The Pursuit of Quality Stamps

When I was a little kid, my dad started me on stamp collecting. His advice to me was simple, and largely based on his own life-long experience as an art and antiques collector:

1. Collect what you like, and what appeals to you; don't chase "popular trends." YOU have to like what you're doing, not other people.
2. Always buy the very best you can afford; market tastes change, but quality never goes out of style.

When I was six, these perhaps didn't seem very important. The excitement of collecting stamps revolved around "collecting one each of the whole world."

However, my dad "stuck to his guns," in a gentle sort of way... teaching me about the inherent beauty of "high quality," and made "finding the very best" part of the fun of stamp collecting, even as early as when I was a teenager. By the time I was 12-13, I no longer had any interest in adding stamps with faults to my collection... unless they were high value classics I couldn't afford in any other condition. Even so, I was always on the lookout for "something better" to fill a space occupied by a ratty looking stamp.

40 years later, I am going about stamp collecting pretty much the same way, always focusing on finding "quality stamps" not just "stamps" for my various collections.

My dad knew what he was talking about. There's a lot of talk these days about the "decline" of the stamp market and our "dying" hobby, and how there are no new generations entering philately, and how many 16-year olds have never actually used a stamp on a letter... and so on. As I look around-- at large auction houses, or individual seller sites like eBay or BidStart or even the APS Sales Division, there's a huge volume of material for sale... suggesting there are many more sellers than buyers in the market.

And yet?

Superior quality stamps-- old and newer alike-- are extremely difficult to find, and often command "stupid" prices, when they do show up for sale.

My dad's underlying philosophy behind "buying quality" was simple: scarcity. No matter what, there will never be more "top quality" copies of any given stamp no longer for sale at the post office. A top quality stamp has only two "paths" to follow. It is either handled well, and remains "a top quality stamp," OR some collector carelessly handles it to cause a tiny hinge thin, or a torn perf, or drops it on the floor and creases it while picking it up. And so, it no longer is part of the "top quality" pool of available copies. A "junky" stamp will always be a junky stamp. It has no way to become a "top quality" stamp. And because top quality stamps can become junky stamps due to mishandling and accidents... the available pool of "junky" stamps is not static... it can actually grow, over time.

Of course, I don't actually collect "quality" stamps for their worth-- that's just a "coincidental incentive bonus." I collect quality stamps because the aesthetic beauty of something perfect or almost perfect appeals to me... and because I enjoy the "treasure hunt" challenge that goes with finding "the best stamp" rather than just "a stamp." This especially holds true for newer issues that are common and can be found by the thousands... yet finding a superb copy can be quite challenging.

Beauty, of course, is in the eye of the beholder. My dad originally wanted me to (or at least "hoped that I would") collect mint NH stamps because they were "pristine." It didn't really appeal to me, though. The number of ways we can mess up gum seemed "risky" to me-- all that worry about toning, foxing, wrinkling, fingerprints, moisture? No thanks! I also didn't like the fact that gum was one of the most forged/faked things on stamps... and it bugged me to have to pay so much attention to what was going on on the back side of the stamp FACING the album page, not the side you were looking at. But-- above all-- I liked the idea of having stamps that "told a story."

Mint stamps don't really have much of a "story." The story of a mint stamp (at least to me) goes something like "I was printed in Belgium in 1903. Here I am. The end." Not enough "meat" on those bones, for my liking.

A used stamp with a legible postmark tells a better story, like "I was printed in Denmark in 1880. Somebody bought me, but didn't put me on a letter to be mailed from the town of Hillerød until 1898. Most likely I was on a letter next to another stamp, because the postage rate had changed from 8 øre to 10 øre between the time I was printed and the time I was used." To me, that's just more interesting. Romantic foolishness? Whatever...

Getting back to "beauty being in the eye of the beholder," beautiful postmarks are a major reason why I collect used stamps. Not only do I like the "story" aspect, and the challenge of finding that "perfect strike," but I like the additional fact that it keeps the hobby affordable for me... because I can collect a whole group of different socked-on-the-nose postmarks on the same inexpensive stamp, and still have them be "different," for the purposes of my collections. Postmarks can add almost infinite variety and possibilities to a stamp collection.

