Do you have the characteristics of the creative personality?

In his classic book Creativity: Flow and the Psychology of Discovery and Invention, author and creativity researcher Mihaly Csikszentmihalyi outlines the characteristics of creative individuals. He wrote, “If there is one word that makes creative people different from others, it is the word complexity. Instead of being an individual, they are a multitude.”

Some of the creative characteristics to look for, which he discusses in his book:  
1. A great deal of physical energy alternating with a great need for quiet and rest.
2. Highly sexual, yet often celibate, especially when working.
3. Both extravagant and spartan.
4. Smart and naïve at the same time. A mix of wisdom and childishness. Emotional immaturity along with the deepest insights.
5. Convergent (rational, left brain, sound judgment) and divergent (intuitive, right brain, visionary) thinking. Divergence is the ability to generate a great quantity of ideas, to switch from one perspective to another, and to pick unusual associations of ideas. Convergence involves evaluation and choice. Creative people have the capacity to think both ways.
6. Both extroverted and introverted, needing people and solitude equally.
7. Humble and proud, both painfully self-doubting and wildly self-confident.
8. May defy gender stereotypes, and are likely to have not only the strengths of their own gender but those of the other as well. A kind of psychic androgyny.
9. Can be rebellious and independent on one hand, and traditional and conservative on the other. 
10. A natural openness and sensitivity that often exposes them to extreme suffering and pain, yet also to a great deal of enjoyment. Despair alternates with bliss, despair when they aren’t working, and bliss when they are.

Does this sound like you or someone you might know? If so, keep up the creativity!

Learn more about creativity and the creative process in my book Frugal Poets' Guide to Life: How to Live a Poetic Life, Even If You Aren't a Poet.

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Do you have the characteristics of the creative personality?

Catch the fire of Tierra Roja Flamenco

Chicago has a new flamenco dance and music group, Tierra Roja Flamenco! Lead dancer and choreographer La Perla, percussionist and hammer dulcimer musician Julian X. Cumpian and dancer Raye Bemis make up the core of this fabulous flamenco troupe performing in various venues around Chicago, and beyond. Guest dancers and guitarists are also featured.

Make reservations to see their performances every other Sunday at 6:30 p.m. at Tapas Gitana in Northfield, Ill. Upcoming Wednesday performances are scheduled for Summer 2011 at Carnivale restaurant in downtown Chicago.

"La Perla is a true star. She matches, if not exceeds, any flamenco performer I've seen in Spain."
~ patron at La Taberna Tapas on Halsted

Tierra Roja Flamenco can be contacted at 312-450-1332, tierrarojaflamenco@gmail.com or visit the Tierra Roja Flamenco Facebook page. ◦

Catch the fire of Tierra Roja Flamenco

Heighten Five Senses: Hearing

I'm continuing the series on developing the five senses, based on "The How to Think Like Leonardo da Vinci Workbook" by Michael Gelb. Try this sense of hearing self-assessment:
-- Friends describe me as a good listener.
-- I am sensitive to noise.
-- I can tell when someone is singing off-key.
-- I can sing on-key.
-- I listen to jazz or classical music regularly.
-- I can distinguish the melody from the bassline in a piece of music.
-- I know what all the controls on my stereo system are for and can hear the difference when I adjust them.
-- I enjoy silence.
-- I am attuned to subtle changes in a speaker's voice tone, volume and inflection.

However, I personally wouldn't agree that you have to proficient in all of the above to be considered attuned to the sense of hearing. I can't sing, but I consider myself a good dancer. I took dance lessons, not music lessons, as a child for seven years, and subsequent Irish, Brazilian, Zumba and Group Groove dance classes as an adult, not to mention flat-out dance induction on the disco floor back when.

I think being aware of rhythm is essential to my poetry as well as song lyric writing, though you wouldn't want to hear me personally sing any of the songs I've written. I've never been good with the bass or treble controls on either my car or home stereo (is this really a guy thing?), but am acutely aware when a spoken word performer, whether reciting poetry, prose or drama, is just missing the emotional points and high and low subtleties of the piece. This is particularly sad when he or she is the actual author.

