Showing posts with label Martin Scorsese. Show all posts
Showing posts with label Martin Scorsese. Show all posts

Tuesday, December 2, 2014

Wrapping It Up: October

Another month, another wrap-up post full of this month's viewings. Let us get on to the movies of this month...

October



Saving Private Ryan(1998)(Re-watch): I have seen this one quite a few times already but this was probably the longest between my two watches. It is one of those movies that every time I see, I find someone knew I didn't know was in this film. This time it was Paul Giamatti who I completely forgot was in it. But it still awes me as much it did the first time I saw it. Yes, it's little too on the nose sometimes, like that ending, but that's Spielberg for you. And there is more than enough pathos in it to help me turn a blind eye towards such moments. And it makes me want to see The Thin Red Line(1998) again even more.



Haider(2014)(Hindi): Third installment of Vishal Bharadwaj's Shakespeare adaptations trilogy. What Bharadwaj has succeeded in doing in this trilogy is translate these stories beautifully to Indian backgrounds while keeping Shakespearean core of each intact. Bismil song in this film which replaces play in Hamlet, re-enacting his father's death, is prime example of this. He has achieved same effect with something intrinsically Indian and, if you ask me, that was easily the best part of the whole film. Bharadwaj has always been one of my favorite Indian directors and he once again demonstrates why.

Infernal Affairs(2002): The Departed(2006) is one of my favourite films. If I am not wrong, it was my first Scorsese film and still remains to be the best piece of ensemble acting I have seen. Infernal Affairs had been on my watch list since knowing Scorsese adapted his film from this one. Now I can see that The Departed had a solid base to build on. This one here is very smart film. It is relentless and equally well acted. However, best thing I can say about it is it's still an exhilarating watch despite knowing what's coming next.

La Haine(1995): Have you ever had a lingering feeling that something terrible is going to happen? You keep on thinking it's about to for a long time and it never does and then you let your guard fall for a second and it hits you right then. That was me watching La Haine. Given the way it starts, at every turn I kept expecting something terrible to befall. It never did, not really and just when I thought nothing would happen now - BOOM! It's such a beautiful film though - B&W, episodic, great flow, very natural acting, little abstract but always palpable.



Nowhere in Africa(2001): This is one of those films that if it had not won Foreign film Oscar, forget about watching it, I wouldn't have even known about this. I don't know about how it was received in 2001 but if feels like a kind of movie that not many people would know about. My first impression of this film was this is sort of Out of Africa(1985), because it is based in Africa, + Days of Heaven(1978) because of look and feel of this film. Only difference is I was indifferent at best towards either of these films and I liked this one quite a bit.

City Lights(2014)(Hindi): Not to be confused with Chaplin classic, this is a Hindi movie released earlier this year with same name. I saw this after watching Shahid(2012) last month which was first collaboration of actor-director combo of Rajkumar Rao and Hansal Mehta and was very much revered critically as well. It reminded me of Babel(2006) because just like it, nothing remotely nice happens to anyone in this film. As a movie lover, I can appreciate it on many levels but it really gets overbearing after a while. I don't think I'll came back to it anytime soon.

Dracula(1931): As has been my tradition, if you can call something I have done twice in a row a tradition, I chose a classic horror as this month's blind spot entry in honor of Halloween. This might come as a surprise but I have been mostly uninitialized to this piece of classic literature. There must be countless versions of it now but I have seen Nosferatu(1922) and that is as far as my initiation to this world goes. And what could be better place to start than this classic. What I can say is for a film made in 1931, it works remarkably well today.

A Most Wanted Man(2014): Since last year, I was very interested in watching this film just based on political nature of its plot and I am very glad that it didn't disappoint. If you don't like political thrillers you might find this one sleep inducing because this is a sort of film that runs on single speed, never picks up except in the end. But they have always interested me. And it still hurts to see PSH on screen, even more so because he is amazing in this film. The way he just lets it go in the last seen is really something, especially since he is so controlled otherwise.


