Showing posts with label Anne Lamott. Show all posts
Showing posts with label Anne Lamott. Show all posts

Friday, June 24, 2011

Favorite Lines from Books on Writing

By Jamie Freveletti
Here are some of my favorite lines from books on Writing:
My students assume that when well-respected writers sit down to write their books, they know pretty much what is going to happen because they've outlined most of the plot, and this is why their books turn out so beautifully and why their lives are so easy and joyful, their self-esteem so great, their childlike senses of trust and wonder so intact. Well I do not know anyone fitting this description at all. Everyone I know flails around kvetching and
growing despondent, on the way to finding a plot and structure that work. You are welcome to join the club.
Bird by Bird, Anne Lamott

...your first writing is as delicate as a seedling. Don't show it to some yahoo who wouldn't know an orchid from kudzu.
Making a Literary Life, Carolyn See

If you use a colloquialism or a slang word or phrase, simply use it; do not draw attention to it by enclosing it in quotation marks. To do so is to put on airs, as though you were inviting the reader to join you in select society of those who know better.
The Elements of Style, Strunk and White

Sometimes you just have to be stubborn. No matter how difficult the writing task, how slowly the words come, how altogether discouraging the act of writing seems to be, your stubborn streak keeps you going.
The Daily Writer, Fred White

If it sounds like writing, I rewrite it.
Elmore Leonard's 10 Rules of Writing

Just for fun, agree with criticism directed toward you (then watch it go away)
Don't Sweat the Small Stuff...and it's all small stuff, Richard Carlson, PH.D

And my own: enjoy every minute of it.

Tuesday, May 04, 2010

“How To” Books for New Writers—Have a Favorite?

by Jamie Freveletti

I’m preparing a presentation to a group of new writers and writing a list of “How to” books for them.

Like most debut authors, I spent a few years writing, rewriting and reading about how to write. I’d get stuck in the process and race to the Harold Washington library here in Chicago to a group of shelves that held books written by writers on writing. I’d yank one out, read it on the subway ride home, and plunge back into the novel. Some were quite helpful, some not so.

There are a few “standbys” that we all know, Anne Lamott’s “Bird by Bird,” and Elmore Leonard’s wonderful, fun read: “10 Rules of Writing” (Rule #3: Avoid Prologues).

I’d add the following:

1. The 38 Most Common Fiction Writing Mistakes (and how to avoid them), by Jack Bickham.

Bickham’s short, numbered mistake list, with a bit of explanation for each, is bound to hit on one that every writer will recognize as one they have made or are still making. At the time I grabbed this book I was deep into the first manuscript and nothing was going well. Mr. Bickham clued me in: I was protecting my protagonist and having a sidekick interact with the main second character. Why? My protagonist was married, and unless she was going to have an affair, there was no way she could run around with the male character in the story. I rewrote her as single, lost the sidekick, and continued forward.

2. Give ‘Em What They Want: the right way to pitch your novel to editors and agents by Blythe Camenson.

This is a must read for any author in the query stages of writing. I used this book religiously when creating my query (along with the advice of a good friend) and it really helped me see what agents needed in order to evaluate the novel. What’s great about this book is that many of the agents interviewed are still in the game and they are generous with advice about what they want to see in the queries they receive.

3. Making a Literary Life: advice for writers and other dreamers, by Carolyn See.

See’s book is one of the few that really helps published authors as well as the unpublished. Her “So what?” approach to reviews and her advice to use a form of “literary aikido” to take a negative event and spin it positively is a quite helpful (and as a black belt in aikido, I loved the analogy). See addresses whether to have launch parties in New York (better to wait and be sure you’ve got enough friends to back you) and gives a lighthearted account of her attempts to get an editor to accept some of her freelance work (pictures of goats were involved).

These are my current favorites, but if any of you have a book to recommend do tell!

Sunday, August 02, 2009

I Hate to Write

by Libby Hellmann

I read Dave’s Compromising Positions post (see below) earlier this week, as well as all the thoughtful comments, and I want to put in a vote for the other side. I’m one of those people who hates to write.

There. I said it.

What’s more, I’m envious, insanely jealous, to be honest, of writers who sink themselves in the process and find euphoria. I find misery.

On the other hand, I love having written. (Actually I think Patricia Highsmith said that first). I love the fact that I’ve written nine novels and published six. And I do consider myself a storyteller. I love to create characters, put them in situations of high conflict and danger, and see how it all turns out. But like Guyot, I always thought my storytelling would be on film. I studied film production, got a masters degree, and worked in the industry for years before moving on.

I was the last person in the word to expect I’d be writing books. Using the written word to create images and tell stories. Which probably is at the root of the problem. I usually feel unequal to the task. I constantly second guess myself, rewrite, edit, and rewrite again. I obsess over every sentence, every phrase, trying to elevate it beyond “workmanlike.” Sometimes I succeed. Often I don’t. For me, writing is the biggest challenge I’ve ever undertaken. And it doesn’t get any easier over time. I don’t expect it too any more. I’m used to the struggle. Kind of like a battered individual who’s used to getting beat up on a regular basis.

Someone once asked me why I put so much pressure on myself. I didn’t have a good answer -- except that the idea of seeing the finished product on sale in a bookstore, and knowing I created it, is immensely satisfying.

Over the years, I’ve discovered one mantra that helps, particularly when I’m facing a blank page: Annie LaMott’s advice in Bird by Bird (a fabulous book for writers, btw) to write “shitty first drafts.” She devoted an entire chapter to them, as I recall. Like her, shitty first drafts are now my goal. I write them all the time. It doesn’t make the process more enjoyable, but it does take some of the pressure off.

But enough from me. What about you? Especially those of you who love the process. What do you love about it? Care to share any tips on making it more enjoyable? I’m all ears.

Finally, a couple of notes… I’m thrilled to report that Easy Innocence is now available on audio. Here’s the link. This is my first novel to make it to audio (although several short stories are on Sniplits) so I’m pumped.

One other thing… There’s a funny series of 10 short videos titled “The Book vs. the Kindle” over at The Green Apple bookstore’s blog. Rumor has it the tenth installment is “f---ing hilarious.” Check it out.