Sometimes I get the impression that quite a few collectors "lose interest" when they reach the point where filling "the next blank space" becomes incrementally more costly. Suddenly you find yourself with just 17 empty spaces in the album, facing the fact that the next space will cost you at least $100.00 to fill. It was a point I reached with my Denmark collection when I was about 16-17... and there was no way for me to continue the collection, on a schoolboy's budget... so I branched out.

But we all have different motivations for collecting stamps. It seems to me that the driving motivation of those who simply "collect one of each" is to have a "complete" collection. For me, the driving motivation behind stamp collecting is.... the actual collecting; the finding; the treasure hunt. In a sense, it parallels the popular saying that "life is not about the destination, it's about the journey." Having a "complete" collection just... just sounds too much like a "destination" or "goal," rather than an ongoing pursuit or hobby. I'm not looking for a point where I am "done" with my collection... I have no plans to reach "done."

That said, there is-- of course-- no "right" or "wrong" way to collect stamps.

Postmarks: Hackås, Sweden

Pictured to the right is a copy of Sweden Facit nr. 31, the 6 öre lilac Ringtyp, perf 13, with a very nice cancel from the village of Hackås. The postmark is very crisp and clear, and reads "HACKÅS 3.4.1879." This is an example of the Swedish "normalcancellation 16;" in the small diameter with "thin" writing, typical of small postal places.

What is the value of this stamp? The stamp itself is a copy of Facit no. 31c which has a catalogue value of 45:- Swedish kr. A clear readable Hackås cancel from this time period carries a premium of another 50:- Swedish kr. The stamp is sound although a little off-center, but it is an unusually nice and clean example of the cancel. A stamp like this would probably sell for about 150-200:- Swedish kr. (about US$23.50-31.25) at auction; probably more from a specialist dealer.

About the village: Hackås is located in Jämtland county in central Sweden. The town itself has about 500 inhabitants; with a total of 1100+ if you count the outlying surrounding municipality. There has been a settlement in this area for many 100s of years, and it was considered one of the "central points" for community connection in Jämtland county. Later, it became a stopping point for the railway, as well a ferry landing for boats on nearby Storsjön which is Sweden's 5th largest lake. The nearest major population center is Östersund, some 25 miles to the north.

The church and bell tower at Hackås with Storsjön in the background.

Local lore suggests that the name Hackås is derived from the word "haknas," which is believed to actually be a misrecorded written entry in local records for the name "Hakuas," as the place was locally called in the early 1300s. "Hakuas" was most likely a compound word formed by the words "hake" (meaning a "point," as in, the point into the lake) and "ås" (meaning a ridge, or shallow mountain range). So, it could be said that the town's name was the result of poor penmanship, almost 700 years ago!

Hackås is best known for its very unusual and richly ornamented church, dating back to the 1100s-- along with the nearby belltower built in 1750. Although the church was rebuilt and expanded later, the structure still includes part of the original church, the altar, and frescoes dating to the 1200s. There are also a number of well-preserved paintings from the 1600s.

The church is located near the shore of the lake, a little bit away from the village, which is set back about 500 meters from the water's edge.

Postmarks: Hagelsrum, Sweden

Pictured here is a copy of Sweden Facit nr. 33, 20 öre bright red Ringtyp perf 13, with an attractive "HAGELSRUM 18.12.1883" town cancel. It looks a bit like the cancel is from 1888, but the line at left is stray cancel ink-- when viewed from the back, you can clearly see the "3" of the date stamp. This is a nice example of the "normalcancellation 16," widely in use in Sweden during the latter part of the 1800s.

What is the value of this stamp? This is Facit 33e, the orange-red shade on "soft" paper, which has a catalogue value of 11:- Swedish Kr. The slightly yellowish shade of the stamp is normal on the soft paper printings-- the paper was typically slightly "cream" colored. The Hagelsrum cancel is a difficult one for cancel collectors to find, and this is a very nice example. Readable cancels from this postal place carry a premium value of 100:- Swedish Kr. and up. Given the quality of the cancel on a fault-free (although a bit off-center) stamp and the scarcity of the place, I'd estimate this stamp would sell for about 200:- to 250:- Swedish Kr. (US $31.50-39.50) at auction, perhaps higher if you were to buy it from a specialist dealer.