The Last Temptation of Christ(1988): This was first of 3 films almost three hour long films I saw in a week. Other two were 2 films right below. Curious thing with Last Temptation is on one hand, I am really intrigued by the path it takes after Jesus' crucifixion(I am guessing that is where all the controversy surrounding it was). And on the other, other biblical aspects of his life - him turning water into wine, resurrecting dead person - really turned me off. And at the risk of starting another controversy, I don't think I would've like him at that time. He was too ostentatious.

Spartacus(1960): This was another example of a film that I would be much more in love with had it been about an hour less in run time. I was never bored while watching it, on the other hand I appreciate quite a few things in it, but I seriously cannot comprehend why does it had to be as long as it was. There really was not enough content in it to justify that length. I know Kubrick was just a for-hire vehicle here but I have this problem with some of his most acclaimed works as well - they are almost twice as long as they have any business to be.

Heaven's Gate(1980): One of the notoriously famous film for all the wrong reasons. I didn't really like it much but I found it to be better than I expected based on its status as one of the worst flops of cinema. I might sound like a broken record here but my biggest problem with this was it's run time. Any film with a run time 0f over 200 minutes will have its dull period but in this case, it was almost first full hour where I was never sure of what the hell is happening. It sort of picks up later on but damage is already done. 

King Kong(1933): Just like Dracula above, I think this also works remarkably well for a film made in 31. Early in the film King Kong looks like created from animations we did as kids - flipping through pages a of book very fast but it settled as movie went along. I had seen Peter Jackson version before so I had some idea of what whole thing was. However, King Kong here is much more plain villain. You feel quite sad for him in Jackson version. Plus, Denham is much more of an asshole in that version. Here I can defend him pretty much all the way through.

Nightmare on Elm Street(1984): For the past three years, I have been making some effort to acquaint myself with some of the horror films prevalent in pop culture. You can safely assume that I don't watch horror films for the rest of the year. So in October, I spend some time with them for Halloween. This was my first exposure to Freddy's world and I have to say that despite being very '80s, which in my case is not the best thing you want to be, I quite enjoyed this. I may not run to it but I think I'll be down for another trip down this lane.

Thor 2: The Dark World(2013): I always feel that Thor is the most neglected superhero of Marvel universe. Maybe that goes somewhere in the back of my mind as well because I had very less expectations of this one despite Thor(2011) being one of the better superhero films of recent years. Thor 2 exceeded my expectations as well. Now, it's not doing anything extra ordinary here. I guess rather than what it does, more important is what it does not do. It doesn't overdo anything and that made it very enjoyable to me.

The Great Beauty(2013): It could be the time and place I saw this film at but I went through a lot of conflicting emotions while watching this film. On one hand, there were moments in this film that I could really connect with while on the other I felt it too opulent, too frivolous and vacuous. But Jep Gambardella knows this very well; in fact showing how empty their lives are is the main point of this film and it does so eloquently. Knowing all this I should appreciate it a lot but then again, I had to fight to keep my eyes open the whole time.







Night Moves(2014): I think I can take slow movies. Or maybe I should say they don't bore me just because they are slow. I have seen and enjoyed a few to confirm. I understand that keeping your patience with it and still be able to appreciate it can be difficult but I can appreciate a movie taking its time to say what it wants to say. In this case, however, I wasn't sure what it was trying to say or it lost somewhere in the way that I didn't really care where was it going. Either way, not a movie I can say I liked for what it is. 

Army of Darkness(1992): Last of the horror movies I saw this month and unfortunately the worst one. I can appreciate self deprecating aspects of it because it would have been almost impossible to take it seriously but it was little too out there; too much of rolling the eyes. The way it makes fun of itself or jabs at many horror tropes etc. kept it interesting but there was only so much of it I could bare. I think I would have liked this more as a pure comedy than horror+comedy. Still, not the worst horror film I have seen.

A Christmas Story(1983): This is one of those movies I never would've seen, forget seeing - I never would've known, had it not been in IMDb top 250 list(Spare me your highbrow frown. Yes, I still do watch films just because they are in this list. I only have 6 more to see and I would like to say I've seen them all soon). If I had seen it a child, I think this has all the ingredients to be my favourite film. It's really sweet and cute but to tell you the truth now, with its language and looks and stupid voice-over throughout, it is too kiddies stuff.



