Fall Semester's Embers

It's nearly January, which is another way of saying that the fall semester has raced past and is now over. In addition to marking my return from my spring sabbatical, this term also included my first stint as full-time chair of African American and African Studies. At the same time, as I've chronicled to some extent here, these last few months have also included a mini-book tour, which encompassed stops on both coasts. The combination--and pace--of the teaching, administration and travel has worn me out, so I'm truly grateful for the holiday break, though as I was able to share during the final course meeting with my students in "Foundations of Literary Study," the undergraduate course I taught this fall, no matter how tired I felt on the Monday following my trips or reading through a stack of papers, I experienced a surge of exhilaration once I entered the classroom. I also had the benefit of an exceptional teaching assistant, award-winning writer Drew Ciccolo, who graduated from Rutgers-Newark's MFA program and is currently pursuing his Ph.D. in American Studies at the university. To Drew, a million thanks many times over!

Although I'd taught this course once before, in the fall of 2013, I decided to update it with some new works and slightly modify my approach, using post-colonialism as our underlying theoretical approach, since it struck me as salient in light of contemporary national and global events. We looked at five genres, in the following order: creative and critical nonfiction; poetry; drama; fiction; and graphic novels. Among the new works I added were Akhil Sharma's acclaimed novel Family Life, poems by Mónica de la Torre, Monica Ong, and Edward Baugh (who read on campus this fall), and stories by Ernest Hemingway, James Joyce, Toni Cade Bambara, and Jaquira Díaz. I also retained components that had worked before, like the transcription-and-commentary exercise involving Emily Dickinson's texts online at the Boston Public Library's Flickr page, Shakespeare's sonnets as our introduction to the poetry unit, and Elizabeth Bishop's "One Art" to teach the fixed form of the villanelle, but added a new exercise, involving use of Google's n-gram tool, as a way of exploring the field and practice of distant reading. For a change I threw in a few pop quizzes, the first of which appeared to serve as a spur for some in the class to read a bit further in the assigned longer works than they had been.

What worked particularly well was the requirement of multiple short papers (7 in total) and research and creative exercises (4) in building up my students' critical and literary skills. The two-stage final, in which they submitted half their final papers to me in order to ensure that their arguments were on track, also worked well. For those students who failed to submit the first half of their papers, however, the results were less positive. Nevertheless, many of the final papers did show some evident improvement in some way over their authors' initial submissions in the course's early weeks, and even in those cases where the technical aspects of the writing were still shaky, I could at least perceive an improved sense of confidence in argumentation.

Emily Dickinson,
Ms. Am. 1093(3),
Boston Public Library
(Flickr.com)

To conclude the class I decided to try something new this time. Since I was teaching an intro to literary studies course for English majors, I held a book raffle of extra copies of wonderful books on my office shelf, with everyone picking a number attached to a book, and then calling out the numbers, with each student receiving a book. Since some did not show up, I allowed everyone who'd gotten a book to exchange it at the end of class. A few did, and they snapped every single poetry text (by Van Jordan, Tyehimba Jess, Allen Ginsberg, Kristiana Rae Colón, etc.), along with fiction books by Junot Díaz, Michael Lukas, and others. Sadly, no one appeared to want the volumes by Raymond Carver or Ray Bradbury!

I also asked the students to write a letter to future students, detailing what they found useful in the course and what they would change or wanted more of. (I'd just seen someone else suggest this.) I was curious to see their assessments, in order to incorporate them into future iterations of this class.
Among the comments: "I would like a bigger selection of poetry only because I love poetry and diving into poetic devices and how they're used in other forms of literature (or vice versa)." And: "I started [to] love authors like Junior Díaz and I loved reading the Shakespeare play and I wish we could have studied more on those authors, but then I would have never learned what a travel narrative is or even given a chance to graphic novels that are not comic books. Odd assignment like the Emily Dickinson [manuscript] decipherment was brilliant." And: "Thankfully we do not only read white, male, cis, heterosexual authors!" And: "Side effects may include: interest in literary research; improved writing; appreciation/admiration for what at first seemed boring; drowsiness/fascination by Roland Barthes' theory regarding 'The Death of the Author'...."

And now, it's just a matter of entering those final grades!

