Showing posts with label Cindy Pavlinac. Show all posts
Showing posts with label Cindy Pavlinac. Show all posts

Sunday, September 25, 2011

Sonoma County Book Festival

This past weekend was the twelfth annual Sonoma County Book Festival. It has grown to eight different venues and stages for readings and panel discussions, as well as four different areas for the over ninety vendors.

Amazing.

Here is Fourth Street in Downtown Santa Rosa which was closed off this year to traffic to accommodate the event.


My writers club had two separate tables, one for membership and another for advertising our various programs and upcoming events. Redwood Writers has become so vibrant and popular that it sponsored four other tables for our members to showcase their books on a rotating basis. Each table had two authors on two hour shifts, so a total of thirty-two members had an opportunity to sell their books as a benefit of belonging to our club without having to pay an exhibitors fee.

That was a great opportunity and one that I utilized. I was also scheduled to read from my novel Quest of the Warrior Maid. To help put myself in a festive mood, I decided to wear a period costume.

My outfit may not be accurate ninth century apparel, but I have limited sewing skills. Many people complimented me on my dress, so if nothing else - I stood out from the crowd by dressing Medievalish.



With my friend Kate Farrell.



Here I am with Teresa LeYung Ryan

Ana Manwaring organized the Redwood Writers Village Stage with twelve different groups who each had multiple readers. That is a lot of organizing. Our podium was created by her husband. It is a hollowed out redwood stump and we were in front of a grove of redwood trees. How fitting for Redwood Writers.

Ana Manwaring introducing me.

I am reading a scene from Quest of the Warrior Maid.


Ana requested that I read a "spicy" scene from my book, so for those who have a copy of my book - it was chapter 28 - a scene on Alcina's island.

It was fun and I had several people tell me later in the day that they enjoyed the enthusiasm I showed in my presentation.

Here is a close up of my jewelry. Yes that's a sword pendant I am wearing as well as Occitan crosses for earrings.



After I read, I introduced another club member's new work.

Robbi Sommers Bryant reads from her new novel The Beautiful Evil.


Our writing club's vice-president Jeane Slone has created a wonderful program for Sonoma County authors with independent coffee shops. There are now eighteen coffee shops selling over seventy titles by forty-seven Sonoma County authors. The coffee shops love it because their customers get to browse while they are waiting for their lattes, and the owners do not have to do anything with the books. Jeane visits them regularly to rotate and refill titles. Here she is talking with two festival goers about the program.









Here is a picture of the list of coffee shops in the program.



And here is an easier to read list of the independent coffee shops who are carrying local Sonoma County authors' books:

Apple Box Coffee shop: 224 B St., Petaluma
The Barking Dog Roasters: 18133 Sonoma Hwy., Sonoma
The Barking Dog Roasters (II): 201 W. Napa St., Sonoma
The Bean Affair: 1270 Healdsburg Ave, #101, Healdsburg
Bungalow Coffee and Tea: near Molsberry Market, Larksfield
Café de Croissants: 6580 Oakmont Dr., Oakmont
Café Noto: 630 McClelland Dr., Windsor
Community Café: 875 West Napa St., Sonoma
The Dry Creek Store: 3495 Dry Creek Road, Healdsburg
Golden Bean: 101Golf Course Dr., Suite A3, Rohnert Park
Gypsey Café: 162 N. Main St., Sebastopol
Kenwood Farmhouse Gift shop: 9255 Sonoma Hwy., Kenwood
Local Folkal: 117 N. Cloverdale Blvd., Cloverdale
Midtown Café: 1422 4th St.. Santa Rosa
Muffin Street Baking: 52 Mission Circle, Santa Rosa (McDonald/Mission shopping center)
Off the Track Coffee shop: 6544 Front Street, Forestville
Pearson & Co. Expresso & Catering/McCoy's Cookware: 2759 4th St., Santa Rosa (Near Farmer's Lane, next to Safeway)

Jeane told me that my book is currently at The Bean Affair, Café Noto, and the Bungalow. There were a few others, but she rotates the stock so that the coffee shop regulars will have different titles to browse.

It's hard to see with the shadow, but Jeane is holding up a copy of my book.


Jeane had a great day talking with festival goers, selling a few books and seven more authors expressed interest in having their work entered into the program.

Here I am at my half of the table with my books, book marks, and post cards. I also have an artist's drawing of the Guédelon project to help set the mood. I also set out an Occitan flag that I purchased on my last trip to France.


The bright yellow cross on a field of red is used throughout the Midi-Pyrenees region and even appears on their license plates. It was a symbol of the counts of Toulouse and now represents a regional pride. The design may not date back to the time of Charlemagne, but it is associated with the area where my heroine Bradamante is from and therefore I like it.

Besides the colors are vivid and eye catching. I also found it and my costume to be conversational ice breakers.


Here are some more pictures from that glorious autumn day.



Schmoozing with my friends Pat Morin and Barbara Truax.


Barbara Truax and Catharine Bramkamp checking out Carol McConkie's new book Fat Girl Fairy Boy.


Goofing around with Cindy Pavlinac.




Hanging with "Fear the Beard" SF Giants fan Roger Harris.


And my table was graced with the Cindy Pavlinac's famous road tripping pooch Merlin.

