Woman at Point Zero by Nawal al Saadawi; Shanghai Girls by Lisa See and Lions Head, Four Happiness by Xiaomei Martell

Nawal El Saadawi is a psychiatrist in Egypt and once, while researching a piece for neurosis amongst Egyptian women she had the opportunity to visit some women in prison, one of whom, Firdaus, stood out so much that after Sharai had finished interviewing her she felt compelled to write her (Firdaus')story. Because she took artistic license with some of the details this is not a true biography but because it is stunningly close to what Firdaus suffered, it truly hits you in the gut

Firdaus was born into a peasant home in Egypt. From a young age she realized that being born a girl was a curse. Women were just property that men owned....chattel. Even their bodies didn't belong to them, but to the men that "kept" them. She was only a little girl when her Uncle's hands would steal to her thighs as she worked on kneading dough for the family meal, and then, when she was not much older she was given in marriage to a grotesquely-ugly man in his '60's who used her for his pleasure and violently beat her when he was in a sour mood. When she ran away she was used again by the man who befriended her and not just that, he allowed his friends to use her too.

After what she had thrust upon her it's no wonder she wandered into prostitution and although that bought her independence all she really wanted to do was to get a job and become a "respectable" person. She soon learned, however, that is far better to be a brazen prostitute than a helpless saint and goes back into prostitution, until she is imprisoned and put to death for a murder that i won't go into here for fear of spoiling your enjoyment of the book.

"Woman At Point Zero" is only 108 pages long, more of a nouvella than a novel, but it packs a punch. Even though the woman is guilty of murder none of us can think of her as a criminal...as her crime is borne of anger at her lifelong mistreatment at the hands of men

Told mostly in the first person, the narrative voice with its rhythm, pace and patterns of repetition, convey an urgency and passion that kept my attention rooted to the book (I read the book, cover to cover, it in about 90 mins or so). The book was written more than 30 years ago but the fact that it continues to resonate with women readers of today shows us that for many women in the world freedom and independence are simply words and nothing that they have truly experienced.

Category: Fiction - Literary
Format: Hardcover, 336 pages
Publisher: Random House
Pub Date: May 26, 2009
Price: $28.95




"SO often we're told the woman's stories are unimportant. After all, what does it matter what happens in the main room, in the kitchen, or in the bedroom? Who cares about the relationships between mother, daughter and sister? A baby's illness the sorrows and pains of childbirth, keeping the family together during war, poverty or even in the best of days are considered insignificant compared with the stories of men, who fight against nature to grow their crops, who age battles to secure their homelands, who struggle to look inward in search of the perfect man. " Pearl Louie in "Shanghai Girls" by Lisa See, pg 228

I hate to argue with the protagonist but I think women make infinitely interesting characters because of their ability to endure and bear physical and mental agony despite their delicate appearances. "Shanghai Girls" is a story of two sisters. Pearl and May are ‘beautiful girls’ — models for advertising and calendar posters — but when their father loses not only the family money but also the girls’ savings, he sets them up in arranged marriages with a pair of Chinese brothers from America and so begins the girls' epic journey across the Pacific to America (not an easy feat in those days because the Americans had no interest in taking Chinese people). The story goes on to trace their lives in America so irrevocably different from the High society and glamorous lives they lived in Shanghai and how they walk the tight rope between maintaining their Chinese identity and, yet being afraid of being overly Chinese because of all the discrimination that people from China were exposed to.

This is a truly lovely book...beautiful family drama, multi-dimensional characters and prose that is rich with emotion and replete with everything you need to know about Chinese immigrant families in Los Angeles in the'40s and '50s. Although some parts of the book drag a little, See is such a brilliant narrator of history that you soon get caught up with interrogation games at Angel Island,(like Ellis Island but the immigration processing station in San Francisco Bay Communist witch hunts in in L.A., illegal citizenship and "paper sons", the lure of Hollywood and the importance of proving one's Chinese identity during America's war with the Japanese. If you like historical fiction, you might like this one. I don't think it compares favorably with her previous two novels though.




