Rev. Dr. MLK Jr. Day: His 1965 Interview with Alex Haley

Selma-Montgomery March: Rev. Dr. Martin Luther King leading march
from Selma to Montgomery to protest lack of voting rights for
African Americans. Beside King is (l-r), Ralph Abernathy, James Forman,
Reverend Jesse Douglas and John Lewis, March 1965.
(Photo Credit: Steve Schapiro/Corbis)

Today on Rev. Dr. Martin Luther King, Jr. Day, I thought I'd post a link to one of the best interviews Rev. Dr. King (1929-1968) ever gave, with journalist and author Alex Haley, of Roots fame. The interview took exactly 50 years ago today, in January 1965, the year of the Selma-to-Montgomery March--and of the story underpinning Ava Duvernay's highly acclaimed new film Selma--and appeared in Playboy magazine, preceding the famous Alabama march and the assassination of Malcolm X, but following many other landmark moments in Rev. Dr. King's and the Civil Rights Movement's long march towards social, political and economic equality and freedom.

It's worth reading the entire interview (linked from AlexHaley.com), which gives a far fuller portrait of Rev. Dr. King's mindset in the mid-1960s. In it he talks about mistakes he felt he made, his disappointment of the lack of support and righteousness from white Christian ministers and churches in the cause of Black equality, the moving resistance of young people, the concept of "militant nonviolence," strategizing for the future for Civil Rights, a critique of the Nation of Islam and Malcolm X, the challenges of nonviolence and the dangers of violence as a solution, racist science and white supremacy, the relationship between African Americans and Black people around the globe, and so much more. Here is one quote:

King: I mean to say that a strong man must be militant as well as moderate. He must be a realist as well as an idealist. If I am to merit the trust invested in me by some of my race, I must be both of these things. This is why nonviolence is a powerful as well as a just weapon. If you confront a man who has long been cruelly misusing you, and say, “Punish me, if you will; I do not deserve it, but I will accept it, so that the world will know I am right and you are wrong,” then you wield a powerful and a just weapon. This man, your oppressor, is automatically morally defeated, and if he has any conscience, he is ashamed. Wherever this weapon is used in a manner that stirs a community’s, or a nation’s, anguished conscience, then the pressure of public opinion becomes an ally in your just cause.

and here is another, concerning the Civil Rights Act, which Rev. Dr. King didn't think went far enough:

King: One of these decisive developments was our last major campaign before the enactment of the Civil Rights Act—in St. Augustine, Florida. We received a plea for help from Dr. Robert Hayling, the leader of the St. Augustine movement. St. Augustine, America’s oldest city, and one of the most segregated cities in America, was a stronghold of the Ku Klux Klan and the John Birch Society. Such things had happened as Klansmen abducting four Negroes and beating them unconscious with clubs, brass knuckles, ax handles and pistol butts. Dr. Hayling’s home had been shot up with buckshot, three Negro homes had been bombed and several Negro night clubs shotgunned. A Negro’s car had been destroyed by fire because his child was one of the six Negro children permitted to attend white schools. And the homes of two of the Negro children in the white schools had been burned down. Many Negroes had been fired from jobs that some had worked on for 28 years because they were somehow connected with the demonstrations. Police had beaten and arrested Negroes for picketing, marching and singing freedom songs. Many Negroes had served up to 90 days in jail for demonstrating against segregation, and four teenagers had spent six months in jail for picketing. Then, on February seventh of last year, Dr. Hayling’s home was shotgunned a second time, with his pregnant wife and two children barely escaping death; the family dog was killed while standing behind the living-room door. So S.C.L.C. decided to join in last year’s celebration of St. Augustine’s gala 400th birthday as America’s oldest city—by converting it into a nonviolent battleground. This is just what we did.

and a third, concerning the relationship between Black Americans and Black Diasporic peoples:

King: Yes, I do, in many ways. There is a distinct, significant and inevitable correlation. The Negro across America, looking at his television set, sees black statesmen voting in the United Nations on vital world issues, knowing that in many of America’s cities, he himself is not yet permitted to place his ballot. The Negro hears of black kings and potentates ruling in palaces, while he remains ghettoized in urban slums. It is only natural that Negroes would react to this extreme irony. Consciously or unconsciously, the American Negro has been caught up by the black Zeitgeist. He feels a deepening sense of identification with his black African brothers, and with his brown and yellow brothers of Asia, South America and the Caribbean. With them he is moving with a sense of increasing urgency toward the promised land of racial justice.