All in all it was a glorious day. The weather was perfect this year. Now, I need to order more authors' copies of my book as I am down to my last copy.

Thursday, September 18, 2008

Social Networking

The other day I started working on the next installment of my France travelogue and realized that I have so many good pictures of Carcassonne that I should split my discussion into two posts. One for the city, the castle and its ramparts and another for the Basilica of Saint Nazaire. I have started cropping and resizing the photos, but those posts will have to wait until another day when I have time to chronicle it properly.

Until then, I thought I would bring up a topic about self-promotion and online social networking since it is something I have been involved with recently.

I have seen exhortations by Joe Konrath for writers to have not only websites and blogs, but to also utilize MySpace, Facebook and the like. (By the way, Joe's fabulous blog A Newbie's Guide to Publishing has been turned into a free PDF file with over 750 pages of tips and advice for writing, promotion, and hard won wisdom. Download it here.

Trying to follow literary blogs, write my own blog as well as write my novel has been challenging to find enough time, but I knew there would come a day when I would join one of those social networking sites.

I had gotten repeated invitations from several of my friends to join LinkedIn and Bebo, I had not responded.

Then I read Aaron Sorkin was going to write a movie about Facebook and that he had joined Facebook for research purposes.

I joined that morning. Because, well, I wanted the opportunity to write to Aaron. For those scratching their heads and going "Aaron who?" - he wrote the play and then screenplay for A Few Good Men, The American President, Malice, and Charlie Wilson's War.

However, I first took notice of him with his television series Sports Night. That was such a great series. It was only on for two seasons, but I loved it and own the boxed set of DVDs. If you have never watched SportsNight, rent a disc from Netflix and enjoy. His comic timing is excellent and then there is a depth to his stories that make them rise above his contemporaries.

Sorkin is truly an amazing writer.

And well, I could not pass up the opportunity to write to Aaron. I had been wanting to do so for a few years over a nitpicky thing from an episode of The West Wing that I wanted to write to him about for years, but had never done so because I did not want my letter to become lost in the NBC mailroom.

So I joined Facebook and posted my message to him on his group Aaron Sorkin & the Facebook Movie. He didn't reply to it, but then again my post was more of a statement than a question.

Either way, that was the nudge that made me join Facebook.

I discovered as I joined that I had many email addresses in my Gmail account of Facebook members. I wound up sending out invitations to them and within minutes I had received confirmations from several people to be my friends. Truly the first few people who replied were my friends.

I also started feathering my online nest with interests and joined other groups. I know this could be a major time sink, but I wanted to spend enough time so that it was more than just the bare minimum of a page.

As I accumulated friends I would look to see if I recognized any of their friends and if so, I would send a notice to add them as a friend. Soon I had a few dozen friends on Facebook. Most I know, but there are others whom I really do not know.

Some were undoubtedly email addresses that I culled from positive reviews from my Harry Potter fanfiction. I am hoping those who liked my past writing will be interested in purchasing a book once I have one published. So this is one of my attempts at cultivating a fanbase.

It was fortuitous that I joined Facebook prior to attending the East of Eden Conference for I wound up adding more friends to my profile from those I met and schmoozed with in Salinas.

One aspect that I found interesting about this social networking thing is that some of my writing colleagues who have belonged to Facebook far longer than I, have only a few friends. Some have only a handful or so.

There is a button to suggest friends for others. My ingrained networking instinct kicked in again as I would suggest those who I thought might know each other already, but were unaware that the other one was also a Facebook member.

Just spreading the love.

Then this past weekend after my writers club meeting I was chatting with Ann Wilkes and she strongly suggested that I join LinkedIn as well.

So I did.

I now have quite a few friends on Facebook and contacts on LinkedIn. If you are on either and would like to friend me, my contact name on both sites is Linda C. McCabe. Be sure to use the middle initial C. or you are likely to meet up with other Linda McCabes. One of which is my cousin Al's wife.

I uploaded the same picture from my blog taken by Cindy Pavlinac, so it should be easy to identify me.

I feel like such a newbie about these things and would love to hear people's thoughts or feedback on these and other social networking sites.

Also, does anyone Twitter? Does anyone follow Twitter? If so...why? Just because it is there does that mean that we have to avail ourselves of it?

Linda

Thursday, August 28, 2008

Demon Sex, Mummies, Literary Alchemy and more...

Yes, I am experimenting with catchy titles, but I will cover all those topics in the headline I promise.

First off: Demon Sex.

Erika Mailman updated her blog with a post discussing the sexual demons known as Incubi and Succubi and includes passages from the Malleus Maleficarum.

Her book The Witch's Trinity will be out in paperback in October, so if you have not read it yet - be sure to pre-order a copy today while you are thinking about it. Her novel was a Bram Stoker Award finalist and San Francisco Chronicle Book of Note of 2007.



Tess Gerritsen has a forthcoming novel The Keepsake that deals with murder and mummies. I had the pleasure of talking with Tess at the San Francisco Writers Conference this past February along with my friend Cindy Pavlinac. We chatted about her fascination with Egypt and archaeology as well as the process of mummification.