Lucy(2014): I heard so many good things about this film that one of my major regrets in the past few months was I missed this film during its theatrical run. By luck, I got a chance to correct that but now I so wish I hadn't. This was a colossal waste of time, money and anything else that I cared to invest in it. I didn't expect much from Besson anyways but this is one of the stupidest, consistently over the top films I have seen in a long time. Even just 90 minutes of this film felt like an eternity.

Total Count: 19. 18 First Time Watches and 1 Re-watch .

2014 YTD Count
Total Count: 170. 160 First Time Watches and 10 Re-watches.

So, how was your month? Did you see anything interesting? What do you think of the movies I saw? Any favorites?

Thursday, January 16, 2014

And the Nominees are... 2014 Oscar Nominations.

So if some of you are living somewhere under the rock and still don’t know about it, Oscar nominations for this year were announced yesterday night. I have done similar posts for Oscar nominations for the past two years but this was the first time when I got to sit myself comfortably on the couch and watch them on my TV at normal human timings. Being in India has it perks, after all! I have mostly been absent from awards talk this season since I literally had not seen anything. But interesting thing is I have seen more movies nominated yesterday in last 16 days than the rest of awards season put together. So, that I am sort of up to the speed now, here is what I think of the nominations announced yesterday. As usual, I am not commenting on anything besides top 8(acting, directing, film and writing) and foreign film because, well because, I don’t know shit about them.

Best Picture:
American Hustle
12 Years a Slave
Gravity
The Wolf of Wall Street
Captain Phillips
Her
Nebraska
Dallas Buyers Club
Philomena
So there will be 9 variable nominees every year. Right, Academy? Did I do the math right or am I missing something? No real surprises here but it officially makes Philomena and Nebraska two films at the top of my 2013 watch list. If I can catch them before ceremony, this will be the second year in row I would have seen all the nominees before Oscars. And I wasn’t lying about having seen more nominated films this year than the rest of year. Just in this category, there are 5 I have seen in last two weeks as opposed to 2 I had seen in 2013.

Best Director:
Steve McQueen for 12 years a Slave
David O. Russell for American Hustle
Alphonso Cuaron for Gravity
Alexander Payne for Nebraska
Martin Scorsese for The Wolf of Wall Street
I haven’t yet seen Nebraska and going by Payne’s track record, I might easily love that film. But I am still sort of surprised to see Greengrass missing the cut. I won’t call it a snub just yet but that was unexpected. And this is really only one for Nebraska that wasn’t expected but with it, it suddenly seems very well represented. Great to see Scorsese being there!

Best Actor in Lead Role:
Leonardo DiCaprio for The Wolf of Wall Street
Christian Bale for American Hustle
Matthew McConaughey for Dallas Buyers Club
Chiwetel Ejiofor for 12 Years a Slave
Bruce Dern for Nebraska
You have no idea how much it hurt to take out Hanks' name out of this list. How can he not get nominated? As good as everyone in this category is, this category is just not complete without him. That has to be the biggest shock of this year. Great to see DiCaprio getting the nom. I Know lot of people must be very relieved to finally have him nominated.

Best Actress in Lead Role:
Cate Blanchett for Blue Jasmine
Judi Dench for Philomena
Sandra Bullock for Gravity
Amy Adams for American Hustle
Meryl Streep for August: Osage County
So while most of the rest of the world had their hands crossed for DiCaprio, I was anxious for Amy Adams. I really wanted her to be nominated and I am not even sure why? I mean, how is 5 time Oscar nominee any different than 4 time nominee? But still, I am so glad for her first leading nomination; did not expect Emma Thompson to make way for her though.

Best Actor in Supporting Role:
Jared Leto for Dallas Buyers Club
Jonah Hill for The Wolf of Wall Street
Barkhad Abdi for Captain Phillips
Michael Fassbender for 12 Years a Slave
Bradley Cooper for American Hustle
Remember 2012, Guys? When “Jonah Hill, an Oscar nominee” was the biggest punch line of that year’s nominations? I know I am going to go a special version of hell just for reminding this but whatever happened to it? I am not his fan in general but I think he did a great job in both films he has been nominated for. Fassbender finally got nominated. How about that? And Barkhad Abdi – He is the Captain now!

