Showing posts with label portraits. Show all posts
Showing posts with label portraits. Show all posts

Tuesday, February 13, 2018

Obamas' National Gallery Portraits Unveiled

Michelle Obama, by Amy Sherald
Yesterday ago a public ceremony, former President Barack Obama and former First Lady Michelle Obama unveiled their official portraits for the Smithsonian's National Portrait Gallery in Washington, DC. The artists who painted the portraits, Kehinde Wiley and Amy Sherald respectively, were present at the event, and, like the Obamas, each artist spoke about the process and experience of painting these works, which, as the images reveal, will not only honor the first African American US President and First Lady, but also mark a distinctive aesthetic shift in terms of the ways they represent these major historical figures. It should also be noted that Wiley is the black man and first out, black gay artist to paint a presidential portrait, and Sherald is the first black woman ever to paint one. Amidst the foliage surrounding him, Barack Obama's portrait contains flowers with specific reference to and resonance for the 44th President of the United States. Michelle Obama's image shows a dress specially designed by designer Michelle Smith, under her company Milly, for her Spring/Summer 2017 collection. The dress has the aura not only of a unique flag, but also evokes the long African American and American tradition of quilt-making.

Mark Wilson/Getty Images News/Getty Images

The Obamas selected the artists who painted them. As both Obamas shared, they had discussed their portraits with the artists before the painting process, so neither was a surprise. Each artist had two sittings with the Obamas, and from those the created the portraits revealed yesterday to the public, each taking roughly one year. Both portraits went on display today, though they will not be shown together. President Obama's will become part of the official presidential portrait gallery, while Michelle Obama's will be visible through November 2018 in the National Portrait gallery's corridor of recent acquisitions. Wiley, 40 and a native of Los Angeles, is already quite well known as one of the leading painters of his generation, with shows and work in collections at museums and galleries all over the US and world. Moreover, Wiley had already received a US Department of State Medal of Arts in 2015, which meant that his work would be displayed in US embassies across the globe. Amy Sherald, 44, is less well known, but has had an ascendant career in recent years, winning the Outwin Boochever Portrait Competition at the National Gallery in 2016. She has suffered from congestive heart failure, which was diagnosed at the age of 31, and successfully received a heart transplant in 2012.

Mark Wilson/Getty Images News/Getty Images

Barack Obama, by Kehinde Wiley
I don't have an elaborate critique of either portrait, but in the case of Barack Obama image, I wish it had featured his beautiful smile. The encroaching foliage also struck me as having the potential for parody, though I read it as symbolic of his steps, often forgotten, to address the pressing challenges of environmental conservation and climate change, both of which are targets of reversal by the current occupant of the White House. In the case of Michelle Obama's image, I understand Sherald's recourse to grayish color for black skin tones, which she has discussed in various interviews and profiles, but I do wish she had nevertheless mixed things up and featured the former First Lady's beautiful hues. The dress fascinates me; its flatness and intersecting planes remind me of Gustav Klimt's and Ferdinand Hodler's work, as well as other Art Nouveau artists (is there a resurgence of interest in their work?), and folk art in its muted color and solid background, and both paintings, in certain ways, put me in mind of the work of peer artists Mickalene Thomas while also harkening back to their earlier black predecessor Barkley L. Hendricks. In both cases, I think we have portraits for the ages, and new standards for all subsequent presidential artists to aim for.

Tuesday, November 20, 2012

Normalcy + iPhone Portraits

It has been two weeks since the national and local elections, and three weeks since Tropical Storm Sandy, and I feel, at least in some ways, that life is slowly returning to something approaching normalcy, even if there are still many signs that everyone and everyone around me is still recovering, to varying degrees, from the devastation and trauma the storm wrought. I cannot complain and over all feel very thankful; we made it through mostly unscathed, but for the lack of electricity and heat for over a week. Three graduate students in one of the programs I'm affiliated with, however, lost a great deal of their personal belongings, and one of these students was completely flooded out. I know her, though not well, and feel great empathy for what she and so many continue to face. Every day I read about people who've lost their loved ones, homes and jobs, who are struggling to rebuild and recover, who are not sure how they are going to keep going on, beyond hope and perseverance and and prayers.

The physical damage is still present too, even in Jersey City: lights are still out at some intersections; many small businesses remain shuttered or, once you step through their open doors, have had to tear out walls, shelving, flooring, everything, in an effort to rebuild; and other businesses, having gone days without power and weeks without customers, are hanging on by the most gossamer thread. The garbage trucks have mostly hauled away the first few mountains of rotted drywall, spalted wood, moldy carpeting. Littler heaps nevertheless reappear at curbsides. One local restaurant on Grove St., one of the main commercial downtown strips, though reopened, was still unable to restock just a week ago, and its proprietor nearly started crying as she recounted the challenges she faced. Her emotion, just below the surface, is visible in the faces of so many.

I noted to C how last week, when in Manhattan, I noted a muted, almost wary, melancholy mood on the streets. Some people looked like I have felt: wrung out. I thought it was the rejiggered schedule, the hyperpacked PATH trains, the rationing date schedule, the sense that in the wider world, the storm and its damage have left the news for so much else. (There was the election, which was a burst of positivity in so many ways.) Then I read Jeremiah's Vanishing New York, and he committed to his blog a fuller portrait of what I've detected. Just a quote from his post "Post-Sandy Mood", which I felt could really be titled "Post-Sandy Blues" or "Post-Sandy Blahs," to give you a sense of what he says:

"Tired" is the predominant feeling--represented by the largest type in this word cloud (I collapsed synonyms like "exhausted" into it, as with others). This tiredness is a tiredness that seems to go on and on, for those hit hardest and for those barely impacted. Most of us are tired. 