Tess decided to commission a book trailer to be made for The Keepsake and it is fabulous. Check it out:



She discusses some hidden benefits of book trailers on a guest post at the blog Murderati as well as how she went about commissioning the trailer to be made. Tess mentions that as a consequence of this filming she now has shrunken heads and rubber corpses occupying space in her garage. Hey, she will be all set for Halloween this year.

Onto a forthcoming book from another big time author is Katherine Neville's long awaited sequel to her classic novel The Eight. If you have never read that book first published in 1988, then you are in for a treat.

As described on her website:

Katherine Neville’s groundbreaking novel, The Eight, dazzled audiences more than twenty years ago and set the literary stage for the epic thriller. A quest for a mystical chess service that once belonged to Charlemagne, it spans two centuries and three continents, and intertwines historic and modern plots, archaeological treasure hunts, esoteric riddles, and puzzles encrypted with clues from the ancient past. Now the electrifying global adventure continues, in Neville’s long anticipated sequel: The Fire.

It is more than that, The Eight is a novel about the complex game of chess and she weaves in the historical figures of Charlemagne, Talleyrand, Robespierre, David, Sarat, Napoleon, and Moammar Qaddafi. There are two parallel stories being told. One takes place in the 1970s in New York City and later in Algeria, the other timeline is during the French Revolution. In both time periods, there is a deadly game being played in order to secure the pieces of a chess set that once belonged to Charlemagne. The novel combines murder, chess, Charlemagne, the French Revolution, literary alchemy, and Fibonacci Numbers. I mean, what's not to like?

Katherine has updated her website and it looks all bright and shiny. I am excited to see the list of signings to promote her forthcoming novel The Fire due out in October because she will be coming to my area. I look forward to meeting her and getting a signed copy.

Now to go from the sublime to the absurd.

John Goodman has returned to filming the adaptation of the novel Pope Joan. It took a lawsuit to accomplish this feat. You see, he decided that a supporting role in the movie Speed Racer might be better for his career than playing Pope Sergius in an epic historical move.

Speed Racer.

He chose to be in Speed Racer. Over Pope Joan.

Wow.

Of course hindsight is 20/20 and Speed Racer was a clunker, so I cannot help but think he made a boneheaded choice to back out of a signed contractual agreement to be involved in what turned out to be a lousy movie.

(I am grateful that my father-in-law sacrificed a few hours time to take my son to see Speed Racer because I did not want to suffer in the movie theater like I did a few years ago when I endured having to watch Home on the Range. Things you do for a child or a grandchild.)

Back to discussing Pope Joan the movie. I met Donna Woolfolk Cross, the author of Pope Joan, ten years ago when she was gracious enough to do a benefit book signing for an organization I headed at the time. She told me then that there were plans of a movie being made and she was given the opportunity to adapt her novel into a screenplay and she had just started working on the script. I gave a few suggestions of condensing early events into montages to get to the heart of the story, then I told her to be prepared that it might take longer than she expected. I had previously been interested in writing screenplays and so I had learned a lot about the movie industry and knew that it was a fickle business. I warned her that it could be a long drawn out process, and unfortunately for her, I was right.

I hope that the project is completed before long and that the film lives up to all her expectations.

Speaking of film delays...I am wondering about the status of the movie Love and Virtue. The production company's website has not been updated in a long time, and my Google Alert on the subject does not turn up much new information. I have seen some mention in regard to articles written about various actors associated with the production and it seems as if they had filmed the movie, however, I do not see any specific date as to when it will be released.

I did find an ominous posting on a message board for IMDb which does not seem all that hopeful to see the release of this movie anytime soon. That's a shame, because there are not many movies based on the legends of Charlemagne and even though in my humble opinion I think some of the actors are too old to play the part of specific characters...I still would like the movie be a success if only to spur interest in the epic poems of Orlando Furioso and Orlando Innamorato which inspired the storyline.

There are a few operas based on this luxurious source material and at least one play, but the legends of Charlemagne are woefully underserved in comparison to the legends of King Arthur.

For the record those operas are:

Alcina by Handel
Ariodante by Handel
Orlando Furioso by Vivaldi

and the play is Bradamante by Robert Garnier.

In other news, several of my friends have done interviews recently. Here are some links to those:

Agent Nathan Bransford was interviewed for a podcast by Bleak House as was as retired homicide detective Lee Lofland. Here is a link to Lee's interview.

Jeff Sypeck was interviewed by Julie K. Rose about songs he listened to which inspired his writing the book Becoming Charlemagne. The transcript of the interview is here and a podcast of Julie discussing the interview is here.

Then in somewhat old news, there is the controversy about Random House canceling the publication of the novel The Jewel of Medina. For those interested in reading a sample of the book for yourself, the blog Smart Bitches, Trashy Books contacted the author Sherry Jones and has posted the Prologue online.

For those interested in reading a Muslim's perspective on the controversy, here is a post by blogger Mike Ghouse entitled Self-Censoring Muslims in which he responds to an editorial published in the Washington Post on the subject.

And lastly for now...the blog War and Game posted a review of the book The Moral Treatment of Returning Warriors in Early Medieval and Modern Times. I had never heard of this book before, has anyone else read this book?

Go ahead and leave your thoughts about any of these disparate subjects. Hopefully you found something intriguing.