Author: Martell, Xiaomei
Format: Paperback
Pages: 240
Publication date: 1 April 2009

Food-oirs or food memoirs are are everywhere these days. When I visited our local bookstore recently I was agape at the large space provided to this very popular sub-genre and I can see why...more than anything it is the sight, smell and sound of food that engages so many of our senses. Any wonder then that many of us look at the world through food? Food also teaches us so much about culture. For instance, when I travel my impressions seem to start and end with the food. While my friends are busy clicking photos of monuments, buildings etc, I am most likely noting down recipes or trying the local food because it teaches me so much about the people.

"Lion's Head, Four Happiness" is a sweet account of Xiaomei Martell's childhood in China during the turbulent years of Mao's Cultural Revolution. She was born in 1964 on the borders of the Mongolian steppes. The youngest of four daughters - her name translates as 'Little Sister'. Her family had few material goods.There was a lot of rationing of food in those days and this brought out the creative side of Chinese women because they had to plan the menus carefully.

Unlike most novels set in the time of Mao, politics is peripheral in this one, and understandably so as a child's knowledge of what was going on at that time would be limited. Instead, the readers are treated to a host of Chinese kid memories, like playing "pig toes" with her friends (a game requiring dexterity and coordination); riding on the back of her mother's bicycle reading the revolutionary slogans (her first lessons in literacy as the author likes to call it) and the festivities of the Chinese New Year, especially the making and eating of "jiaozi" or Chinese dumplings. Birthdays, although special, were not celebrated...at the very most the birthday girl or boy would be treated to an extra egg, or a peach if it was in the summer.

The interesting title also happens to be the name of Xiaomei's favourite Chinese dish from the south whose origins can traced back to the sixth century. The Lion's heads were generously-sized meatballs and ‘Four Happiness’ refers to the qualities attributed to the meatballs - affluence, health, harmony, and joyfulness.

All in all this is an enjoyable read...I enjoyed the recipes and the casual way she presented them. Might try making the Chinese tea eggs some day....they sound tasty!

Chicago by Alaa Al Aswany

• Hardcover: 352 pages
• Publisher: Harper (October 7, 2008)
• Language: English
• Genre: Fiction
  

Before launching into a note of praise for Egyptian author Alaa Al Aswany's second 'novel' "Chicago" (translated into English by Farouk Abdel Wahab), permit me to quote some witnesses for the prosecution.

"Al Aswany seems to see the novelist's role as being close to that of a schoolteacher. He writes, in the style of a Wikipedia entry by Howard Zinn or Noam Chomsky, about the wretched fates of the Native American peoples who once flourished in Chicago." ~ Sunday Telegraph

"The cast of characters is a large one, and Chicago weaves together their various stories - too many of them, perhaps... the American characters are scarcely believable, being thinly drawn caricatures who speak in a wooden manner, representing competing points of view and nothing more" ~ Guardian, UK.

Aswany’s storytelling is also marked by its sensuality. From the self-denying student who allows himself an hour of recreation to watch wrestling and pornography to the lapsed poet whose voice and wholeness of self is restored by sex, everywhere we see the animal self lurking beneath the trained, dressed, and tutored body-in-the-world, aching to unsheath itself ~ The Scotsman



Al Aswany, a dentist by profession, is probably one of the most popular writers in the the Middle East today. He shot to fame with his wonderful first book titled "The Yacoubian Building" about a group of families living in this one apartment block in the center of Egypt and their intersecting lives served as a microcosm of Egyptian society. He has attempted something similar with his second book 'Chicago" but instead of an apartment block he has chosen the venue to be the University of Illinois and while most of the cast are Egyptian expats there are also some Americans.

Now, in Al Aswany's defence I have to say that I didn't consider his writing didactic or schoolteacher-like in the least. True, he seems wont to give us the history of Chicago, but it's done in a very readable manner and I like to look at it as his tribute to the city where he studied dentistry for two years.

I do agree with the critics when they say that his fleshing out of the American characters in the novel was rather weak, but it doesn't surprise me. Al Aswany is Egyptian and he would know much more about the Egyptian psyche than that of the American one, also, he was a student in the US in the late '80's and it could be that some of his impressions of America and its people are quite dated, still, that's no excuse for weak, unbelievable characters.

