21 directed by Robert Luketic (starring Jim Sturgess, Kevin Spacey, Laurence Fishburne, Kate Bosworth)

21 (2008). Screenplay by Peter Steinfeld and Allan Loeb from the book Bringing Down the House by Ben Mezrich.

Ben Campbell (Jim Sturgess) is a brilliant MIT student on his way to Harvard Medical School. He's already been accepted, but the money is an issue. Ben is up for a full scholarship, but so are 76 other people, and he has spent so much time studying, he's had little opportunity for the "life experience" the scholarship board seeks from that one "dazzling" candidate that deserves the $300,000 free ride.

So, when his Nonlinear Equations professor, Mickey Rosa (Kevin Spacey), recruits him to his team of other brilliant students to count cards in Las Vegas casinos, he reluctantly accepts — on the condition that once he's earned the three-hundred grand, he's out.

Spacey is electric as Professor Rosa, but it's Sturgess's work as Ben Campbell that grounds this flight of fancy in reality. He is instantly likable, and his troubles are relatable, even though few people have actually experienced them. Laurence Fishburne also has a nice turn as ultra-intimidating security man Cole Williams, a man who does whatever it takes to keep his job in an increasingly computer-controlled arena.

Though it's supposedly based on a true story, 21 is pure Hollywood all the way. From its underprivileged hero given the opportunity of a lifetime, to its instant inclusion of the hero's dream love interest (here Kate Bosworth), to how Ben drops his geek friends once he gets the chance to hang out with cooler people, to how the student surpasses the teacher.

The first portion of the movie is so predictable, in fact — and so spelled-out for the general audience — that it's a struggle just to get through to the interesting portion: the actual Vegas scenes. As a whole, however, 21 is a lot of fun, and I was surprised at how much I thought about it after it was over, especially that insipid but catchy phrase, "Winner, winner, chicken dinner."

No House Limit by Steve Fisher (Hard Case Crime)

Joe Martin runs the Rainbow's End, the only independent casino left in Las Vegas; the rest are all run by the Syndicate (better known to the uninitiated as the Mafia). The Syndicate wants Joe out of business, so they surreptitiously challenge him on his own turf — by sending Bello, the world's greatest gambler, to win millions of dollars at Joe's craps table.

With Bello on their side, how can they lose? But a man like Joe Martin doesn't get where he is by taking unnecessary risks. He's got an ace in the hole of his own, namely an innocent schoolteacher from Utah.

Steve Fisher, screenwriter of such beloved films as Lady in the Lake and Song of the Thin Man — and Oscar-nominated for Destination Tokyo for his original story — was the author of over 100 novels, as many screenplays for film and TV, and nearly 1,000 short stories. Any author who can produce that much understands the need for a brisk pace, and his novel No House Limit doesn't let up from the start. If other Fisher works are this briskly paced, I'll definitely be on the lookout for more.

But the main reason for No House Limit's success is the atmosphere. Fisher's portrait of Las Vegas in the 1950s, especially the casino environment, is so rich and detailed, it's a character in itself. I would have believed that he was a denizen of the city himself. But according to his son Michael's afterword, he just really enjoyed gambling — the rest came from research, in particular time spent with famous real-life gambler Nick the Greek.

The portrayal of the inside of a busy casino: the overlapping voices (game callers on top of conversations) and the loneliness of crowds combines with his insightful characterizations to make No House Limit — which is essentially a simple story, well told — into a memorable reading experience.