Linda

Wednesday, July 9, 2008

Guédelon, constructing a 13th century castle in 21st century France





About an hour and a half south of Paris in rural Burgundy (Bourgogne) is an amazing construction site known as Guédelon. They are building a castle using the tools and technology that would have been used in the thirteenth century.

Finding Guédelon is not altogether easy because it is off the beaten path, although there are many iconic signs posted along the roads with arrows to help reassure travelers that they are nearing their destination.

I first heard of Guédelon via a blog post written by an American blogger married to a Frenchman and lives in France. I had been planning my travel itinerary and when I saw her post knew that I had to consider adding that as a stop. As luck would have it, my friend Cindy Pavlinac was planning her own trip to France several months in advance of my own and she would be only an hour or two away from Guédelon. After telling her about this place, she agreed to do some advance research for me and after she returned told me enthusiastically that it would be well worth my stop.

As I paid for our admission tickets, a woman asked if my husband and I would like a guided tour. I did my best to respond in the affirmative if it was in English. She then surprised me when she switched immediately to English and asked where I was from. I had her repeat the question and then stumbled as I said, “California.” She replied, “I’m from Colorado.”

At that point, I felt as if the sky opened and sunshine rained down on me. Julie left the admissions window for a few minutes to answer some questions and gave us an overview of the site, but she did not have the time to do a full tour. (There was another window for admission tickets that was open, so she was not abandoning her post.)

Julie was enthusiastic about the project as well as the history of castles as she had learned from being a part of this experimental archaeology. Between her discussion, the book Guédelon: Fanatics for a fortress and the DVD Guédelon: Ils bâtissent un château fort provide the sources of my information about Guédelon. (The book and DVD were purchased in their gift shop, but are either scarce or non-existent in the U.S. Be aware on the Amazon link for the book there are only two copies available and only one is in English.)

Guédelon is the brainchild of Michel Guyot who had restored castles, but had always dreamed of building one. The epiphany came to him one night over drinks with friends at his restored castle in Saint Fargeau. By morning he realized that it would be a works program that would employ people in the process and that admission tickets from the public would cover the costs of construction.

He quickly found a partner in Maryline Martin.

She is the project manager and whose energy and drive became an unstoppable force of nature which led to the first subsidy grant ever by the Canal+ Foundation. Their CEO, Pierre Lescure, is quoted as saying about Martin and Guyot, “They’re mad! They’re really mad.” [i]

Madness is another word for passion and that is what started and sustains Guédelon. The estimated length of construction for this project is twenty-five years and they are now in their eleventh year.

Strategic lines of sight for defensive purposes while an important consideration during the Middle Ages was not what determined their choice of sites to build. Nor was proximity to a major city or mass transportation a factor, because it is in a rural area where you can only get there by car or possibly chartered bus. Instead, they focused on finding land which would have all the necessary natural resources. The construction site near Treigny is designed to be self-sufficient and everything that they use is crafted there: stone, sand, lime, clay, a forest, and the stone is ferruginous so it provides the iron necessary to produce the tools.

Inspiration for the architectural designs for the site came from thirteenth century castles built during the reign of Philippe Auguste and the plans were drafted by Jacques Moulin, architect-in-chief of Historic Monuments.


Here is a scale model of what the castle will look like upon completion:


Florian Renucci started out as a stone cutter, but within two years he became Guédelon’s site manager and is involved in every aspect of construction. On the DVD, he refers to this project as cultural heritage embodied by stone.


Speaking of stone, here are stone cutters at work:


They select rock from the quarry and split the stones by focusing their hammers on the different colored grains in the stone which denote weak points. Watching their back breaking labor makes me truly appreciate how difficult all the stone buildings were to make prior to the invention of power tools.

It also reinforced the idea that I heard repeatedly in France that when stone buildings, ramparts, etc., entered into a state of ruin that the locals began re-using the stone and treating it as their private “stone quarry.” The medieval village of Carcassone was pillaged for its stone by the villagers who lived in the modern village.

In America we are only now beginning to discuss re-using material from old houses which are being torn down, but it is an age old concept for Europeans.

Here is a handcart that was crafted by the carpenters to transport some of the rock that was hewn by the stone cutters.


Large loads are placed in a cart and pulled by one of Guédelon’s two workhorses.

The rough hewn stones are brought to the stone masons who chisel the stone to fit the dimensions necessary. Certain specialized stones are carved for barrel arches, windows and doorways, while other stones are simply needed for the walls.

Here you can see the stone mason’s cottage where there are various forms hung above his head. On the left foreground you can see stone steps that will be a part of a circular staircase as well as stones that will be part of an archway. I thought it was interesting to notice that the flooring of the cottage needed repair, but it appears that the carpenters are too busy creating scaffolds than replacing floorboards.

Another marvel that was created by the stone cutters and stone masons was a single capstone used for the well. It is one large piece of stone and it will never be subjected to weakness or stress that is inherent with stones held together with mortar.

The finished stones are given marks by the stone masons and then transported to the work site itself and are laid in their proper place by the masons.


To lift the heavy loads up at the top of the construction site they use an old “human hamster wheel” whose design dates back to the time of the Romans.