Best Actress in Supporting Role:
Sally Hawkins for Blue Jasmine
Junn Squibb for Nebraska
Lupita Nyong’o for 12 Years a Slave
Jennifer Lawrence for American Hustle
Julia Roberts for August: Osage County
So next time a movie gets nominated for all the acting awards, I would be saying “meh, even Hustle did it”. Way to ruin something spectacular, Academy! I don’t hate that film(but I don’t like it either) but if Adams can’t win for it, no one else should! I am cursing them to lose in all four acting categories. And I will be really pissed if Lawrence wins here for the team, which looking at the nominations has a realistic chance.

Best Original Screenplay:
Woody Allen for Blue Jasmine
Bob Nelson for Nebraska
Spike Jonze for Her
David O. Russell and Eric Singer for American Hustle
Craig Borten and Melisa Wallace for Dallas Buyers Club
Again, I don’t hate American Hustle but all these nominations are making me do it! Worst is this one, even though it was completely expected. Screenplay was easily the worst thing about this movie that all the actors kept afloat. And didn’t O. Russell say something like “I don’t care about the fucking plot. I care about characters”? How do you get best original screenplay out of something that doesn’t care about the plot?

Best Adapted Screenplay:
Julie Depy, Ethan Hawke and Richard Linklater for Before Midnight
Billy Ray for Captain Phillips
Terence Winter for The Wolf of Wall Street
John Ridley for 12 Years a Slave
Steve Coogan and Jeff Pope for Philomena
This is probably one and only category in this year’s nominations that has no surprises but still gets everything right. 4 phenomenal screenplays that deserve every mention they get capped with one that I haven’t seen yet.

Best Foreign Film:
The Broken Circle Breakdown(Belgium)
The Missing Picture(Cambodia)
The Hunt(Denmark)
The Great Beauty(Italy)
Omar(Palestine)
Tell me why The Past didn’t make the cut again? I have only seen two here but if The Past would have been here, 3 of top 5 movies of the year so far would have been nominated in this category. Imagine that! And I am glad The Grandmasters didn’t make the cut since then bottom 10 movies of the year would have also had the representation here.

So what did you think of these nominations?  

Saturday, December 14, 2013

Announcing 2014 Blind Spot Entries


Around Christmas, I will post my entry for this month's Blind Spot and with that 2013 Blind Spot Series will come to a conclusion. Blind Spot series is designed to motivate us into scratching off the names from our to-watch lists. We do that with every film we watch but these are meant to be those big, glaring omissions that are certain to attract some stares if you admit not having seen them in public. At this time of the year last year, I was little skeptical about being a part of it because first of all, there are just too many of them and secondly if I did participate, I wanted to take it seriously and look at the finish line. I am happy that I am at least looking at it now but as usual, others are way ahead of me. Most others have already published next year's entries. I might be lagging but I ain't a quitter! This is what I intend to check off for this series in 2014.


Off course in compliance with my OCD, movies are spread almost evenly over the time period ranging from silent era to contemporaries. 2 silents, 1 Halloween special, 1 previous Best Picture winner, 4 foreign films and one Satyajit Ray as a bonus should hopefully give me a lot of variety. Majority of the movies I saw this year were for their directors. I ventured into Tarkovskiy territory for the very first time and will encounter Ozu in December, went deeper into Kubrick and Bergamn filmography. I see the trend continuing next year as well with likes of Scorsese, Coppola and Bunuel but there are few here I have included based on their own accord. Biggest change from this year, however, would be me abandoning the question-answer format I used this year for these posts. I think I am about ready to do straight up posts for them. We'll see how that goes!

This year was a great hit considering that I ended up loving almost all the movies I saw for this list. I really don't like writing negative reviews so I really hope next year will be the same. Huge thanks to Ryan McNeil for organizing this, compiling the links every month and championing it throughout the year. I hope to be at the finish line this time next year as well. 
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