Some Talks & Music (Garcia, Cadava, McGurl, the Drawers)

I'd actually forgotten that I'd posted a blog entry to start May off, so I was about to apologize for just now acknowledging the month had arrived, but it's been slamming me and beyond classes and my syllabi I barely can keep up with what day it is, let alone month. I thought this week was going to be slower, but it's been just as rough, but June is, thankfully, just around the corner....

Amidst all the reading, I have attended a few events at the university, all of which have been edifying in different ways. Starting backwards, tonight I went to hear the musician Paulinho Garcia present a short (1 1/2 hour) tour of Brazil.  Truthfully, as all who know me will readily acknowledge, anything having to do with Brazil gladdens me immensely, and this didn't fail in that regard. The interactive performance felt like the best way to end a busy week. Garcia, a native of Belo Horizonte and 3-decade long resident in the US, was introduced by my great colleage Ana Thomé-Williams (above at right, with Garcia) also from Brazil, who had also helpfully created a slideshow featuring not only a map of Brazil but featuring song authors, titles, and lyrics, to which we could all sing along with Garcia. And sing people did as Garcia walked us through the samba (giving us information on its origins in Bahia and before that the Congo region, and word's Bantu etymology), then several different sertanejo (from the sertão, the harsh scrubland interior or backlands of the northeast) forms, and then the choro and chorinho, then a caipira (another type of folk song--and the source of the word, on through bossa nova.  Tracing it via songs and musicians, he sang (beautifully, touchingly) Ari Barroso's "Aquarela do Brasil," Luiz Gonzaga's "Asa Branca," Tom Jobim's "Andança," Pixinguinha's "Lamento," Zequinho de Abreu's "Tico-Tico no Fubá" (one of the earliest Brazilian songs to achieve fame in the US, and which made Carmen Miranda famous), Pixinguinha's "Carinhoso" (so achingly moving), Renato Teixeira's "Romaria" (which Ana graciously led us through in chorus), Tom Jobim's and Vinícius de Moraes's "Eu sei que vou te amar," Jobim's and Vinícius's "Chega de Saudade" (from Marcel Ophuls's Orfeu negro/Black Orpheus), João Bosco's and Aldir Blanc's fairly contemporary "Coisa Feita" (with its strong Afro-Brazilian storyline), and finally, to end the event, Ana and Garcia sang the always stirring Carnaval melody, "Tristeza," a snippet of which I captured on camera. Afterwards I chatted briefly with Garcia, who was explaining the ins and outs of Brazil to some undergraduates and other attendees, and I ran into a former student, from my earliest days at the university, who was doing really well. I also spoke with a young math student from Belo Horizonte, who suggested I tell a friend now conducting research in Niterói, just across the Guanabara Bay from Rio, about the Institute of Pure and Applied Mathematics that sits between Rio's Botanical Garden and its Tijuca Forest. How on earth could you get any work done in such a remarkable setting? I'd like to find out.

(Associate) Justice Sotomayor + Michael Moreci + Twitteration

On the Cave Canem listserve, one of the poets asked about impressions of the US Senate hearings to confirm Justice Sonia Sotomayor (right, Charles Dharapak / Associated Press) as an Associate Justice of the US Supreme Court, and here's my response:

Based on the little of her testimony I've heard or seen, I've found Justice Sotomayor very impressive. She's incredibly smart, knowledgeable, cool under fire, and charming. I want her on the nation's highest court. Unfortunately during the hearings she's had to deal with lots of nonsense and some outright racist crap from several Republicans (Tom Coburn quoting Desi Arnaz's Ricky Ricardo character in dialect today; Jeff Sessions, a well known racist, asking her why she didn't vote the same way as a conservative Puerto Rican judge because they were both Puerto Rican; John Kyl ranting at her for 10 minutes before she could get a word in at all; etc.). It's disgraceful. I really do hope Latinos and everyone else is taking note of this stuff. On top of this, GOP-related entities are running ads calling the Puerto Rican Legal Defense Fund a "terrorist" organization, and various high profile Republicans have trashed Sotomayor in a way they'd never do even for a white liberal judge they disliked.