The tools used are crafted by blacksmiths who repair several sets of tools from stone cutters and stone masons on a daily basis. It is said on the worksite that without the blacksmith there would be no tools.

The lead blacksmith is Thierry Darques who came to the job trained as a journalist. He jokes about the abrupt change in careers, but loves working with his hands. He was one of the first to join the project and apprenticed with master blacksmith Olivier Loiseau. He studies old manuscripts to see images of tools from the age and tries his best to copy them using the tools in his forge.[ii] The blacksmiths also forge the nails used in construction.

This bridge is made of wood from 57 oak trees and 670 hand forged nails.[iii]

They also do not use modern measuring equipment at the site. Instead they use the three tools found in a 13th century book: a stick, their feet and a cord.

In the video Alain Louis demonstrates the six measurements on a stick. The first measure is of four fingers grasping the stick (without the thumb) and is known as the hand’s breadth. The second measure was of the fingers being extended (still without the thumb). The third measure was the span spread that included the thumb. The fourth measure is the length of his foot. The fifth measure was the “L” or the distance between the tips of your fingers to the end of your elbow, also known as a cubit. The sixth measure was the diameter of the stick should be the size of the width of your thumb.

He also did a nifty demonstration with the cord having thirteen regularly placed knots in it. As he shifted the cord around it, he showed the school children rudimentary mathematics.

The work site has other trained artisans including:

● wood cutters who fell the trees in the forest

● carpenters who fashion the wood for wagons, scaffolds, and create wood shingles

● the rope maker who takes raw hemp grown in the forest and processes the fiber into rope

● basket weavers who take willow and wicker to create baskets that carry small rocks as well as mortar

● the mortar makers

● the tile maker who takes clay and soaks it in water to remove all the trapped air, shapes it into either roof or floor tiles, (sometimes adding dye to color the tile), drying it and then firing it in a kiln

● the dye maker

Here is one of the diagrams used in the planning of the castle:

And here one of the completed vaulted ceilings:

Guédelon has several technical advisors who visit the site periodically to ensure that the methodology is being done in as authentic a manner as is possible, (especially when certain knowledge of techniques was never written down but passed down from master to apprentice and so it is a matter of supposition.)

One of the advisors is an art historian from Lyon University, Nicolas Reveryon. He mentioned in the DVD that he was skeptical about the project at first because he felt that there are plenty of castles in ruin in France and did not understand the need to build another. However, he and his colleague Anne Baud, who is an archaeologist have been convinced at Guédelon’s importance because it has allowed them to test some of their hypotheses and they have found some answers to their own questions about working procedures on a medieval site.

For example there is this quote:

Thanks to the Guédelon site, Nicolas Reveyron and his colleagues have been able to verify that manure is by far the best protection against rain and frost for the wall crests, and they finally have scientific certainty that the vertical black discontinuities found in cathedrals correspond to pauses in construction. To date, no written evidence existed to explain these construction details.[iv]

Here you can see the vertical lines in the walls, as well as moss. The previous vaulted ceiling also has readily visible lines. Later the castle will be plastered to properly seal the mortar as well as covering over the unsightly blemishes that came with construction over time.

Guédelon is now the biggest employer in the Yonne Department with fifty employees. The are also about sixty regular volunteers who help out whenever they can and an even larger number of occasional volunteers who spend a week or two of their summer holiday assisting in the construction.

The site opened to the public in 1998 and in its first year had 50,000 visitors. It now has upwards of a quarter million tourists each year and its receipts from admissions, concessions and merchandise allows it to be self-sustaining.

Julie told us that a month before our visit that Rick Steves and his camera crew had come to the site. I have not yet seen it on PBS, nor any mention of this on his website, but I predict once this episode is viewed by Americans who are planning on traveling to France that the attendance will skyrocket.

Oh and here’s a picture of Julie and myself.

The old “build it and they will come” mantra has proven to be correct. In fact, Guyot felt that seeing the construction of a castle would be more exciting for tourism than visiting a castle which had already been built.

Americans who are reading this post might be thinking something along the lines of “Why doesn’t someone do that here? We have all kinds of Renaissance Faires and chapters of the Society for Creative Anachronism. Surely there would be support for a castle building project in the U.S.

In fact, there is a group who wants to do just that and it has been the subject of posts by medievalist bloggers such as Heroic Dreams, Richard Scott Nokes, and Matthew Gabriele. Medieval World, USA wants to build not only a castle, but an entire medieval village.

I spoke recently by phone to Roger Gomez and during our discussion I urged him to visit Guédelon and learn from their triumphs as well as their mistakes.

He then told me of their own board of advisors having the expertise of a professor of Medieval Literature from Colorado State University, an architect, and a CPA. They are a not for profit organization and are hoping soon to become recognized as a 501C3 non-profit organization. Unfortunately they have not found anyone like Maryline Martin to spearhead their effort. They need either a rainmaker or a sugardaddy/momma to fund buying land for their project as well as provide the start up capital necessary to begin construction.

Roger told me that he has four different business plans depending on how they achieve their capital. His preference is to follow Guédelon’s lead and use medieval construction techniques to create their vision of a medieval world. However, if they get corporate sponsorship that requires on rapid construction to complete the site on 21st century timetables, he will still insist on the integrity of the site.