A bit about the place this stamp was postmarked: Hagelsrum is located just outside the small town of Målilla in Kalmar county in southeastern Sweden. Strictly speaking, it cannot even be characterized as a village; it is more like a "manor" with associated buildings, and a very small iron smeltery. However, it was-- in the 1800s-- significant enough to warrant its own postal collection point, most likely due to the commercial activity from the iron ore mill.

The blast furnace at Hagelsrum

Local accounts suggest that the first settlements here were by Viking chieftains who'd "rest" in the area between long trips overseas. The first written accounts referring to the manor at Hagelsrum date to 1320, when the farming was most likely in care of a monastery based in the city of Vadstena. There were at the time three farms, a grain mill and an eel fishery in the vicinity.

Between 1447 and 1748, the property changed hands a number of times, was periodically claimed by the Swedish crown, and was burned down/ destroyed and rebuilt several times. There may have been a small castle built during one reconstruction, but this is uncertain as there are no remains found, today. For a while, the buildings were used for a munitions works; the iron smelter oven (basically a "blast furnace")-- which remains largely intact today-- was built from the ground up in 1853, and was in operation till 1877. The furnace is the only one of its kind in Kalmar county to remain well-preserved.

The postal station at Hagelsrum was active from December 1877 until January 1963. Today, mail from the area is processed at nearby Målilla. The current population of Hagelsrum is about 30 people.

Postmarks: Göteborg, Sweden

One of my stamp collections-- probably my favorite of all-- is my collection of town cancels on classic Sweden. I chose to start this collection after buying a large batch of early Swedish duplicates from a dealer in Copenhagen-- and I noticed how "clean and neat" many of the cancels were... and how they were of a size that fit well on the stamps issued at the time. So I decided to save them.

I have been working on this particular collection for almost 25 years, and it helped develop my interest in "socked-on-the-nose" cancels of all countries.

Anyway, I thought it might be interesting to create periodic posts featuring a stamp with a great postmark, alonf with a little information about that place. Not sure how many of these I'll feel like doing, but here's a start.

12 öre Ringtyp, perf 14, with GÖTEBORG cancel

Göteborg, Sweden

Here is a nice copy of Facit no. 21, 12 öre ringtyp perf 14, issued in 1872, with a nice cancel of "GÖTEBORG 24.10.1876."

For collectors of Swedish town cancels, this is by no means scarce, but this is a nice strike of the early "large diameter" postmark, on a well-centered stamp. This was actually one of the stamps in that first lot that got me interested in collecting Swedish cancels, which is why I chose to include it here.

Because Göteborg is a large city, many different cancelling devices have been used, and it can be a challenge for the cancel collector to assemble a complete set of all the possible "Göteborg" cancels.

What is this stamp worth? The stamp itself has a catalogue value of 10:- Swedish kr. A clear readable cancel from this time period carries a premium of another 10:- Swedish kr. Given the condition of the stamp and the quality of the cancel, a stamp like this would probably sell for about 50-60:- Swedish kr. (about US$7.75-9.25) at auction; somewhat more from a dealer.

About the city: Göteborg-- known in English as "Gothenburg"-- is Sweden's second largest city, with a population of a little over half a million people, although almost a million live in the greater metropolitan area. Located on the west coast of Sweden, facing Denmark, it was one of the first places in Sweden I became aware of, as a child growing up in Denmark.

View of the city of Göteborg

Founded in 1621, Göteborg is also Scandinavia's largest and busiest seaport. Geographically, the city is strategically placed almost at the midpoint of the three Scandinavian capitals, Copenhagen, Oslo and Stockholm. The city's early history was heavily influenced by Dutch traders (and invaders), who designed much of the early city. In fact, the Dutch influence was so strong that-- for a while-- Dutch was seriously under consideration for the official language of the city.

The city is located at the mouth of the Göta River, where it empties into the Kattegat Sea, at one end of the North Sea. Because it is in a location that is natural for having a port, it is likely that there have some kind of settlements here, long before Göteborg officially became a town.

Today, Göteborg is a cultural center in western Sweden, with many things to offer visitors, from museums to festivals to excellent restaurants. It is also home to Liseberg, Scandinavia's largest amusement park, as well as the most visited tourist destination in Sweden. Apart from its busy port, the city is served by two commercial airports and a major railway line.