One of his goals here in "Chicago" is to provide a window into how Egyptians think and act among themselves when they are away from the Motherland as well as the Arab experience in America and to that end I think he achieves what he sets out to do. The other goal of the novel seems to be to expose the regime in Egypt for what it is - corrupt, biased, oppressive and brutal - and Al Aswany does that effectively by using his characters to offer political commentary. One of the most fascinating passages in the novel comes when an Egyptian Muslim sits down to discuss politics with an Egyptian Coptic Christian. What is revealed is something I didn't know: the Copts or the original Egyptians as they are known are highly discriminated against in Egypt

About the use of sex and sensuality in the novel...yes...there is a lot of that...but I don't think it's out of place. You see, in Egypt young men and women are not allowed to have sex until they are married and pornography is banned...but in America, they are free to have it when they want, with whomsoever they want and even buy sex toys if they so desire. Al Aswany, I think, uses sex as a metaphor for freedom...

In reading this book I have come to the conclusion that this book was written mainly for an Egyptian audience. Al Aswany was showing them what life is like for Egyptians that immigrate to America, however, it is captivating stuff for an American audience as well because we get to see ourselves through the eyes of Egyptian immigrants.

The book seeks not only to entertain (although it does an excellent job of that) but seeks to get the reader to ponder the role of an immigrant. Does he or she owe it to the adopted country to sever ties with the old country and be totally loyal to this new one? Or can the immigrant successfully juggle being a hybrid of both countries? As an immigrant myself, I personally think that immigration is always a struggle and one is forever having to make choices...hopefully we're making more right choices than wrong ones.

Paying Cards in Cairo: Mint Tea, Tarneeb and Tales of the City by Hugh Miles

Trade Paperback: £10.99

Published 03/04/2008

Genre: Memoir, travel

An Abacus title


There's an old saying that goes like this: "Lucky in cards, unlucky in love", but Hugh Miles (freelance journalist and son of a British diplomat) manages to come up trumps in both, and in this part memoir, part travelogue he tells us of his love for Cairo, but specifically for a Cairene woman whom he later marries.

In "Playing Cards in Cairo: Mint Tea, Tarneeb and Tales of the City" , Miles recounts how he returned to Cairo after a short stint there as a freelance journalist because he wanted to get to know, Roda, an Egyptian woman. He started off as her card partner and end up as her partner for life.

Initially it was very difficult for Hugh and Roda to be alone (Egyptian society does not allow a man and a woman to socialize without a chaperon), so Roda organized card games at her home thus providing an Hugh and herself an opportunity to be hang out together, albeit with a group of other card players. As they played tarneeb (a form of bridge) about 3-4 nights a week at Roda's apartment, Miles became privy to the inside workings of Egyptian society, especially the lives of young women and the problems they face living in such a tightly-controlled society.

He regales us with the stories of the other tarneeb players: Nadia, whose husband beats her just because he can; Reem, who is suffering from the effects of a botched plastic surgery operation; and, most memorably, Yosra, whose life is so intolerable with a sick father and dominating policeman brother and a non-existent love life that she anesthetizes herself all day with prescription drugs. It is through the lives of these women that Hugh Miles makes us aware of the huge problems that the fairer sex must face in Egypt.

While I liked the novel's intense local focus, conveying the daily rhythms of life in Cairo's various neighborhoods, I think one of the book's main attractions is Miles' acute observations of Egyptian life,stresses and codes of conduct.... toxic stress arising from overpopulation and unemployment; severe religious control; repressive regime; torture prisons; rising prices; the refugee situation etc. ( desperate refugees and economic migrants continue to arrive from across Africa and Iraq. In January hundreds of thousands of Palestinians burst through the Gaza blockade, an event that could repeat itself at any time.)

Miles' book also functions as a window into the political, religious and cultural tensions under which women in Egypt live. Egyptian woman are burdened with preserving the honor of the family and as a result they have to keep their private lives hidden which results in an inordinate amount of stress, lies and deceit. To add to that, they face constant discrimination and sexual harassment both, in the work place and in their day-to-day lives.