Stretch your hearing awareness. If you do like to listen to jazz and/or classical music, you might want to play a game of "guess the composer" with your friends and family that we enjoy at my house. ◦

Heighten Five Senses: Hearing

Remembering Effie Mihopoulos

Chicago poet and arts critic Effie Mihopoulos, who published and promoted her fellow poets for decades, and took an active role in the Chicago dance and theater scene, passed away from breast cancer on Thursday, January 14, 2010.

When I first met Effie Mihopoulos, she struck me as fun, friendly, eccentric and bigger than life. And that's exactly who she was. I was a graduate student at Northeastern Illinois University, studying English literature at night, working in Marshall Field's hardcover book department as a management/buyer trainee by day. One evening, I found out that Northeastern was holding its semi-monthly Apocalypse poetry reading series in the very room in which I just had taken a class.

I had been feverishly writing poetry for the past year, taking up the pen in a more serious fashion after being part of an undergraduate workshop at University of Illinois at Chicago with poet Michael Anania. I decided to attend the Apocalypse reading. Effie spotted me as a new face and introduced herself. Wearing flashy gypsy earrings and funky little slogan buttons on her jacket, she took me around the room to acquaint me with some of the "regulars" who frequented the series, such as Art Lange, Paul Hoover, Maxine Chernoff, Terry Jacobus, Barbara Barg, Peter Kostakis, Arnie April, Rose Lesniak, and even Bob Holman, who used to live in Chicago. Richard Friedman and Darlene Pearlstein were on hand, ones who also ran the ongoing Yellow Press Series at the Body Politic Theater every Monday night.

After I read at the Apocalypse open mike a few times, Effie asked that I submit pieces to her poetry magazine, Mati, which she subsequently published. Effie lived nearby the Northeastern campus. I stopped by every so often and got to know her and her darling mother better. Even though Mrs. Mihopoulos didn't speak a word of English, I grew close to her thanks to Effie's rapid-fire translation skills between my English and her Greek. I yearned to learn more about the poetry publishing process, and Effie agreed to take me under her wing, making me an intern of sorts and eventually "managing editor" of both "Mati" and "Salome: A Literary Dance Magazine," another of her publications under the Ommation Press imprint.

Effie and I hung out quite a bit in those days, meeting up at Body Politic poetry readings and at universities, attending dance performances together at MoMing and Auditorium Theater, and even party hopping one New Year's Eve, making appearances at five different get-togethers.

On a non-literary note, Effie and I shared an interest in Japanese culture, rubber stamp madness and a passion for Steve McQueen. We watched short documentaries about Japanese tea ceremonies and cloth dying. We created haikus on handmade paper embellished with rubber stamps on her dining room table. Effie had a huge poster in her dining room of Steve McQueen on a motorcycle from "The Great Escape."

In fact, Effie loved blond men in general, shunning her Greek counterparts who she called male chauvinist pigs. But in all the years I knew Effie, I never saw her with a boyfriend, though she had many male friends. One day, she came to my office downtown with a handful of photos of her arm-in-arm with some righteous blond beefcake, who she evidently met in Florida during spring break. I was happy for her temporary bliss, but sad as well because she never had a long-term partner or close family after her mother died. But that was her calling.

Effie saw her own work reach book form in The Moon Cycle and Languid Love Lyrics. However, one of Effie's greatest literary triumphs was publishing Cornelius Eady's Victims of the Latest Dance Craze poetry collection via Ommation Press. Effie was vacationing in Greece when word reached her that the Academy of American Poets in New York had given the book the Lamont Prize in 1985. The Lamont was awarded for the best second poetry volume of a poet published that year. Never had an award of this caliber been given to a work published by a press so small and independent.

Effie Mihopoulos, over the decades, helped carve a pathway to the lively, active poetry scene that Chicago enjoys today. She will be missed and remembered by all who knew her. A memorial service is planned for Friday, March 5, 2010 5-7 p.m. at Northeastern Illinois University in Alumni Hall, as well as on Saturday, March 6, from 1-3 p.m. at the Newberry Library where poets and friends are invited to read something in Effie's honor, pay last respects and offer fond remembrances of Effie.

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Remembering Effie Mihopoulos