Plein Air Painting - Don't Fence Me In

Been pretty quite here. Well - in my art world. The rest of my life hasn't been quiet at all. I always swear I am not going to get too busy and let my calendar get too full, but its out of my control a lot of time. Since school started, its been one thing after another and this month is going to be nuts.

Starting off the month though, its me time! I'm heading back to Kerrville, Texas for their second annual paint out event. Last year, much to my own amazement, I won the grand prize for the painting below (still available!)

Don't Fence Me In
11x14 oil on panel

I'm excited to go back again and have access to some beautiful private ranches and spend time in the scenic hill country of central Texas with lots of other like minded people.

I haven't picked up a brush in a week or more. Hope I remember what to do when faced with the great outdoors and miles of options!

Mike's Tractor

11x14 oil on panel
sold

This was my second painting of the weekend paint out. My first is really not worth showing - or keeping. But this tractor and old gnarled oak just intrigued me. It was a challenging scene to paint. I was sure I wasn't going to be able to do it. AND my new friend Mike wanted to watch me work! After a rocky start, I settled down and figured out how to paint the tree and the background and then began to make some marks on the tractor until it began to look like a tractor! Its loose and colorful. Sometimes its a lot of fun to leave things in the sketchy phase and don't retouch those bold color "test" marks. 

I'm about to head out to another type of farmland - Indiana - to celebrate my inlaws 50th wedding anniversary. Will be mixing a little business in there and plan to meet a collector about a commission of her favorite restaurant. What a cool job I have! :-)

Weather Beaten

14x18 oil on linen

Ask Russell Collection Fine Art about this painting.

Happy Friday! I know I am relieved its the weekend. Been a frustrating week in the studio dealing with business issues. The Girl Scout cookie campaign ends this weekend too, so I will soon have a lot more of my time back for creative endeavors. The ability to quietly center and focus on painting is just impossible with too many things cluttering my mind. I bet a lot of you can relate.

Ommmmmmmm.....

Moses Botkin Monthly Challenge

Our challenge this month was to paint anything we liked, but on a 6x8 support and only with a half-inch brush! Diabolical! Actually, I paint every painting with just one brush, but use a smaller one - a 6 instead of an 8. I think I am just lazy. The artists I paint the model with on Mondays were surprised to learn that. They were aghast when they heard that I don't clean my brushes either. I use OMS (Gamsol) and just swish my brushes in there until they look good and lay them down and walk away. I don't use expensive brushes and they get a lot of abuse I suppose. Using one at a time until it flays out finally or the ferule loosens. I like a synthetic too actually, with a crisp edge.

Now, on to my painting. This horse was turned out one morning during our visit to the dude ranch two years ago this fall. The background was very Texas hill country. Dry scrub. And when I was flying in this past weekend and looked out the window, I was momentarily surprised because the ground looked almost like snow. The colors were so pale and muted. Lovely in their way.. and I wanted to try to capture that in my background here.


Facing the Morning Sun
6x8 oil on panel
©2010 Robin Cheers




Onion
6x8 oil on panel
©2010 Aaron Cordell




Bright Bales
6x8 oil on hardboard
©2010 Diana Moses Botkin




Bling Pouch
6x6 oil on canvas
©2010 Suzanne Berry




Still Life
8x6 oil on canvas
©2010 Vicki Ross

Artists Retreat

We had a wonderful painting weekend in the Texas Hill Country. I joined about 20 other artists at a really cool little "camp" - Roddy Tree Ranch - on the Guadalupe River. I painted and sketched all around the area, some on the river and some of the cottages on the "ranch" site. There were some beautiful views... as well as horses, donkeys, old tractors and cars, and colorful characters.

It was so nice to just wake up and have nothing to do but get my breakfast and walk out to paint. I worked on site for awhile, then we headed out to explore more of Ingram and Hunt, and eventually drove further out FM 1340 which has to be the prettiest drive in central Texas. It was just lovely.

I won't blog everything, but for those who can get on Facebook, I posted lots of photos of the area and some of the fun things we saw on the way.

I have to say, I am rusty when it comes to landscape painting. And everything was such bright colors... sometimes I felt like a kid with a box of crayolas. And part of Saturday was so windy! Wow... luckily that died down and we really couldn't have asked for better weather.

Below are my paintings/sketches. I learned on the last two to stop fiddling and leave it loose and incomplete.


First painting of the weekend... one of the cottages prettily lit up with morning sun. Not exactly how I captured it though. The sun is so very bright, that judging value is hard.


I set up to paint the horses/pony/donkeys - whichever was going to pose well... but some other artists joined me then and the animals got curious and continually milled about keeping an eye on us and begging for treats and scratches. So I did this quickie of the pony with a halo of sun around him.



Trucked our things into a narrow, wet path alongside the Guadalupe river to get a view of these falls. Dropped my brush in the edge of the water at one point. No other major mishaps though! You could tell it had flooded recently... a canoe was stuck with a bunch of debris halfway up a tree.



Ok - I was wearing out here maybe. I had such great views of the other artists at work here, but the green was so bright, the water so blue, etc. that things ended up looking very childish. I almost scraped it off, but actually, it probably has some merit with another hour of work. I realized here that I quit too soon.... give up too easily.



Took ONE more stab at it Saturday evening. I saw this view Friday when we'd arrived. 24 hours later I went back to this site knowing the shadows would be long with the sun getting lower in the sky (6:30 ish) . I suppose I had thought about it long enough that I had it in my head and my hand knew better what to do. I was pretty pleased with my results here. Also decided to not define everything, but to just focus on my center of interest. I worry too much about filling in the canvas/board.



Sunday morning, we went back to "my view" and I painted a house on top of the hill this time! This hill is above the river, which flows pretty much west to east here... so we were in a great spot to paint long shadows on the ranch.

I am so glad I went - what a great group we have in Austin - now over 100 members! They have paint outs weekly in some very interesting areas around Austin - lots of great ideas and companionship come out of it. I'm going to keep my plein air set up packed and ready and get out more regularly. Its good to get out of the studio and talk to people in real life some!

The Road Less Traveled

12x12 oil on panel

Rather a philosophical title. The Road Not Taken is a favorite poem of mine. That and Stopping by a Snowy Wood... but that wasn't so fitting for this scene.

My husband really loved the previous version I did of this horse and rider. But he wished it was a sunny scene. So, I made it so. The result reminds me of a colorized black and white photo. It has rather an unreal quality. On one hand, that is cool, and on the other, its unnatural.

I've forgotten to tell you all about the place these paintings are drawn from. It is the Dixie Dude Ranch in Bandera, Texas. If you remember, we went there just over a year ago during spring break. I had done some sketches which I posted here at that time.

Trail Horse - 30 Minute Study

12x12 oil on paper
nfs

Another quick study to loosen up and get things flowing. Interestingly, the paper canvas pulls the oil out of the paint pretty quickly, making the stroke "stick" fast which makes me get looser with my color and I do more just putting the paint on and leaving it alone and get a little bolder with color. So the paper, and the fact that I set my timer, are creating some fun results for me.