Why on earth is Frank Ricci being brought in at all? Why not bring in all the winning and losing plaintiffs in cases she's adjudicated? It's just more nonsense.

One thing I wish someone in the media would just articulate concerning her "Wise Latina" comment is that most people in this country--i.e., the vast majority of us--who are not straight upper-middle-class and rich white males--the people who still run and control the majority of everything in this society (and many others)--must learn to see the world as they do, at some point, to advance in the society while also developing our own perspectives. As a working-class woman of Latino heritage who has risen all the way to an appellate court judge now on the cusp of joining the Supreme Court of the United States, she would have had to learn to see the world, and apply many of those lessons, in ways that many of the people currently on the courts do and cannot not. I don't see her statement as controversial at all, but I also don't understand why more people don't break it down, perhaps even more simply than I have.

It is a form of bad Kabuki theater, of course. The GOP knows she will be confirmed. They know they are turning off latinos, other people of color, women, Obama supporters, anyone with any sense of decency. But the point is to create a spectacle that warms their base, roughs up Obama and the ever timorous Democrats a bit, and wounds her if possible. It's also catnip for the media, who live for this sort of thing, as it gives them an opportunity to pontificate ad nauseam using whatever talking points, shreds of cocktail party chatter, and vaguely digested commentariat and blog postings they've come across. And they also get to justify trotting out real nuts like Pat "Putzi" Buchanan, an avowed white supremacist who should have been retired a long time ago.

This is what I wrote on the CC listserve about Putzi, who is once again at its highest pitch. I'm going to ask this, though I already know the answer: could any black person, any latino, any asian american, even any woman, go on like this man does year after year and still be given a public platform as MSNBC does with him?

Randall H., I don't know if you recall when Pat Buchanan ran for the presidency, but he was basically running a Nazi-esque annex for the GOP. Years ago he propagandized for J. Edgar Hoover and circulated smears against Martin Luther King Jr. The man wrote speeches for Richard Nixon and has always been a notorious race baiter, anti-Semite, and white supremacist. Over the years his comments about black folks, latinos, Jews, feminists and women in general, and LGBTQ folks have gone beyond hateful. He has often spewed his racist crap to major journalists and media outlets, without penalty. It never ceases to astonish me that someone who is such an outright, virulent white supremacist is given carte-blanche to appear at will on a major cable TV station, but he is, and the hosts just smile and wink and act like he's not so horrendous. At this point I can't imagine what he might do that would lead to his banning, but then again, whatever that is, it would have to be beyond the pale. Literally.

I look forward to the day, very soon, when Justice Sotomayor is confirmed. Perhaps Buchanan will do us all a favor and spontaneously combust before, if not then.

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On another note, I wanted to give props to one of my former graduate students, Michael Moreci. I know Michael primarily as a fiction writer and journalist, but it turns out that he's also a talent of considerable note in the comics/graphic writing world, especially, as he says on his blog, in the UK. His forthcoming graphic novel, with art by Monty Borror, is entitled Quarantine, and will be published by Insomnia Publications in the UK. Insomnia's website describes the book like this:

Quarantine follows a group of survivors trapped in a small town in the Upper Peninsula (U.P.) of Michigan shortly after a biological plague is released into the water supply. This plague turns a person into a homicidal war machine, which forces the borders to close, leaving our band of survivors to fight for their lives.

If you go to his blog, you can see some of the work itself. Congratulations to him.

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I remarked about Twitter about a week ago, but I can say that I got the fastest response ever based on a recent tweet. I noted that the PATH system usually reserves the cleaner, less crowded trains for Hoboken-bound travelers during rush hour, sending two for every one of the dirtier, more sardine-packed trains to Journal Square and Newark (of course). This is nothing new, and I've complained about it for years now. It was especially maddening during the years I commuted daily into New York City. But all it took was one tweet stating this, out into the vast and ever growing upper canopy of twittersong out there (and mind you, I had exactly 5 followers at the time, 3 of whom are marketing Twitterbots), and the PATH folks responded. Not of course by promising to improve service or doing so, but with a tweet urging me to sign up for their tweet feeds.

Perhaps if I complain a bit more or organize a mass tweet, they might take note? I hear it is working for airline travelers, so why not public transportation corporations or public utilities?