out that the Blast First version of "Love in Outer Space" differs in pitch from the version listed on the Saturn LP, which seems flat; barring a change in the tuning of the Rocksichord during the session, that suggests that the Saturn needs a speed correction.

According to Richard Wilkinson, this session was made after the two My Brother the Wind sessions. T.S. Mims Jr. provided financial backing and recruited Stafford James for the occasion.

from Campbell / Trent The Earthly Recordings 2nd ed.

Sun Ra
Out There A Minute
Restless/Blast First 7 71427-2

1. Love In Outer Space [alternate of the version on NIGHT OF THE PURPLE MOON]   5:02
2. Somewhere In Space [Choreographers Workshop, NYC, 1962]   8:08
3. Dark Clouds With Silver Linings [Choreographers Workshop, NYC, 1962]   4:53
4. Jazz And Romantic Sounds [early 1970]   4:41
5. When Angels Speak Of Love [from WHEN ANGELS SPEAK OF LOVE]   4:25
6. Cosmo Enticement [edited version of Earth Primitive Earth from CONTINUATION]   3:06
7. Song Of Tree And Forest [slightly edited version of New Planet from CONTINUATION]   3:08
8. Other Worlds [NYC, 04/05.1965]   4:51
9. Journey Outward [Choreographers Workshop, NYC, 1962]   4:23
10. Lights Of A Satellite [from ART FORMS OF DIMENSIONS TOMORROW]   3:03
11. Starships And Solar Boats [Kosmos In Blue from ART FORMS OF DIMENSIONS TOMORROW]   7:32
12. Out There A Minute [Choreographers Workshop, NYC, late 1962–early 1964]   3:24
13. Next Stop Mars [edited version of the track on from WHEN ANGELS SPEAK OF LOVE]   12:00

-FLAC-

-320-

Many Thanks to Mads for offering scans of his European CD.
RS Scans HF Scans

Tuesday, November 20, 2012

Sun Ra - Angels and Demons at Play - The Nubians of Plutonia

If you try to track the development of Sun Ra's music on record, you will inevitably run up against numerous difficulties. Both chronologically and stylistically, his oeuvre contains anachronisms, false trails, mistakes and just plain weirdness. Evidence's re-issue package of the two Saturn albums, Angels and Demons at Play/The Nubians of Plutonia represents exactly these problems. Luckily, the detailed liner notes shed light on the confusing chronology while simultaneously informing listeners that what we are hearing is a band in the process of transforming itself. However, after a few listens to this release's strange melting pot of music, the latter observation becomes clear on its own.
But to merely say that the Arkestra was 'in transition' belies the fact that all of Ra's creative phases generate interest on their own merits. When the music sounds as focused and disciplined as Ra's usually does, it becomes difficult to label it merely 'experimental' or 'transitional.' Listen, for example, to "Between Two Worlds and you will hear the Arkestra playing in a concise, understated style that sounds confident and fully developed. Elements, however, of their future style do present themselves: the interlocking pulse of percussion and bass, the prevalent use of Boykins' arco bass, and the integration of melody instruments into the rhythm. Here the title of the tune means not transition from one place to another, but depicts a place in and of itself.

In a way, almost any Ra composition contains a piece of past, present and future. "Music from the World Tomorrow and "Angels and Demons at Play predict the Arkestra's deeper ventures into sound textures, with Phil Cohran's zither forecasting albums like Strange Strings. Even the earliest recorded pieces on the album, which ostensibly resemble more traditional big band tunes (big and brassy charts, walking bass), offer tastes of Ra's tomorrow. They show Ra beginning to utilize, however modestly, electronic keyboards, soon to become an integral part of his musical palette; in addition, Wilbur Green plays only electric bass, an instrument not used in jazz in 1956.

The Nubians of Plutonia sides, coming chronologically between the other two groups of tunes, evidence an Arkestra moving into ever looser, more abstract ground. The percussion becomes more varied and moves ever closer to the foreground. "The Golden Lady seduces with a swaying groove created by a combination of simple parts: hi-hat, cow bell, wood blocks, rolling floor toms and bass. Ra then sets up a dark melodic theme, and then the Arkestra proceeds to weave a series of jaunty, blues-tinged solos into the fabric of the groove.

"Nubia , "Africa and "Aiethopia continue this excursion into more mystical, rhythm-based territory. The Arkestra utilizes the same ominous, simmering percussion beds, now augmented by more exotic instruments like Pat Patrick's 'space lute,' which gives a playfully sinister sound to "Africa .

This two-album package presents a stunning cross-section of the Arkestra's ever-developing style, and highlights the strengths of Evidence's Ra re-issue series. You can hear the Arkestra being dark and mysterious at times, or playful and humorous at others. This powerful, multi-faceted music is a great place to start if you are just beginning to travel with Sun Ra, or a great way to continue the journey.
All About Jazz Review by Matthew Wuethrich

Sun Ra ambles between vigorous hard bop, ambitious, adventurous free jazz, and African and Afro-Latin material on the 15 selections featured on this set of '50s and early '60s tracks. The first half was recorded in 1956 and 1960 and includes originals from Ronnie Boykins and Julian Priester, plus futuristic organ from Ra on "Music From the World Tomorrow" and hard-blowing solos from John Gilmore and Marshall Allen. The second half consists of rehearsal tapes from 1960 with The Arkestra steadily progressing and moving beyond conventional jazz modes into multiple rhythms, chants, and twisting, roaring arrangements spiced by vividly expressive solos. Plus, like every other disc in the series, it is superbly remastered.

