Showing posts with label 2016. Show all posts
Showing posts with label 2016. Show all posts

Wednesday, January 20, 2016

-valis Pick of the Week



Hail Voyagers! New week, new Pick: from virtually everywhere on the planet, The Brian Jonestown Massacre! Their latest, released approx. eight weeks ago, entitled Mini Album Thingy Wingy, is out on A Recordings Ltd.



For a summation of the contents I've turned to good friend and long-time BJM freak, SR-71, a/k/a The Blackbird. A trusted ear and mind, always. Here's what he came back with for this post:
" Of all the many varied rabbit holes we've followed Anton Newcombe down musically, who would have ever guessed that sobriety and fatherhood would end up being one of the most fruitful and satisfying? Many of the BJM faithful looked at Revelation as a return to form, and with Newcombe's subsequent collaboration with Tess Parks, I Declare Nothing, and now this all killer no filler mini album, it looks like the enigmatic mastermind has, like his idol Bowie, found a truly creative nest in Berlin. And, yes, brief though it may be, the album manages to make time for an excellent cover of the 13th Floor Elevators' Dust featuring The Black Angels' Alex Maas on electric jug. From start to finish, this is one thingy wingy that is essential listening for all psychedelic ears. "

Forever and ever amen...





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You can listen to the archived stream here; or, hear it this Friday, on The Dead Man's Turn Me On, Dead Man show on Live365, where it's heard every Friday at noon eastern time, as well as Dogs Got A Bone out of Edinburgh, Scotland, from 10pm to midnight, Mondays, U.K. time, (adjust accordingly,) on Belter Radio.

Wednesday, January 13, 2016

-valis Pick of the Week



Hail Voyagers! Welcome to the New Year, and our first Pick of the Week: from Athens, Georgia: French Exit! Their new album, Jerk Store, is out via Cloud Records.



Led by AJ Griffin, (of Circulatory System/Olivia Tremor Control, as well as one-off [?] Laminated Cat,)French Exit also includes Steve Hendriksen, Evan Amburn, and Derek Almstead. Given AJ's CV you wouldn't be too far wrong in thinking you know what you're getting going into this listening experience. Fair enough. I'm here to tell you, despite all you think you know, you'll come out of the experience wanting to hit repeat and do it all over again. And again. Whilst Beatlesque is strewn throughout the various reviews -and they're not wrong, for me AJ funnels it all through a Sean O'Hagan-like The High Llamas filter, (circa Cold & Bouncy,) via The Idle Race. Perhaps upon reflection it's the overarching playfulness of the music on offer here in this debut which leads me to the prior references. Like The High Llamas there's the unexpected squiggles and bleeps which come in at the perfect time and are never overused to the detriment of the song. Vocally is where I'm reminded of Jeff Lynne's Idle Race. I'll post a couple of tracks as examples and you can judge for yourself. Me, I recommend. Highly.





***
You can listen to the archived stream here; or, hear it this Friday, on The Dead Man's Turn Me On, Dead Man show on Live365, where it's heard every Friday at noon eastern time, as well as Dogs Got A Bone out of Edinburgh, Scotland, from 10pm to midnight, Mondays, U.K. time, (adjust accordingly,) on Belter Radio.