Do read the entire interview; so much of what he says still pertains today, a sign of his extraordinary vision and of the challenges we still face.

Happy Martin Luther King Jr. Day + Rebuilding Haiti + Ray's Candy Shop + Jets Win!

Readers, I am now having to confront regular spammers who, I assume, are paid to post ad, phishing or malbot links on the blog. If these continue, I may have to move to a moderated comment approach, though I've always wanted to avoid that because I want it to be easy for people to post directly to the blog. I've been flamed on here only a few times; one of the most memorable to me was during the middle of George W. Bush's second term, when I posted snarkily on the Disaster-in-Chief and a pro-Bushite posted to defend him and slam me. Another came when I gave a mixed review of John Adams's opera Dr. Atomic (great music, muddled, undramatic libretto). But I'm willing to live with respondents, even negative, vituperative ones. Spammers are in a completely different category...

\\\

It's Martin Luther King Jr. Day, and it strikes me that the Reverend Dr. King Jr. (1929-1968), who gave his life so that we could be free, would have had some profound things to say about our current era, including our first African-American president, Barack Obama, whose election he made possible; the ongoing and proliferating wars and imperial projects, promoted by said African-American president, that the US is involved in; the terrible financial situation wrought by conservatives and neoliberals, and the struggle, by millions of Americans and American immigrants, for a decent and sustaining wage, a roof over their heads, an affordable education, and the ability to live in dignity and be treated with respect; the continuing cancers of racism, sexism and misogyny, classism, and, I believe, homophobia and heterosexism; and the situation in our Hemisphere and continental neighbor, Haiti.

Jack & Jill Politics is already on this meditation, so I'll link to their post from several days ago, on Rev. Dr. King Jr.'s actual birthday (January 15), called "What Martin Luther King Would Say About Haiti On His Birthday." What they note is that Rev. Dr. King Jr., as is well known, spoke out about the Vietnam War and American imperialism, and they quote his speech on this topic to extrapolate on how he might respond to the multiple challenges Haiti is facing. One noteworthy issue, which I hope our government notes, is the discrepancy between the billions being blown on military engagements (Iraq, Afghanistan, Yemen, Pakistan, Somalia, Colombia, etc.) and support of dictatorial regimes (Egypt, Uzbekistan, etc.) and the comparatively paltry $100 million the US pledged towards Haitian relief. Many of those billions, of course, ought to have been and should be spent rebuilding the US ECONOMY, which was effective nuked by the conservative-neoliberal fantasists of the last 25 years, instead of being funneled into a for-profit military-industrial machine whose actions and accounting most taxpayers will never know. But I know that I'm talking about a fantasy of recognition that won't be happening. Instead, we will keep pouring money into "war on terrorism" phantasms, which is to say, the military industrial complex, and scolding Haiti when it doesn't turn things around fast enough, or pay off the onerous debts and financial burdens that so terribly weakened its foundations, and those of numerous other countries around the world, before the earthquake hit. Now, to quote the incontrably more eloquent Rev. Dr. King Jr.:

A nation that continues year after year to spend more money on military defense than on programs of social uplift is approaching spiritual death. America, the richest and most powerful nation in the world, can well lead the way in this revolution of values. There is nothing, except a tragic death wish, to prevent us from reordering our priorities, so that the pursuit of peace will take precedence over the pursuit of war. There is nothing to keep us from molding a recalcitrant status quo with bruised hands until we have fashioned it into a brotherhood.