Curiously, no one said they feel angry. They're frustrated and annoyed, resentful and cranky, but what about angry? Anger takes energy, and when you're exhausted, it's not easy to be angry.

Along with feeling exhausted, depressed, and worried, unmotivated and annoyed, many people are also feeling grateful and lucky--for not losing their homes or for just being alive in the midst of loss. Many feel hopeful. Several said they feel empathetic for those who are suffering. 

JVNY features word clouds that quite accurately reflect, at least to me, the malaise lying beneath the surfaces of things. Or perhaps not a malaise, but a disquiet. I'm not sure it could fill a book, as Fernando Pessoa once did, but it does feel worth mentioning. Soon enough, it too will pass, though the struggles of so many, Sandy-related and not, will go on, as they always do, without any notice or notation from the wider world. Helpfully he provides links to psychological resources for those still trying to cope.

The PATH trains are running irregularly; the World Trade Center and Hoboken stations are still being repaired after flooding that could easily have appeared in a 1970s disaster flick. One image from the Hoboken PATH station eerily recalled The Shining, though it was salt water, and not blood, that gushed through the elevator doors. (Is "thankfully" appropriate here?) The Exchange Place Station also remains closed. Whenever I envision the volume of water that rushed down its vertiginous stairs onto the tracks below, I get chills. Given the damage, the Port Authority has not offered any predictions on when any of these stations will open. The light rail trains, in Hudson County and in Newark, are running again following their regular schedules, but like the PATH, they are sometimes so full it amazes me they can advance down the track.

In those moments when I am not pressed like a piece of herring in a tin and the trains aren't seesawing around the bend I still try to get in a few sketches. Drawing is a deeply calming, centering, enjoyable activity for me, and has been since I was small. Here are a few very recent life portraits, all on my iPhone, using Sketchbook Pro. I got a stylus with the new phone, but I have yet to use it. I have gotten so used to my fingers working in favor of pen and pencil tips that they've become my default. At any rate, I'll take rocking trains and an altered schedule that requires a bit more pre-planning over having to get in a car and drive on the highway, even if it's a 15-20-minute trip, any day.

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Sunday, July 08, 2012

iPhone Sketches

A few recent iPhone sketches, all drawn from life, now that I'm back to riding public transportation and have a little time to sit and observe people on the train, in cafés and on the street.


iPhone sketch portrait
In Jersey City

iPhone sketch portrait
In Jersey City

iPhone sketch portrait
In Manhattan

iPhone sketch portrait
Under the Hudson

iPhone sketch portrait
In Jersey City

iPhone sketch portrait
In Barcelona

iPhone sketch portrait
In Barcelona

iPhone sketch portrait
In Jersey City

iPhone sketch portrait
In Chicago


Wednesday, May 30, 2012

Portraits of Me (by Colleagues)

I haven't posted any iPhone or iPad or scanned pen or pencil drawings in quite a while, mainly because I haven't had time to complete (m)any, but I've learned that there are J's Theater readers who take note of them, some of them quite distinguished colleagues, who have duly produced their own original drawings, in pen and colored pencil, of yours truly. I assured several of them that I would post their original drawings, so here they are.

(© Brian Bouldrey)
Brian, always brimming with wit and possessing a way with words, captures me in my post-locs cap and glasses, with Van Dyke (which I have persisted for years in calling a goatee), and highlights an aspect of my personhood in his dialogue bubble. Were he to describe this drawing he would have you rolling on the floor with laughter; he's one of the best and funniest public speakers I've ever come across. At any rate, as a famous wag once said (or didn't), On ne peux pas survivre sans les livres ou vivre sans la théorie.

(© Eula Biss)
Eula, whose work is as sharp as a laser, polished as crystal, and deep as a diamond mine, employed a light and gentle touch with colored pencils to capture me as I was and once again am, again, sin trenzas, as they might say in DR. I like this one because it gives me a full hairline (I still do have the widow's peak, though) and makes me look much younger. No squint lines between my eyes or gray beard!

(© John Bresland)
John is a mage in the video essay field, which means that he has and knows from vision, and he envisions me as I was until a few years ago, with a full head (of slowly graying) hair.  I love that he captures the widow's peak as well. Very Frederick Douglass, I think, or Dennis Brutus, two heroes. When I was very young I used to worry that the widow's peak made me look too much like Eddie Munster, until one day I looked at it another way, as a nice anchor for my forehead.
(© John Bresland)
John also drew himself, waving goodbye. He depicts himself pretty well. You can see the look of engaged thought on his mien, though; whenever we pass in the hallways or walkways I wonder, what is he dreaming up? Something exciting, I'm sure. Let me return the wave, and tell them all, many thanks. I'll really miss you all.

Tuesday, December 27, 2011

Some iPhone/iPad Drawings

I've drawn very few of my little and bigger portraits since the summer, but here are a few of those and one or two new ones. As always, most are life drawings (save the Sagat portrait--I think I drew his face too long and not wide enough--and the final one, based on an photo of football player Dez Bryant), done in one sitting (or, more usually), standing.

At a cafe (iPad drawing)
Woman in café, Manhattan (iPad)
Francois Sagat (iPad Drawing)
Actor/porn star, François Sagat (iPad)

iPhone sketch (on PATH)
Young man on PATH (iPhone)

Man on train (iPad drawing)
Man in café, Chicago (iPad)

Train sketch
Reverse drawing (iPhone)

Train sketch
Man on light-rail train (iPhone)

iPhone sketch (at Kinokinuya)
Man sitting across from me, Kinokuniya (Manhattan) (iPhone)

iPad life drawing
Man on PATH (iPad)