Whether you're interested in Egypt from the point of view of traveling there or just as an observer of world cultures, this book is for you...do pick up a copy when you can.

The Yacoubian Building عمارة يعقوبيان by Alaa Al Aswany and a book giveaway(CS Richardson's "The End of The Alphabet"!!!

# Paperback: 272 pages

# Publisher: Harper Collins (Jul 20 2006)

# Language: Elegantly translated from the Arabic by Humphrey Davies

#Genre: Fiction, Middle-Eastern, Cairo



First of, all thanks to Radha for recommending this book. I picked up my copy at London airport and read it in the 6 1/2 hours it took me to fly from London to Montreal. I should have been trying to catch up on my sleep really, but the book was hard to put down.

In "The Yacoubian Building" Egyptian writer Alaa Al Aswany turns a single Cairo apartment block into a vibrant portrait of Egypt. While it essentially tells the story of contemporary Egypt, it also touches upon its history and other forces that gave the country its present form. All this is told through a wonderful and diverse cast of characters spanning Egypt's social divides- from a French-speaking homosexual newspaper editor to a one-legged Coptic manservant; from a sensual geriatric to a young man who finds solace and self-respect in Islamic fanaticism and atleast ten other delightful characters.

When the novel's namesake was first built it attracted people from the upper echelons of Egyptian society like, the pashas, cotton millionaires and rich foreigners. Anyone who was someone had to have an apartment there because it was a status symbol , however, when Abd el Nasser came to power in a coup in 1956, he threw the westerners out of the country and the rich and well-to-do Egyptians followed them leaving apartments in the Yacoubian Building vacant.

These vacant apartments were grabbed by Nasser's military officers and their families who were often of a more rural background and lower social caste than the previous residents. Many of them arrived at the apartment with servants in tow and the storage rooms on the terrace were converted into lodgings for these servants, thus you now have a building which houses a slum community on its terraces and influential nouveau riche families in the apartments, thus embodying Egyptian society in microcosm. The change in the building demographics could also serve as a metaphor for the Egypt of old, the Egypt with its French cafes, distinguished and western- educated men and women no longer existed giving way to a new society where the desperate poor rub shoulders with the rich, the powerful and the corrupt.

(Talaat Harb Street, Cairo as it is today)

What makes the novel "The Yacoubian Building" special (apart from its wonderful characters and great writing) is that the building really did exist at the address given in the novel (Talaat Harb Street) even if it does not match its literary namesake in every detail. Infact, the author's father maintained an office there for a while and the author himself (a practicing dentist) once had a dental clinic there.

The novel was a bestseller in its native Egypt and in 2003, it was voted "Best Novel" by listeners to Egypt's Middle east Broadcasting service. I am not surprised because it is filled with delightful vignettes that are guaranteed to entertain, move, educate and appeal to the reader while opening a window to Middle Eastern culture and society. I should mention, however, that it's publication surprised a lot of people because it is very unusual for a book containing homosexual references to be cleared for publishing by the government of Egypt.

Be prepared to be annoyed at the way women are treated in this society and also be prepared to feel disturbed at how young men are recruited into the fundamentalist way of life. But despite some of the gloom, this wonderfully-written book will have you looking up more works from this author.

Read Moroccan writer Laila Lalami's take on the novel.

This must have been my lucky weekend because I was nominated for not one, but two blogger awards. Nymeth gave me the "Thoughtful Blogger Award" and Anali gave me the "Nice Matters Award". Thank you ladies, you really made my day! I know I am supposed to nominate 5 others, but it would be a really tough job to pick only five, so if you don't mind, may I pass on nominating someone else?
And last, but certainly not least, for anyone interested in Thai literature, look no further than Marcel Barang’s workshop which features a wonderful selection of Thai literature(short stories and novels) translated into English!!! I have been enjoying the stories so much, I hope you do too!

******WIN a copy of CS Richardson's 'The End of the Alphabet" . All you have to do is leave a comment letting me know you're interested in the book. I will conduct the draw in a week from now. Anyone, anywhere in the world is eligible to enter, good luck!*********