He wants visitors to not be able to tell where things have been constructed in a faux manner. He wanted the look and feel of authenticity for the time period. (But maybe not the smells.)

Roger referred to this as an assembled heritage landscape and compared it to living history sites such as Colonial Williamsburg in Virginia and Plimouth Plantation in Massachussetts.

I asked about getting financial support from the various Ren Faires that are held each year, but so far there has not been an organized effort on their behalf. He said that if one million people who love the Middle Ages donated just $20 then they would have the money they needed.

Think about that. Instead of squandering $20 on a cheesy souvenir T-shirt at the next Ren Faire you attend, you could help support the initial funding of an American version of Guédelon. All you have to do is donate here.

Or you could become mad like Maryline Martin and Michel Guyot, and make this project happen here by pouring your heart and soul into this dream as well.

Here are some links to articles about Guédelon that I came across as I was researching for this blog post.

Interesting thing of the day

San Diego Union Tribune

A New York Times article

Burgundy Today

You can also find montage videos of Guédelonon YouTube. Here is one that is nice.





[i] Philippe Minard and François Folcher, Guédelon: Fanatics for a Fortress, (Geneva, Switzerland: Aubanel), 2003, p. 14.

[ii] Ibid., p. 98.

[iii] Ibid., p. 38.

[iv] Ibid., p. 134.

Thursday, June 26, 2008

Sir Salman Rushdie....and me



Salman Rushdie took time out from his book tour promoting his latest novel The Enchantress of Florence to be knighted by Queen Elizabeth II yesterday.

He is now officially Sir Salman Rushdie.

But last week when I met him, he was just Mister Salman Rushdie. It was also his 61st birthday.

My friend Cindy Pavlinac accompanied me to the reading at the wonderful independent bookstore Book Passage in Corte Madera, California. The place was packed. By the time that we arrived the author event was just starting and they were singing "Happy Birthday" to him. Not only were all the chairs taken, but people were standing in the doorway. I had to ease my way inside and sit on the floor in the aisle.



I had started reading the novel before that night, but have not yet finished it. Some things you just do not want to rush.

The reason I was so interested in reading this novel and seeing him in person was because the story was inspired by the same epic poems which I am basing my novels upon: Orlando Innamorato and Orlando Furioso.

I have various Google alerts set to various key word terms that are of interest to me and a few months ago I started getting links to book reviews of The Last Enchantress of Florence which mentioned that Rushdie's novel was inspired Orlando Furioso and the character of Angelica.

Rushdie read a passage of his novel which detailed the meeting of Angelica and Argalia along with some bawdy references to tattoos of tulips on a man's body.

:ahem:

Suffice it to say that some of the inked petals went from a wilted state to full bloom.

As I sat there listening to him read, I found myself inwardly astounded since he was describing Angelica and Argalia as lovers whereas the poets Boiardo and Ariosto had them as siblings. Angelica was a virgin until she fell in love with Medoro, so there was not any incest between Angelica and Argalia implied by the poets.

Rushdie does not have them related, so he does not imply incest either. I just found his twist in these characters' relationships to be interesting.

The question and answer period was filled with people asking questions about India as well as U.S. and world politics. Little was asked about the craft of writing or of this book in particular.

As soon as he finished speaking a large number of people stood up and filed out the door. It appeared that many people came merely to see a celebrity in person. I hope they at least bought a book or a cup of coffee beforehand to help support the bookstore.

There was still a large queue of people who waited for their books to be signed and I dutifully waited at the end. Or at least I tried to be at the end. Because I wanted the opportunity to talk with him and thought it would be easiest at that point.

I started off telling him that in all the reviews I had read of this novel that they seemed only to mention Orlando Furioso but not its predecessor Orlando Innamorato which from his reading made it appear that his story would have been more likely to have influenced by.

(Argalia is killed early on in Orlando Innamorato and his only mentions in Orlando Furioso are done posthumously).

He smiled and said that both poems are listed in his bibliography.

I then mentioned that as a woman I did not care much for the character of Angelica, but I found myself drawn to the characters of Bradamante and Marfisa. It was then that he knew without a doubt that I was a fan of the poems.

We had a brief conversation at that point where he told me that he had wanted to write a story about a woman from India coming to Renaissance Italy. It was after he began writing that he realized that it had been done centuries before.

He then said something about women in armor (in reply to my stated preference to the women warriors Bradamante and Marfisa), but at about that point, I was ushered to the side by the store manager because there were a few more people with books to sign. One was a man with an armload of books to sign.

I think he was trying to stock up on autographed books to donate to silent auction fundraisers far into the future. Either that or he is a highly generous gift giver.


Neither Cindy nor I had a proper camera with us that night, (grumble) so here is the best that my camera phone could produce of me and Mr. Rushdie.



As of yesterday, it is officially Sir Rushdie which means I stood next to a knight.

Saturday, March 1, 2008

2008 San Francisco Writers Conference

Last year I wrote a post about why anyone should go to a writers conference as well as my experiences having volunteered at the 2007 San Francisco Writers Conference.

I volunteered again this year, and had an even better time than before.

I carpooled down to The City (which is what San Francisco is called by people in the Bay Area - NOT Frisco or San Fran) with my friend Cindy Pavlinac. I have known Cindy for several years and she holds the same position on the board of directors for the Marin branch of the California Writers Club as I do on the Redwood Writers branch.

Cindy and I arrived early Friday morning wanting to hear Kemble Scott speak at the opening session. That was important because we wanted to introduce ourselves to him since he will be our guest speaker at a joint meeting for our two clubs in April. He had been a speaker at Litquake last fall with my friend Erika Mailman talking about their experiences as newly published authors.



His session was great and he gave several anecdotes demonstrating his business savvy. His book is entitled SoMa which is a nickname for the gritty South of Market Street neighborhood of San Francisco. He made Youtube videos of the areas in his novel helping to publicize his book.

One thing he did not plan on was being attacked by a local online critic who hates everyone. At first Scott was taken aback, but then he realized that it was great publicity. People were learning about his new book and it increased sales.

His book has gone on to become a San Francisco Chronicle bestseller. Not bad. Not bad at all.

He has many reviews listed on his website, but this one seems the most intriguing to me:


"I read the first page of SoMa and never put it down until I read the last page. Then my housemate took it from me and read it in a day. It flows through your hands like water, yet it shocks, awes, repulses, exposes trade secrets, and illuminates the deep motives for extreme behavior. I know people who are less real than these characters. I laughed out loud. Kemble Scott is one sick bastard."

— Joe Quirk, best-selling author of The Ultimate Rush and Sperm are from Men, Eggs are from Women.

I had a great time meeting and schmoozing with Kemble Scott. I think he's a great guy, even if Joe Quirk thinks he's "one sick bastard" from his novel. It was nice that Scott hung around the conference all three days, and not just there simply for his session and leaving afterward. I even was fortunate enough to go out to dinner with him, Yanina Gotsulsky and Ransom Stephens on Friday night. We had a great time laughing, telling tales, and enjoying each others company.

I haven't read Scott's book yet, but I shall make a point of doing so before his talk at our joint meeting.




At our arrival I ran into Bryce Holt and his brother Kyle. I had met Bryce the previous year and had corresponded with him a few times over the past year. It was nice to see him again and to hear about his progress to publication in the intervening time.

I was surprised when I looked up and saw someone who had been a member of my writers club, but had moved to Oregon. I was happy when I was able to immediately come up with his name. As it turns out it was his first writers conference and being greeted by an old friend at its onset helped set his mind at ease.

Here's a picture of me with J.S. McDaniel as well as the glamorous Yanina Gotsulsky.


On Saturday morning as I was on my way to the first session of the day I crossed paths with J.S. He was on his way downstairs to the lower conference rooms. I asked where he was going, and he told me the name of the session he was planning on attending. I shook my head and said, "No. You need to go hear about Pitchcraft. Trust me." Then I redirected him to attend the session by Katharine Sands of the Sarah Jane Freyman Agency. J.S. had paid to participate in the Speed Dating for Agents on Sunday morning, so I knew he needed to hear what Sands had to say.

He did thank me, by the way.

I knew J.S. from the Redwood Writers meetings, and for some reason he always reminded me of Ransom Stephens. Here's a picture of Ransom and I mugging for the camera.



Yes, Ransom and J.S. are both white guys with black hair, about the same height and around the same age, and are both writers. However, Ransom has a dry, acerbic wit which is far different than J.S.'s style of humor.

I wanted to introduce them to each other because if for no other reason than they are both friends of mine. I had forgotten that both used spirituality in their novels. (Then again, I have only talked with them about their writing and without reading their stories, so I have an excuse for not recognizing that commonality.)

They hit it off with each other and I am hoping they will develop a correspondence and their own friendship.

That leads me to what I feel is most important aspect of the conferences. It is not the workshops, but it is interacting with the people there: the speakers, the organizers, and the attendees. It is in exchanging of ideas and expertise about various aspects of the craft of writing and the business of publishing that allows you to expand your circle of literary friends.

One of the best summaries I have ever read of how best to schmooze with others at a writers conference was written by Beth Proudfoot the past chair of the East of Eden Writers Conference.

She urges everyone to embrace any and all lines at conferences as opportunities to speak with people, exchange business cards, and establish friendships with people who share your interest in writing.

In my volunteer duties I saw myself as a roving ambassador to help answer questions about what to expect at the conference as well as offering tips for blogs, websites, etc.

I worked the Editors Roundtable session on Saturday afternoon. There were about ten editors participating and each sat at their own table with nine seats for participants to ask them questions. Each person had two minutes.

The volunteers had two minute egg timers to enforce the two minute rule.

Two minutes is not a lot of time to pitch your book and have an editor form an informed opinion about your book that you have spent years agonizing over each fine detail. We did not want individuals to try and monopolize time with the editors and cause others at their table to be given the short shrift. Overall, I think it ran pretty smooth.

The volunteers were allowed to choose which table they preferred working at and I picked Ten Speed Press. That is because of my time spent as a bookseller at Barnes and Noble and my being impressed with not only their titles but their organization as a whole. They are one of the largest independent publishers which produces about 150 titles each year. (That tidbit is from their website.)

