Showing posts with label horror. Show all posts
Showing posts with label horror. Show all posts
Saturday, July 17, 2010
Don't Look Now & other stories - Daphne Du Maurier
Reviewing short story collections is difficult. It’s hard to talk about the stories without giving too much away. I’ve enjoyed reading this collection of Daphne Du Maurier’s stories very much but I’m just going to concentrate on one of the stories. Two of the stories in this collection, the title story & The Birds were made into movies. Don’t Look Now by Nicolas Roeg & starring Julie Christie & Donald Sutherland, is generally considered a successful adaptation. The Birds by Alfred Hitchcock may be a successful horror movie (I haven’t seen it) but from what I’ve read, it’s only loosely based on the original story. Du Maurier hated it & couldn’t understand why the setting had been changed from Cornwall to California.
The Birds is the story of an ecological disaster. Nat Hocken is a farm worker, a solitary man despite being married with children. He enjoys his work, hedging & thatching, lonely work that leaves him free to enjoy his own company & observe nature. He especially enjoys watching the birds in all weathers along the coast. One day, at the beginning of winter, he notices that the birds seem to be restless, hovering over the sea, massing together. He thinks it’s just the early onset of winter & gets on with his work. That night, he’s woken by the sound of a bird tapping on the window, trying to get in,
He listened & the tapping continued until, irritated by the sound, Nat got out of bed & went to the window. He opened it &, as he did so something brushed his hand, jabbing at his knuckles, grazing the skin. Then he saw the flutter of the wings & it was gone, over the roof, behind the cottage... He shut the window & went back to bed, but feeling his knuckles wet put his mouth to the scratch. The bird had drawn blood.
Soon, the children’s bedroom is full of birds & Nat is fighting against them in the darkness, desperate to get them out of the house. Next morning he tries to tell his neighbours of the birds’ strange behaviour but they laugh at his fears. Later, on the radio news, he hears of similar incidents all over the country. The birds have banded together & are attacking humans & other animals. Nat sees hundreds of gulls sitting on the waves, just waiting. Waiting for what? Nat’s wife thinks the Government should “do something”, get the Army out to shoot the birds, drive them away. Nat isn’t confident that the authorities can do anything & begins barricading his family into their house, blocking all the windows & stopping up the chimneys. He plans to get in supplies as if to withstand a siege. He looks out to sea,
The gulls had risen. They were circling, hundreds of them, thousands of them, lifting their wings against the wind. It was the gulls that made the darkening of the sky. And they were silent. They made not a sound. They just went on soaring & circling, rising, falling, trying their strength against the wind.
Next day, he visits his boss’s farm & finds the family still defiant, planning to shoot the birds & have pigeon pie for supper. Later, he returns to the farm & finds everyone dead, killed by the birds. He takes what supplies he can & retreats to his house with his family. A National Emergency has been declared but there’s no sense that anyone in authority is coming to help. The sense of menace in this story is incredible. Du Maurier builds up the suspense from Nat’s first sighting of the birds massing on the cliffs to the final, indeterminate ending, with the family waiting for something to happen & the sound of the birds tapping on the windows & the larger birds attacking the door.
The ordinariness of the setting & the threat makes it more frightening. I don’t like horror stories full of serial killers, zombies & vampires. The stories I find scary are those, like The Birds, that are rooted in the everyday. It’s never spelled out what turns the birds from benign creatures to killers. Has humanity’s carelessness of the environment led to a lack of food for the birds? Are they revenging themselves on the people who have ruined their habitats? There seems no reason, no explanation for their aberrant behaviour. Nat is Everyman, fighting for survival. The story is all the more powerful for the uncertain conclusion & the lack of explanation. Like a good ghost story, the ambiguity is what makes it frightening. Like Margaret Atwood’s The Handmaid’s Tale & John Wyndham’s The Day of the Triffids, The Birds is frightening because it’s possible. The world it depicts is recognizable. It wouldn’t take much to see it come true.
Saturday, April 17, 2010
Strange case of Dr Jekyll & Mr Hyde - Robert Louis Stevenson
The gothic novels of the 19th century are much better known these days through movie adaptations. Many more people have seen a movie version of Dracula or Frankenstein than have actually read the original novels. We all think we know the stories but the movies are often very inaccurate. It’s surprising to read Frankenstein & discover that the monster didn’t have bolts sticking out of his neck & Frankenstein didn’t have a hunchbacked assistant called Igor! Dr Jekyll & Mr Hyde is another example of this. It’s really a novella or a long short story, only 65 pages long. I always thought the story was set in Edinburgh as Stevenson was Scottish but it’s set in London. There are no women in it, apart from servants. This comes as a surprise after seeing the Spencer Tracy movie with glamorous Lana Turner & Ingrid Bergman in starring roles. It’s almost impossible for readers today to read this book innocently because we know the secret of Jekyll & Hyde. The term has become proverbial for someone with a split personality. But, Dr Jekyll’s secret isn’t revealed in the book until the final chapter when he tells his own story. I will add a spoiler warning though in case there's anyone who doesn't want to know.
*SPOILER WARNING*
The story begins with two men, Mr Utterson, a lawyer, & his friend, Mr Enfield. As they take their weekly walk together, they come to a door in a wall & Enfield tells a story connected with it. He saw a man trample a child in the street. He chases after him as he tries to escape &, after rescuing him from an angry mob, compels him to pay the child’s family compensation. The man takes Enfield to that door in the wall, lets himself in & writes a cheque. The cheque is in the name of Dr Jekyll, a friend of both men. Jekyll is a respected doctor & it seems so unlikely that he would be associated with such a creature as Mr Hyde. When Jekyll makes a new will, leaving all his goods to Hyde if he should die or disappear, Utterson becomes obsessed with finding out the connection between the two men. Blackmail for some crime or youthful indiscretion seem the most likely explanations. There’s an atmosphere of mystery & dread from the beginning as everyone who comes across Hyde is repulsed by him without really knowing why. A housemaid who witnesses one of his crimes describes him to the police as “particularly small & particularly wicked-looking.” It’s only when Dr Jekyll tells his own story in a confession read by Utterson, that the full story is revealed.
It’s a story of scientific experimentation that resulted in a potion that, when taken, transformed Jekyll into Hyde, another personality who could live out the fantasies of violence & sin that Jekyll had to repress. The horror when Jekyll goes to sleep as himself & wakes as Hyde without taking the potion & realises that he now has no control over his transformation is chilling. The fact that most of Hyde’s crimes aren’t described only makes the story more horrible. The reader is left to imagine the horror. Much more effective than showing us, we can supply the details from our own fears.
The Introduction & Notes to my OUP edition by Roger Luckhurst explore all the theories that have been put forward to account for the hints in the story. It filled in the background to the writing of the story & the many allusions in it. That’s why I love OUP & Penguin editions of the classics. There’s so much that the original readers knew & could take for granted that modern readers don’t know. There are several other short stories & essays in this edition & I’m looking forward to reading them. I only discovered Stevenson last year after having several of his novels on my tbr shelves for years. I read Kidnapped, Catriona & The Master of Ballantrae. I think more of his short stories will have to be next.
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