AMG Review by Ron Wynn

Sun Ra's Angels & Demons at Play is a diptych created by merging two recording sessions. The first is a laid-back introspective affair ("angels?") recorded in 1960. Even frolicsome, these bouncy melodies follow the percolating rhythms with a gently leading reed, as Marshall Allen exemplifies on flute in "Tiny Pyramids." Also dating from before the truly experimental Sun Ra period, the last three tracks were recorded at RCA Studios in Chicago in 1956. Still very accessible, here several horns, among them reaching trumpets ("demons?"), trade briskly back and forth in solid and lively big band arrangements.
AMG Review by Tom Schulte

29. [16] Le Sun-Ra and his Arkistra

Angels and Demons at Play

Sun Ra (Wurlitzer ep -1, p); Art Hoyle (tp); Julian Priester (tb); John Gilmore (ts); Laurdine "Pat" Patrick (bars); Wilburn Green (eb); Robert Barry (d); Jim Herndon (tymp -1).

RCA Studios, Chicago,
around February 1956

G7OW-5258 Medicine for a Nightmare (Ra) -1 Saturn Z222A
G7OW-5261 Urnack (Priester) Saturn Z222B

Saturn Z222 was a 45-rpm single with black print on gold and the Saturn logo in block letters across the top (information courtesy of Glenn Jones; see the cover of this volume). It is sometimes said that it was the Arkestra's first release; in any event it was issued in 1956. Sun Ra maintained that there was an "equation of sound-similarity" between "kest" and "kist," but in later years he did not respell the name of the Arkestra in this fashion.

These same tracks reappeared in 1965 on Side B of Saturn SR 9956-2-O/P, Angels and Demons at Play. In 1967 it was given the catalog number 407. All titles from this LP were reissued on Impulse AS 9245 in 1974 and on Evidence 22066 [CD] in 1993. "Medicine for a Nightmare" was reissued in 1997 on a Japanese Sun Ra sampler, Sun Ra Came Down to the Earth on Paddle Wheel KICJ 315. Personnel from the Impulse release, except that Impulse lists Victor Sproles on bass, who is not present; Art Hoyle was in the Arkestra from Christmas 1955 till around the end of 1956.

30. [17] Le Sun-Ra and his Arkistra

Angels and Demons at Play /
The Singles

Sun Ra (Wurlitzer ep -1, p); Art Hoyle (tp); Julian Priester (tb); John Gilmore (ts); Pat Patrick (bars); Wilburn Green (eb); Robert Barry (d); Jim Herndon (tymp -1).

RCA Studios, Chicago,
around February 1956

A Call for All Demons (Ra) -1
Demon's Lullaby (Ra)
Saturn (Ra)
Supersonic Jazz (Ra) -1

"A Call for All Demons" and "Demon's Lullaby" were first issued in 1956 on a 45 rpm Saturn single. Raben's discography, a 1961 Saturn press release that lists these two tracks as appearing on singles, and Art Hoyle's recollections all support this. Julian Priester also believes that "Call" appeared on a single. No pressings of the single have yet been located, however. Both tracks later appeared on side B of Saturn SR 9956-2-O/P, Angels and Demons at Play. In 1967 it was given the catalog number 407.

According to Alton Abraham, "Saturn" was released on one of the first Saturn singles; this version (the earliest known recording of the piece, and one that was not used on any Saturn LPs) was found during research on the master tapes of the Saturn singles. "Supersonic Jazz" was found at the same time. It is similar to "Super Blonde": both are blues with the same opening riff and virtually identical solo lineups; however, in "Supersonic Jazz" the central ensemble passage is replaced with a tympani break by Jim Herndon. A pressing of this single still needs to be located. Both tracks were reissued in September 1996 on The Singles, Evidence 22164 [a 2-CD set]. "Saturn" is also on Sun Ra Came Down to the Earth, a Japanese sampler, derived from Evidence releases, which appeared in 1997 on Paddle Wheel KICJ 315.

54. [39] Sun Ra and his Myth Science Arkestra

Lady with the Golden Stockings
(The Nubians of Plutonia)

Sun Ra (p.); Lucious Randolph (tp); Nate Pryor (tb); James Spaulding (as solo); Marshall Allen (as); John Gilmore (ts); Pat Patrick (bs solo); Charles Davis (bars); Ronnie Boykins (b); Robert Barry (d); Jim Herndon (timb, perc).

Rehearsal, Chicago, 1958

Star Time (Ra)

Initially released (in a generic Tonal View of Times Tomorrow cover) by Saturn in 1966 as SR 9956-11E/F, Lady with the Golden Stockings. In 1967 this album was given the catalog number 406; by the end of 1967 (according to Vein), it was retitled The Nubians of Plutonia, and by 1969 given a new cover by Richard Pedreguera. Subsequent reissues (on Impulse AS-9242 in 1974 and Evidence 22066 [CD] in 1993) have used the later title. Personnel from the 1969 Saturn and Impulse issues. Charles Davis left the Arkestra some months before going on the road with Dinah Washington's band; by 1959 he was in New York. Lucious Randolph confirms his presence on this cut.

57. [41] Sun Ra and his Myth Science Arkestra

Lady with the Golden Stockings
(The Nubians of Plutonia)

Sun Ra (p, Wurlitzer ep); Lucious Randolph (tp); Marshall Allen (as); John Gilmore (ts); Pat Patrick (bars); Ronnie Boykins (b); Robert Barry (d).