Poem: G. E. Patterson + Chicago Latino Film Festival + 40 Years Ago, MLK Jr.

One of the many Cave Canem poets I haven't seen in a while but whose work I cherish is G. E. "Gar" Patterson. Gar's first book, Tug, received the Minnesota Book Prize, and his newest book, To and From (Ahsata Press, 2008) continues many of the concerns of that first volume, though in a strikingly different formal language.

The new book comprises quasi-sonnets crafted from a wide array of quotations, which Gar carefully culled and then shaped into a flexible lyric that embodies the (post-)post-modern even as the poems, in their openness and indeterminacy, evoke an intimacy, a personal and public sensibility, that is redolent of poetry from the pre-post eras. Here is one I basically copped directly from the Ahsata Press page, and its almost elegiac tone and pastoral imagery reminds me of John Ashbery's work (in The Double Dream of Spring) of the late 1960s and early 1970s, or Ralph Angel's poems, from Neither World. It's a lovely one.

“Here and there . . . .”
—T.S. Eliot

             “ . . . for a particular point of view—”
                            —Lyn Hejinian

It May Happen
as though it doesn’t matter what is real

              “ . . . something almost . . . with asking.”
                           —Brenda Hillman

According to their signs we’re in the country
Far off things are being put on the record
Where it may not matter to anyone
If the shadows hide themselves behind rain
The canal opening below the sky
Daytime moving in swirls the painted colors
Or the idea wind sometimes stops and starts
What we might more properly call nostalgia

If we wanted to we could follow later
Without giving up his place in the world
A color postcard folded in our pockets
The light informing us it’s afternoon
When what we feel is we remember feeling
Not long ago it was the time before

Copyright © 2008 by G.E. Patterson

===

Tonight the Chicago Latino Film Festival begins. The site seems a bit harder to search than in past years, but a bit of surfing around the calendar shows that there'll again be some unusual and compelling films screening at various sites across the city. Two I wished I'd caught today include Vanessa Goksch's 2006 feature Frekuensia Colombiana / Turning in to the Colombian Hip Hop Movement, a documentary on traditional forms Colombian music and its relation to Hip Hop, which won't be screening again, and Sanpachando (San Pacho es pa’l que lo goce) / Sanpachando (St. Pacho is for the revellers), a 2006 documentary by Daniel Mosquera and Sean Ferry on the afro-ethnic, religious, and cultural meaning of a festival honoring Saint Francis of Assisi, in Chocó, Colombian.

I am planning to see, Edmundo H. Rodríguez's 2008 feature film, Las dos caras de Jano / The two faces of Janus (photo at right), which explores a serial killer amidst Puerto Rico's gay community. Another is Vinicius, Miguel de Faria Jr.'s 2005 documentary on the multitalented Brazilian cultural figure, Vinícius de Morães (1913-1980), the internationally famous lyricist of Bossa Nova hits like The Girl from Ipanema, and the playwright whose whose stage play became Marcel Camus's 1959 touchstone, Black Orpheus.

One I'm debating is José Enrique Pintor's 2007 film Sanky Panky, whose name rings familiar to anyone who's visited DR or dropped by the DR1. It naturally tells the story of a colmado owner who feels his life has become a cage and takes up the Sanky profession. The Chicago Reader appraises it like this:

This crass musical comedy from the Dominican Republic stars the annoying Fausto Mata as a loutish grocery-store owner whose desperate search for a sugar mommy takes him to a posh beach resort. Hired to entertain the guests’ children and forced to wear a chicken costume, he doesn’t have much luck with the ladies until he meets a sympathetic cutie from New Jersey. Writer-director Jose Pintor mines broad slapstick and class stereotypes for laughs but also relies heavily on Mata, who comes across like an extremely hostile Chris Tucker. Bring your earplugs.

"An extremely hostile Chris Tucker"? Yikes! Maybe I'll have to see it just to verify that comparison.

===

40 years ago....



And 41 years ago, his speech on the war in Vietnam: