Christmas comics: LION (1973)

Sometimes, British comics that are heading for closure tend to deteriorate in quality, but even a year before its end, Lion was still full of good material. Even so, it obviously wasn't appealing to most readers but even at 14 (as I was then) Lion was still one of my favourite adventure comics of the time. 

Here are a few pages from Lion's final Christmas issue, published this week in 1973. The front cover is by Geoff Campion, one of IPC's best artists, illustrating a scene from that week's Spellbinder episode, written by Frank Pepper and drawn by Campion...

TV impressionists were very popular at the time, so Lion reflected this by having an impressionist who was also a spy! Marty Wayne, He's Heading for Fame, was drawn by Fred Holmes. (I don't think a Rolf Harris impersonator would be welcome at a children's party today though!)

It's a Fact was an irregular feature. Can anyone identify the artist? 

A Christmas theme wasn't appropriate to fit into all the adventure strips, but Robot Archie managed it. Art by Ted Kearon...

Time-travelling Adam Eterno found himself on the frontline on Christmas Day. Art by Solano Lopez...

On the back page, Lion's only remaining humour strip, Mowser, by the brilliant Reg Parlett...

Another trip back in time tomorrow! Which year will we arrive in? 

SCORE 'n' ROAR No.1 (1970)

With their first new boys' adventure comic Scorcher having been established for several months, IPC launched another football weekly on Saturday 12th September 1970. Score 'n' Roar used the same gimmick that IPC's Whizzer and Chips had pioneered a year earlier; two 'rival' comics in one. 16 page Roar was inside 16 page Score and could be separated by opening up the staples.

Kicking off the new comic the first strip was Jack of United, superbly drawn by Barrie Mitchell. A fairly standard football strip about two rival brothers but the interesting thing was that the plot concerning Jack's brother Jimmy continued into his own strip, Jimmy of City, in Roar.

Unlike Scorcher's newsprint format, Score 'n' Roar had the benefit of expensive photogravure printing. This enabled an excellent reproduction of photographs and the comic took full advantage of this by including several feature pages. Score had its opinion page written by 'The Captain'. I'm presuming the chap in the photo may be the comic's editor Dave Hunt. Can anyone confirm or deny this?

Cannonball Craig was somewhat like Scorcher's Billy's Boots in that its star was a youngster who was useless at football until aided by artificial means. In Billy's case it was his magic boots, and in Craig's case it was... wait for it... nuclear irradiated bubble-and-squeak! The artwork on this first chapter is by Mike Western, but Mike White drew later episodes.

Here's how Roar was bound into the centre of Score...

Roar's first strip was the aforementioned Jimmy of City by Barrie Mitchell, continued from Jack of United in Score...

Roar had its own opinion page headed by 'The Inside Man'. I'm pretty sure that the photo is of Bob Paynter, group editor of IPC's humour comics. He was a bit greyer when I knew him but that was 14 years later. I doubt Bob actually wrote the column but comics often used photos of staff members in this way. 

The great Tom Kerr was on board, illustrating the two page Peter the Cat strip. The name was inspired by real-life goalkeeper Peter Bonetti who was nicknamed 'The Cat', but the strip is not about him. 

The centre pages featured Mark Your Man, an Agatha Christie style mystery involving a process of elimination of the suspects. Art on episode one by Geoff Campion, but John Catchpole drew later episodes...

A supernatural three-pager next, with Phantom of the Forest about a ghost footballer. Art by Eric Bradbury, but Jesus Blasco drew later episodes. (I'm guessing that so many of the strips soon lost their original artists because the first episodes would have been produced many months earlier for the dummy issue and perhaps they couldn't fit the extra workload in regularly.)

The Mudlarks next, with art by Ted Kearon.

Back to the second half of Score for the next strip, and the one that was destined to become the most popular and enduring. Here's the very first episode of Nipper, illustrated by the Solano Lopez studio giving it a bleak, grimy look befitting the setting of the fictional industrial town it was set in. Nipper was actually written more like a story from a girls' comic, with an aspect of pathos and the underdog's struggle against his situation. He even had a cruel guardian. Clearly this touched a chord with readers and the strip survived for many years, transferring to Scorcher, and later Tiger, when the comics merged. I don't know who the writer was on these early Nipper strips but Nat Munger is a great name for a bad guy!  

After the grim despair of Nipper, the comic lightened things up for its last strip with Lord Rumsey's Rovers, a comedy drama drawn by Douglas Maxted (although another artist soon took over in subsequent weeks).

Overall, I felt that Score 'n' Roar was a better comic than Scorcher. Its stories seemed stronger and the better paper enabled good photo features. It soon added a humour strip, Trouble Shooter by Graham Allen, and you can see an example of that on a post I did seven years ago (click here). Sadly the comic didn't survive for long. Its paper quality declined and merged with itself in 1971, dropping the Roar part of the title, and then Score merged into Scorcher with the issue dated 3rd July 1971. 

Vulcan Holiday Special 1976

As noted in the previous blog post about Vulcan weekly, it only had a relatively short run (30 issues in Scotland, then 28 nationwide). However, after its demise, IPC still felt confident enough to publish a Vulcan Holiday Special in the summer of 1976.

The thing that's immediately evident is that the design and layout of the Holiday Special is a big improvement on the weekly. It's highly likely it was packaged by a different art editor. I would venture that if the weekly had looked as dynamic and exciting as this it might have lasted a bit longer. 

THE STEEL CLAW. Artist: early Belardinelli perhaps?

Inside, the Special reprints stories of The Steel Claw, The House of Dolmann, Mytek the Mighty, Robot Archie, and Saber: King of the Jungle. All are edited versions to one degree or another of serials from Valiant, Lion, and Tiger, but again the design and any resizing is a step up on that which we'd seen in Vulcan weekly. 

MYTEK THE MIGHTY Artist: Bill Lacey.

ROBOT ARCHIE Artist: Ted Kearon.

The highlight of the issue is a brand new six page Trigan Empire prose story, accompanied by new artwork by Don Lawrence (who also illustrated the cover). Click to enlarge..

There's also a couple of Sporty humour strips by Reg Wooton. These would have originally appeared in either Knockout or Valiant. 

All in all, this one-and-only Vulcan Holiday Special is a great read and worth tracking down on eBay or wherever. Admittedly the Steel Claw story they chose to reprint isn't one of the best, and isn't by Jesus Blasco the regular artist, but the rest of the comic is good stuff. 

There was also a one-off Vulcan Annual published that year and I'll take a look at that another time.