I was impressed with the writers who pitched to the editor from Ten Speed because I think for the most part, they understood what that house published. The pitches were succinct and well received. I was surprised when Jo Ann Deck actually took sample pages, book proposals, etc., from writers. In the past I have seen most agents or editors refrain from taking anything, but instead handing out their business card to those people whose projects interested them.

She left that night with an armload of information and had made connections with a lot of writers who had promising sounding books.

And they did it in under two minutes. Incredible.

I was given another task which was to serve as a greeter at breakfast. Basically I was there with another woman to assure that those walking in for the coffee and pastries were paid conference attendees and not just people staying at the hotel who wandered downstairs and thought, "hey, free food!"

We greeted the bleary-eyed writers who were in desperate need of caffeine. I tried reading the badges for the home towns of the attendees as they walked by and saw that they were from all over the country. I remember seeing Florida, Virginia, New York, Nevada, Michigan and Hawaii. The one that surprised me the most was Zita Weber, a writer from Australia. She crossed seventeen time zones (!) to attend that conference.

Now that is commitment to your career.

On Sunday morning I not only worked as a breakfast greeter, but I worked the Speed Dating for Agents session. I was stationed outside in the hallway and did my best to answer questions of those who standing in line waiting to go inside.

Here I am trying to calm their jittery nerves.


If you squint you can see the logo for the California Writers Club on my tote bag. Yes, I was a walking advertisement for my writers club.

The one piece of advice that I tried to impart most often was to not immediately launch into a pitch upon sitting down in front of the agent, but instead to take a moment and make eye contact and smile. Make a human connection first before you start talking.

I also warned about complaining about anything, especially about not getting the full amount of time (three minutes) should the person in front of you not get out of the chair when they were supposed to.

You do not want to be perceived as a Client From Hell.

Agents are looking for professionals whose writing excites them and are a pleasure to work with. They do not want temperamental primadonnas.

I had read an agent's blog a year ago where an anecdote was related about two different writers at a Speed Dating session. The first writer grumbled and complained that they only got two and a half minutes and not the full three minutes (meanwhile wasting valuable seconds while whining.) The second writer sat down, cast a knowing glance behind them at their predecessor and then said something like, "wow, that must have been fun."

The agent was so grateful that s/he was far more likely to ask for a partial from the second writer even if it was not a subject s/he is normally interested in. Because the second writer treated him/her as a human being and not a magical gatekeeper lacking feelings.

After the conference I saw a post on Nathan Bransford's blog and contacted Joe Ramelo who mentioned he had attended the conference in his reply. I wrote to him, and as it turns out, Joe was one of many people I spoke with while waiting in line. He felt that I was an "encouraging presence" who dispensed good advice.

Yay. It is nice to know that my objectives were achieved.

One of the high points of the conference was having the opportunity to meet and talk with Tess Gerritsen. She is an amazing author as well as a warm, engaging and witty person. She gave a fabulous key note address on Sunday afternoon in which she talked about the idea of storytelling as an organic process that is difficult to define or predict.

She has given lectures to physicians who want to become novelists and she says that many of them are astounded when for the first time in their life they are not successful. They all want to know the secret. As if there was a mathematical equation which can be described and used to allow them to simply plug variables into an algorithm and get the desired result.

It is not that easy.

She gave as an example two people who might have had the same experience. "Uncle Harry" who when he begins a story causes everyone to yawn and check their watches and "Aunt Maude" who can tell the same story and have people hang on her every word.

It is not necessarily the events that are important, but it is the telling of the tale.

I was also blessed by chatting with Tess on Saturday night about medicine, wine, archaeology, and California along with my friend Cindy Pavlinac. At one point Tess looked at the two of us and remarked with a little surprise about how open we were about expressing our opinions. She now lives in Maine and people there are reserved.

We kind of shrugged at that. Cindy and I are both Midwestern gals who now live in Northern California and we do not hesitate in speaking our minds. It is part of who we are.

Here I am standing next to the lovely and talented Tess Gerritsen. I think she must have leaned down a little, because she is statuesque, whereas I am decidedly not.



I want to thank my good friend Cindy Pavlinac for taking these pictures and allowing me to share them on my blog. (My camera was being used in Yosemite while I was in San Francisco.)

All in all, I had a wonderful time at the San Francisco Writers Conference. It was some of the best weather I have ever experienced in The City, and I got the chance to schmooze with a lot of people.

For those who are interested in hearing any of the sessions from the conference, they are available on CD as well as downloadable MP3 at VW tapes. You can also find sessions from other writers conferences including the famous Maui Writers Conference at the same site.




By the way, after I returned home from the conference I was checking my overstuffed email box. I opened my spam folder and quickly scanned the contents seeing multiple notices for my winning overseas lotteries that I never entered, confidential communiques from people requesting my assistance in transferring large amounts of money from Nigeria, offers to lengthen anatomical body parts that I lack, and advertisements for horribly spelled pharmaceuticals. It was after I hit "delete all messages" that I noticed the letters SFWC in one of the message lines.

Too late. I did not notice the name of the sender and it was gone. Forever.

So if anyone reading this post tried sending me an email after meeting me at conference, and I did not respond to you -- I apologize and request that you write to me again.

Thanks and I hope everyone muse is treating them well!

Linda